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“The” Making of Samuel Beckett?s Radio Plays
Author: Pim Verhulst
Publisher:
Published: 2019
Total Pages: 0
ISBN-13: 9789057187971
DOWNLOAD EBOOK →Reassessing the notions of ?undoing? and ?vaguening? that dominate genetic studies of Beckett?s work in theatre, television and film, the present volume in the BDMP series analyses the writing process of his radio drama, to illustrate how he grappled with the unique affordances of the medium while exploiting its ephemerality. In addition to Beckett?s six canonical works for radio, written in French and English from 1956 to 1962 (All That Fall, Embers, Pochaderadiophonique, Words and Music, Esquisse radiophonique, Cascando), his first ever radio script (The Capital of the Ruins, 1946) and his adaptation of Robert Pinget?s radio play La Manivelle (The Old Tune, 1959) are also included, as well as two previously unknown works: ?All but I? (1973) and ?Hörendspiel? (1988). For every text a detailed chronology is established in relation to Beckett?s other output, and his role in the recording process is reconstructed on the basis of archival materials from the BBC and RTF broadcasting services. With more than fifty newly discovered drafts, this book offers the most comprehensive study of Beckett?s radio plays to date, including his self-translations and those that he made in collaboration with Pinget.00This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp), the Beckett International Foundation (University of Reading) and the Harry Ransom Humanities Research Center (University of Texas at Austin), with the support of the Estate of Samuel Beckett. The BDMP (www.beckettarchive.org) digitally reunites the dispersed manuscripts of Samuel Beckett?s works and facilitates their examination. The project consists of two parts:0a) a digital archive of Beckett?s a manuscripts, with facsimiles and transcriptions, organized in modules;0b) a series of print volumes, analyzing the genesis of Beckett?s works
All That Fall and Other Plays for Radio and Screen
Author: Samuel Beckett
Publisher: Faber & Faber
Published: 2012-09-20
Total Pages: 161
ISBN-13: 0571297080
DOWNLOAD EBOOK →This new edition brings together all of Beckett's dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism. Above all, Beckett found his unique uses for the radio-play, a medium 'for voices not bodies', compacted of speech, sound and silence - and the plays in this volume intently explore the resources and limits of the sound-stage.My father, back from the dead, to be with me. (Pause.) As if he hadn't died. (Pause.) No, simply back from the dead, to be with me, in this strange place. (Pause.) Can he hear me? (Pause.) Yes, he must hear me. (Pause.) To answer me? (Pause.) No, he doesn't answer me. (Pause.) Just be with me. (Pause.) That sound you hear is the sea. (Pause. Louder.) I say that sound you hear is the sea, we are sitting on the strand. (Pause.) I mention it because the sound is so strange, so unlike the sound of the sea, that if you didn't see what it was you wouldn't know what it was. (Pause.). Hooves!Contents: All That Fall, Embers, Words and Music, Eh Joe, Quad, Film, ...but the clouds..., Ghost Trio, Nacht und Träume, Rough for Radio I, Rough for Radio II, Cascando, The Old TunePreface and Notes by Everett Frost
All that Fall
Author: Samuel Beckett
Publisher:
Published: 1957
Total Pages: 52
ISBN-13:
DOWNLOAD EBOOK →Published to celebrate the centenary of Beckett's birth
Samuel Beckett and BBC Radio
Author: David Addyman
Publisher: Springer
Published: 2017-03-30
Total Pages: 308
ISBN-13: 1137542659
DOWNLOAD EBOOK →This book is the first sustained examination of Samuel Beckett’s pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett’s work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett’s radio plays and various “adaptations” (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising for readers of Beckett and for scholars of radio, “late modernism,” and post-war British culture more broadly.
Samuel Beckett and the Arts
Author: Lois Oppenheim
Publisher: Routledge
Published: 2021-05-18
Total Pages: 326
ISBN-13: 1000378519
DOWNLOAD EBOOK →This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.
