The London Furniture Makers

The London Furniture Makers PDF

Author: Sir Ambrose Heal

Publisher:

Published: 1988

Total Pages: 306

ISBN-13:

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This is a record of 2500 cabinet-makers, upholsterers, carvers and gilders with their addresses and working dates illustrated by 165 reproductions of rare and little-known makers' trade-cards announcing their productions. These were used by the more reputable firms from about 1700 up till the early years of the 19th century. The book includes a chapter by R.W.Symonds, FSA on the problem of identification, illustrated by a number of outstanding pieces of furniture of the period, which have been authenticated by bills of account, marks and/or labels.

Pictorial Dictionary of Marked London Furniture, 1700-1840

Pictorial Dictionary of Marked London Furniture, 1700-1840 PDF

Author: Christopher Gilbert

Publisher: Routledge

Published: 1996

Total Pages: 520

ISBN-13:

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A record of marked items made by London furniture makers between 1700 and 1840. The survey contains illustrations supported by background notes on the makers, together with an introduction which examines the reasons why certain firms employed labels, name straps, or engraved brass tablets.

The Cabinet-Maker and Upholsterer's Guide

The Cabinet-Maker and Upholsterer's Guide PDF

Author: George Hepplewhite

Publisher: Courier Corporation

Published: 2013-05-09

Total Pages: 176

ISBN-13: 0486142671

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Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.

Furniture-Makers and Consumers in England, 1754–1851

Furniture-Makers and Consumers in England, 1754–1851 PDF

Author: Dr Akiko Shimbo

Publisher: Ashgate Publishing, Ltd.

Published: 2015-12-28

Total Pages: 281

ISBN-13: 0754669289

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Covering the period from the publication of Thomas Chippendale’s The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This study examines the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.

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