The Making of Rodin

The Making of Rodin PDF

Author: Nabila Abdel Nabi

Publisher: Tate Publishing

Published: 2021-09-14

Total Pages: 192

ISBN-13: 9781849766753

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Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to multiplication, assemblage, industrial production and serial repetition challenged classical sculptural traditions and provided a definitive break in the history of art. Although best known for his bronze and marble sculptures, Rodin's genius was as a modeller, who captured movement, emotion, light and volume in pliable materials such as clay and plaster. Unlike his predecessors, his works include traces of their creation, challenging traditional conceptions of beauty. In line with new thinking on Rodin, this beautifully illustrated book focuses on the artist's use of plaster, a material which enabled him to create sculptures that are never finished, always becoming. United by their whiteness, fragile and experimental pieces will be explored alongside alternative aspects of some of Rodin's signature works. Including an exclusive contribution from sculptor Phyllida Barlow, newly commissioned texts will shed light on Rodin's way of working, the importance of modelling, his use of materiality and sexuality, and the role of photography in his work. For the first time, Rodin will be presented as the father of modern. Exhibition: Tate Modern, London, UK (21.10.2020 - 21.02.2021).

The Making of Rodin. The EY Exhibition

The Making of Rodin. The EY Exhibition PDF

Author:

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781849767200

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Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to multiplication, assemblage, industrial production and serial repetition challenged classical sculptural traditions and provided a definitive break in the history of art. Although best known for his bronze and marble sculptures, Rodin's genius was as a modeller, who captured movement, emotion, light and volume in pliable materials such as clay and plaster. Unlike his predecessors, his works include traces of their creation, challenging traditional conceptions of beauty. In line with new thinking on Rodin, this beautifully illustrated book focuses on the artist's use of plaster, a material which enabled him to create sculptures that are never finished, always becoming. United by their whiteness, fragile and experimental pieces will be explored alongside alternative aspects of some of Rodin's signature works. Including an exclusive contribution from sculptor Phyllida Barlow, newly commissioned texts will shed light on Rodin's way of working, the importance of modelling, his use of materiality and sexuality, and the role of photography in his work. For the first time, Rodin will be presented as the father of modern. Exhibition: Tate Modern, London, UK (21.10.2020 - 21.02.2021).

The Originality of the Avant-Garde and Other Modernist Myths

The Originality of the Avant-Garde and Other Modernist Myths PDF

Author: Rosalind E. Krauss

Publisher: MIT Press

Published: 1986-07-09

Total Pages: 324

ISBN-13: 9780262610469

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Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.

Rodin: The Man and His Art, with Leaves from His Note-book

Rodin: The Man and His Art, with Leaves from His Note-book PDF

Author: Judith Cladel

Publisher: Good Press

Published: 2019-12-18

Total Pages: 278

ISBN-13:

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This book is a biography of François Auguste René Rodin, a French sculptor, who is generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.

Faking it

Faking it PDF

Author: Mia Fineman

Publisher: Metropolitan Museum of Art

Published: 2012

Total Pages: 298

ISBN-13: 1588394735

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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.

How to See: Looking, Talking, and Thinking about Art

How to See: Looking, Talking, and Thinking about Art PDF

Author: David Salle

Publisher: W. W. Norton & Company

Published: 2016-10-04

Total Pages: 256

ISBN-13: 0393248143

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“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” —Salman Rushdie How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.

Metamorphoses

Metamorphoses PDF

Author: Nathalie Bondil

Publisher:

Published: 2015

Total Pages: 303

ISBN-13: 9782891923897

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Metamorphoses: in Rodin's studio reveals the work of Auguste Rodin (1840-1917) and the materials he used to accomplish it, along with his collaborators, models, studio assistants and founders, as observed by eyewitnesses, photographers and writers. The theme of metamorphosis plunges us directly into the secrets of the studio to unveil the constantly shifting creative process of this revolutionary sculptor. Rodin is a pivotal figure not only because of his expression, of a rare emotional and psychological complexity, but also because of his profound renewal of the language of sculptural practice. One of the most striking aspects of his vision lies in his ascribing greater value to the act of creation, which he placed in the forefront, than to the imperious dogma of a necessarily completed work: no sculpture was ever immutably final in Rodin's mind.

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