The Collected Shorter Plays of Samuel Beckett
Author: Samuel Beckett
Publisher: Grove/Atlantic, Inc.
Published: 2010-08-24
Total Pages: 329
ISBN-13: 0802198465
DOWNLOAD EBOOK →Samuel Beckett, the great minimalist master and winner of the 1969 Nobel Prize for Literature, has produced some of his most widely praised work for the stage in the form of the shorter play. This complete and definitive collection of twenty-five plays and "playlets" includes Beckett's celebrated Krapp's Last Tape, Embers, Cascando, Play, Eh Joe, Not I, and Footfalls, as well as his mimes, all his radio and television plays, his screenplay for Film, his adaptation of Robert Pignet's The Old Tune, and more recent Catastrophe, What Where, Quad, and Night and Dreams. Includes: All That Fall Act Without Words I Act Without Words II Krapp's Last Tape Rough for Theatre I Rough for Theatre II Embers Rough for Radio I Rough for Radio II Words and Music Cascando Play Film The Old Tune Come and Go Eh Joe Breath Not I That Time Footfalls Ghost Trio …but the clouds… A Piece of Monologue Rockaby Ohio Impromptu Quad Catastrophe Nacht und Träume What Where
Radio Beckett
Author: Kevin Branigan
Publisher: Peter Lang
Published: 2008
Total Pages: 272
ISBN-13: 9783039113712
DOWNLOAD EBOOK →In the decade following the success of Waiting for Godot (1952), Samuel Beckett wrote some of his most absorbing work for radio. These plays display the author's appreciation of the essential properties of radio broadcasting. They also highlight a profound musicality which, while evident in his novels, poetry and plays, is particularly noteworthy in this medium. This book is an analysis of the contribution made to radio drama by Beckett. In these plays, he is concerned with themes of human isolation and the frailty of memory and communication. He identified radio as an ideal medium for the presentation of these themes and the development of drama which could transcend the limitations of realism. Beckett used music as an essential component of his radio output for a variety of purposes. In this study, the author argues that, while Beckett's radio plays are suffused with a bleak sense of disintegration of language, music offers a sense of optimism. A variety of musical and performance perspectives is utilised to gain a greater appreciation of these radio plays.
The Complete Dramatic Works of Samuel Beckett
Author: Samuel Beckett
Publisher: Faber & Faber
Published: 2012-12-20
Total Pages: 462
ISBN-13: 0571300197
DOWNLOAD EBOOK →The present volume gathers all of Beckett's texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio. 'He believes in the cadence, the comma, the bite of word on reality, whatever else he believes; and his devotion to them, he makes clear, is a sufficient focus for the reader's attention. In the modern history of literature he is a unique moral figure, not a dreamer of rose-gardens but a cultivator of what will grow in the waste land, who can make us see the exhilarating design that thorns and yucca share with whatever will grow anywhere.' - Hugh Kenner Contents: Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio,... but the clouds..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where.
The Plays of Samuel Beckett
Author: Katherine Weiss
Publisher: A&C Black
Published: 2013-12-02
Total Pages: 296
ISBN-13: 1408145588
DOWNLOAD EBOOK →Beckett remains one of the most important writers of the twentieth century whose radical experimentations in form and content won him the Nobel Prize for Literature in 1969. This Critical Companion encompasses his plays for the stage, radio and television, and will be indispensable to students of his work. Challenging and at times perplexing, Beckett's work is represented on almost every literature, theatre and Irish studies curriculum in universities in North America, Europe and Australia. Katherine Weiss' admirably clear study of his work provides the perfect companion, illuminating each play and Beckett's vision, and investigating his experiments with the body, voice and technology. It includes in-depth studies of the major works Waiting for Godot, Endgame and Krapp's Last Tape, and as with other volumes in Methuen Drama's Critical Companions series it features too a series of essays by other scholars and practitioners offering different critical perspectives on Beckett in performance that will inform students' own critical thinking. Together with a series of resources including a chronology and a list of further reading, this is ideal for all students and readers of Beckett's work.
