The Island of Golden Zandolie 4. The Blue Blood

The Island of Golden Zandolie 4. The Blue Blood PDF

Author: Лилия Кадет

Publisher: Litres

Published: 2022-01-11

Total Pages: 310

ISBN-13: 5044123404

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After incredible adventures in the Caribbean with aliens, mutants and reptilians, our heroes return home – to Paris, London, the various cities of Russia. But the call of the “blue blood” brings them back together again. Who is the real alien? This is the fourth book of “The Island of Golden Zandolie” series.All illustrations done by the author.

The Snakes of Trinidad and Tobago

The Snakes of Trinidad and Tobago PDF

Author: Hans E. A. Boos

Publisher: Texas A&M University Press

Published: 2001

Total Pages: 308

ISBN-13: 9781585441167

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As issues of employee involvement and participation once more evoke considerable controversy, this textbook provides an accessible overview of the main strands, perspectives and debates in current thinking and practice. It adopts a comparative international approach, addressing developments in the United Kingdom and mainland Europe, the United States and elsewhere. The authors identify two main strands of evolution: one driven by managerial interests in enhancing and controlling employee commitment and performance; the other deriving from employees' attempts to influence high-level organizational decision-making. In particular, they examine and analyze: the background of key concepts, issues and philosophies underpinning

The Political Calypso

The Political Calypso PDF

Author: Louis Regis

Publisher: University Press of Florida

Published: 1999

Total Pages: 277

ISBN-13: 9780813015804

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"A significant contribution to the field of calypso studies. . . . Few published works have taken this extensive a look at the political calypsos and what informs them."--Keith Q. Warner, George Mason University, author of Kaiso! The Trinidad Calypso Calypso, a traditional form of music in the Caribbean, began in Trinidad and Tobago as a subtle protest against British rule. Influenced by African and native Caribbean rhythms, the calypso (along with Jamaican reggae) defines the music of the region. Louis Regis examines the evolution of the political calypso from 1962 to 1987, the period of Trinidad/Tobago's independence from Britain, and presents the text of lyrics from this popular folk-urban musical form. Following the songs and their themes chronologically from 1962 forward, Regis discovers the social history, cultural attitudes, and political commentary embedded within the music. He discusses the uneasy alliance between the performer and the politician, the political moods and postures emphasized in the songs, and the national identity of the calypso. Drawing upon voluminous research, Regis's study brings to light little-known and unrecorded songs. With a concluding chapter on the calypso's artistic and performance elements, it will appeal both to specialists in ethnomusicology and to general readers who enjoy the calypso. Louis Regis, the author of Maestro: The True Master and Black Stalin: The Caribbean Man, is one of the West Indies' foremost authorities on the calypso. He teaches at Pleasantville Senior Comprehensive School in Trinidad.

Governing Sound

Governing Sound PDF

Author: Jocelyne Guilbault

Publisher: University of Chicago Press

Published: 2007-09-15

Total Pages: 372

ISBN-13: 0226310604

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Written in two parts, part 1 explores the development of Calypso, from it's emergence in the pre-colonial period to the post colonial period. In part 2, the focus is on the new Carnival musical practices of soca, rapso, chutney, soca and ragga soca, and the ways in which they contirbuted to the redefination of Trinidadian cultural politics in the neoliberal era. The new rationailities, contigencies, desires and musical experments that animated the new musics and enabled them to gradually displace calypso from its centrality as national expression is examined.

Bob Marley "talking"

Bob Marley

Author: Bob Marley

Publisher:

Published: 2003

Total Pages: 0

ISBN-13: 9780711997660

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Bob Marley was the Undisputed King of Reggae Music and a Spiritual Leader in the Caribbean and Beyond. His life and work continue to inspire generation after generation. Here are his thoughts and words on... Philosophy "What we really need is the right to be right and the right to be wrong." Success "Me no enjoy success, y'know. Look how slim me is. Me just come to do God's work, me no really enjoy it." Music "My music will go on forever. Maybe it's a fool say that, but when me know facts me can say facts. My music will go on forever." Sex "Children are wonderful. It don't take plenty, y'know, just a nice girl who don't take birth control. Sexual intercourse is a wonderful thing." Ganja "The more people smoke herb, the more Babylon fall." Politics "Government sometimes maybe not like what we have to say because we say it too... plain." Race "There should be no war between black and white. But until white people listen to black with open ears, there must be well-suspicion." Himself "Bob Marley isn't my name. I don't even know my name yet."

Calypso and Other Music of Trinidad, 1912-1962

Calypso and Other Music of Trinidad, 1912-1962 PDF

Author:

Publisher: McFarland

Published: 2015-05-11

Total Pages: 393

ISBN-13: 147661931X

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Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.

Bacchanalian Sentiments

Bacchanalian Sentiments PDF

Author: Kevin K. Birth

Publisher: Duke University Press

Published: 2008-01-02

Total Pages: 276

ISBN-13: 082238874X

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Trinidad is known for its vibrant musical traditions, which reflect the island’s ethnic diversity. The annual Carnival, far and away the biggest event in Trinidad, is filled with soca and calypso music. Soca is a dance music derived from calypso, a music with African antecedents. In parang, a Venezuelan and Spanish derived folk music that dominates Trinidadian Christmas festivities, groups of singers and musicians progress from house to house, performing for their neighbors. Chutney is also an Indo-Caribbean music. In Bacchanalian Sentiments, Kevin K. Birth argues that these and other Trinidadian musical genres and traditions not only provide a soundtrack to daily life on the southern Caribbean island; they are central to the ways that Trinidadians experience and navigate their social lives and interpret political events. Birth draws on fieldwork he conducted in one of Trinidad’s ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d’état in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.

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