The Interpretation of Nature in English Poetry
Author: John Thomas Ingram Bryan
Publisher:
Published: 1932
Total Pages: 338
ISBN-13:
DOWNLOAD EBOOK →Author: John Thomas Ingram Bryan
Publisher:
Published: 1932
Total Pages: 338
ISBN-13:
DOWNLOAD EBOOK →Author: John Ingram Bryan
Publisher:
Published: 1932
Total Pages: 324
ISBN-13: 9780883058688
DOWNLOAD EBOOK →Author: Frederic William Moorman
Publisher:
Published: 1905
Total Pages: 610
ISBN-13:
DOWNLOAD EBOOK →Author: John Campbell Shairp
Publisher: Edinburgh : D. Douglas
Published: 1877
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOK →Author: John Campbell Shairp
Publisher: BoD – Books on Demand
Published: 2023-10-24
Total Pages: 314
ISBN-13: 3387305354
DOWNLOAD EBOOK →Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: John Campbell Shairp
Publisher: BoD – Books on Demand
Published: 2023-09-12
Total Pages: 142
ISBN-13: 3368935933
DOWNLOAD EBOOK →Reproduction of the original.
Author: Tommy Pico
Publisher: Tin House Books
Published: 2017-05-09
Total Pages: 102
ISBN-13: 1941040640
DOWNLOAD EBOOK →A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.