The London Journal of Arts and Sciences, 1825, Vol. 10

The London Journal of Arts and Sciences, 1825, Vol. 10 PDF

Author: W. Newton

Publisher: Forgotten Books

Published: 2017-10-21

Total Pages: 396

ISBN-13: 9780266550761

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Excerpt from The London Journal of Arts and Sciences, 1825, Vol. 10: Containing Reports of All New Patents, With Description of Their Respective Principles and Properties; Also Original Communications on Objects Connected With Science and Philosophy; Particularly Such as Embrace the Most Recent Inventions and Discoveries By this disposition and mode of fixing the paving stones, it'is considered that they will be prevented from sinking, a'nd that roadways may be made more solid and durable than by any other plan heretofore adopted, and that the construction renders them capable of being kept free from mud. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The London Journal of Arts and Sciences

The London Journal of Arts and Sciences PDF

Author:

Publisher:

Published: 1828

Total Pages: 512

ISBN-13:

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Containing reports of all new patents, with a description of their respective principles and properties: also, original communications on subjects connected with science and philosophy; particularly such as embrace the most recent inventions and dicoveries in practical mechanics.

The London Journal of Arts and Sciences, 1825, Vol. 9

The London Journal of Arts and Sciences, 1825, Vol. 9 PDF

Author: William Newton

Publisher: Forgotten Books

Published: 2017-10-21

Total Pages: 432

ISBN-13: 9780265546536

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Excerpt from The London Journal of Arts and Sciences, 1825, Vol. 9: Containing Reports of All New Patents, With Descriptions of Their Respective Principles and Properties; Also Original Communications on Objects Connected With Science and Philosophy XVI. Swain's Apparatus for, making Artificial Mineral Water; Jump and Court's Salt Pan; J ordan's improved water-closet; and Bradbury's Spinning Machinery. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The London Journal of Arts and Sciences

The London Journal of Arts and Sciences PDF

Author:

Publisher:

Published: 1821

Total Pages: 538

ISBN-13:

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Containing reports of all new patents, with a description of their respective principles and properties: also, original communications on subjects connected with science and philosophy; particularly such as embrace the most recent inventions and dicoveries in practical mechanics.

Illusions in Motion

Illusions in Motion PDF

Author: Erkki Huhtamo

Publisher: MIT Press

Published: 2023-08-22

Total Pages: 461

ISBN-13: 0262547546

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Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.