Three Mozart Libretti

Three Mozart Libretti PDF

Author: Wolfgang Amadeus Mozart

Publisher: Courier Corporation

Published: 1993-01-01

Total Pages: 322

ISBN-13: 9780486277264

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Handy practical guide to three of Mozart's most popular operas. Excellent line-for-line English translations face the Italian texts. Also introductions, plot synopses, and lists of characters for each opera.

Understanding the Women of Mozart's Operas

Understanding the Women of Mozart's Operas PDF

Author: Kristi Brown-Montesano

Publisher: Univ of California Press

Published: 2021-11-09

Total Pages: 344

ISBN-13: 0520385799

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Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.

Mozart's Don Giovanni

Mozart's Don Giovanni PDF

Author: Wolfgang Amadeus Mozart

Publisher: Courier Corporation

Published: 1985-01-01

Total Pages: 132

ISBN-13: 9780486249445

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Don Giovanni has been called the greatest opera ever composed, an almost perfect work. Along with "Aida," "La Boheme," and "Carmen," Mozart's masterpiece is one of the most often performed operas. The work is so admired that when the Italian composer Gioacchino Rossini was asked which of his own operas he liked best, Rossini unhesitatingly replied, ""Don Giovanni."" This Dover edition contains the standard Italian libretto of "Don Giovanni," side by side with a complete new English translation. Convenient and portable, it also includes an informative Introduction, a complete List of Characters, and an easy-to-follow Plot Summary. All repeats are given in full, so you can follow the text as it is sung, without losing your place. With this inexpensive, handy guide, opera lovers can appreciate every word of Mozart's brilliant comic drama in the original Italian or in modern English. An ideal companion for reading along with a recording, a broadcast, or at the performance itself, this superb volume is a first-rate aid to enjoyment of one of the world's most celebrated operas. "

Mozart's Operas

Mozart's Operas PDF

Author: Daniel Heartz

Publisher: Univ of California Press

Published: 1990

Total Pages: 382

ISBN-13: 0520078721

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Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.

The Metropolitan Opera Presents: Wolfgang Amadeus Mozart's Le Nozze di Figaro

The Metropolitan Opera Presents: Wolfgang Amadeus Mozart's Le Nozze di Figaro PDF

Author: Lorenzo Da Ponte

Publisher: Hal Leonard Corporation

Published: 2014-08-01

Total Pages: 280

ISBN-13: 1574674684

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(Amadeus). Today Mozart's exquisite Le Nozze di Figaro delights and moves audiences everywhere, long after its 1786 birth into tumultuous times. The original Beaumarchais play raised a firestorm in France, then on the brink of revolution, with its dangerous commentary on class relations. However, Lorenzo Da Ponte carefully omitted anything political from his opera libretto; what remained, when joined with Mozart's sublime and penetrating music, was a witty yet profound tale of infatuation, heartache, scheming, and tenderness, where complex emotions are laid bare and everyone, regardless of class, is equally vulnerable to the powers of love. Figaro continues the story of The Barber of Seville several years later, in a single "day of madness." Count Almaviva's love, Rosina, is now his long-suffering countess, and the barber Figaro, now the count's valet, is about to marry Susanna, the countess's maid. But the couple-to-be must first deal with two obstacles: a demand that Figaro pay his debt to an older woman or marry her instead, and the count's determination to bed Susanna on her wedding night. Suspicions fly, plots are hatched, narrow escapes abound, and connivers receive their due. Love and forgiveness finally bring order to the craziness, and a day filled with torment and worry ends in joy.