Irish Film

Irish Film PDF

Author: Martin McLoone

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 264

ISBN-13: 1838716432

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This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.

The Irish Filmography

The Irish Filmography PDF

Author: Kevin Rockett

Publisher:

Published: 1996

Total Pages: 778

ISBN-13:

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Documents as completely as possible all fiction films made in Ireland and about Ireland and the Irish produced world-wide since the beginning of cinema.

The Real Ireland

The Real Ireland PDF

Author: Harvey O'Brien

Publisher: Manchester University Press

Published: 2004

Total Pages: 368

ISBN-13: 9780719069079

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The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.

Women in the Irish Film Industry

Women in the Irish Film Industry PDF

Author: Susan Liddy

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781782053736

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Intro -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Setting the Scene: Women in the Irish film industry -- Susan Liddy -- Revisiting the Past -- Ellen O'Mara Sullivan and Her Role in Early Irish Cinema -- Díóg O'connell -- Feminist Reclamation Politics: Reclaiming Maeve (1981) and Mother Ireland (1988) -- Sarah Edge -- Practitioners and Production Culture -- 'Where Are the Women?' Exploring perceptions of a gender order in the Irish film industry -- Susan Liddy -- Irish Production Cultures and Women Filmmakers: Nicky Gogan -- Laura Canning -- Women Cinematographers and Changing Irish Production Cultures -- Maeve Connolly -- A Cut Above: In conversation with Emer Reynolds -- Susan Liddy -- Documenting Documentary: Liberated enclave or pink ghetto? -- Anne O'brien -- Changing the Conversation: Education, celebration and collaboration -- Educating Gráinne: The role of education in promoting gender equality in the Irish film industry -- Annie Doona -- Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014-17 -- Karla Healion, Aileen O'driscoll, Jennifer O'meara, Katie Stone -- What If We Had Been the Heroes of the Maze and Long Kesh? Collaborative filmmaking in Northern Ireland -- Laura Aguiar -- Text and Context: Documentary, fiction and animation -- Dearbhla Glynn: Documenting war and sexual violence -- Eileen Culloty -- Pat Murphy: Portrait of an artist as a filmmaker -- Lance Pettitt -- Juanita Wilson: A crusading Irish filmmaker -- Isabelle Le Corff -- Irish Cinema and the Gendering of Space: Motherhood, domesticity and the homeplace -- Ruth Barton -- Authority to Speak: Assessing the progress of gender parity and representation in Irish animation -- Ciara Barrett -- Conclusion.

Irish English as Represented in Film

Irish English as Represented in Film PDF

Author: Shane Walshe

Publisher: Peter Lang

Published: 2009

Total Pages: 454

ISBN-13: 9783631586822

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This study is the first of its kind to analyse the representation of Irish English in film. Using a corpus of 50 films, ranging from John Ford's The Informer (1935) to Lenny Abrahamson's Garage (2007), the author examines the extent to which Irish English grammatical, discourse and lexical features are present in the films and provides a qualitative analysis of the accents in these works. The authenticity of the language is called into question and discussed in relation to the phenomenon of the Stage Irishman.

Irish Film Censorship

Irish Film Censorship PDF

Author: Kevin Rockett

Publisher: Four Courts Press

Published: 2004

Total Pages: 552

ISBN-13:

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This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005

Irish Cinema in the Twenty-First Century

Irish Cinema in the Twenty-First Century PDF

Author: Ruth Barton

Publisher:

Published: 2019-03-25

Total Pages: 248

ISBN-13: 9781526124449

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This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city.

Contemporary Irish Cinema

Contemporary Irish Cinema PDF

Author: James MacKillop

Publisher: Syracuse University Press

Published: 1999-08-01

Total Pages: 320

ISBN-13: 9780815627982

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Movies from and about Ireland have attracted huge augiences, capturing top international prizes (The Crying Game) and an Academy Award (My Left Foot). In this text, contributors take a variety of approaches to the treatment of films and film makers. They probe cinema's rewriting of Irish history, from Michael Collins and In the Name of the Father to Lost Beginnings.

Historical Dictionary of Irish Cinema

Historical Dictionary of Irish Cinema PDF

Author: Roderick Flynn

Publisher: Scarecrow Press

Published: 2007-07-30

Total Pages: 435

ISBN-13: 0810864355

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In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.