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The Indigenous Lens?

Author: Markus Ritter

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2017-12-18

Total Pages: 374

ISBN-13: 3110590875

The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions have, and which specific functions did photography meet since its introduction? This collective volume deals with examples from Iran, the Ottoman Empire, and the Arab lands and with the question of local specifics, or an „indigenous lens." The contributions broach the issues of regional histories of photography, local photographers, specific themes and practices, and historical collections in these countries. They offer, for the first time in book form, a cross-section through a developing field of the history of photography.

Through a Native Lens

Author: Nicole Strathman

Publisher: University of Oklahoma Press

Published: 2020-03-19

Total Pages: 241

ISBN-13: 0806167068

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What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.

Decolonizing the Lens of Power

Author: Kerstin Knopf

Publisher: BRILL

Published: 2008-01-01

Total Pages: 562

ISBN-13: 9042028831

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This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over the imagemaking process in the area of film and video, they cease being studied and described objects and become subjects who create self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous oral tradition into film, touching upon the changes the cultural knowledge is subject to in this process, including statements of Indigenous filmmakers on this issue. It also asks whether or not there is a definite Indigenous film practice and whether filmmakers tend to dissociate their work from dominant classical filmmaking, adapt to it, or create new film forms and styles through converging classical film conventions and their conscious violation. This approach presupposes that Indigenous filmmakers are constantly in some state of reaction to Western ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk.

Women of the Red Earth

Author: Tonya Locklear

Publisher:

Published: 2017-11

Total Pages: 39

ISBN-13: 9780999495803

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Inside this book of poetry by Tonya Holy Elk Locklear (Oglala Lakota / Lumbee) and art by Margie Beth Labadie, are poems told through an Indigenous lens, from the histories that American Indians encountered and still face today, and stories of personal experiences from the farms of southeastern North Carolina, from tobacco fields to corn fields to pea fields and the South Dakota plains. Locklear's poems include words from the Lakota language. Labadie's colorful artwork illustrates each poem and story.The visually striking, illustrated literary works are meant to knock down the stereotypical walls that continue to be the European perception of Native Americans. Labadie's artwork incorporates many of Locklear's Native American objects in ways that entice viewers to come closer to read stories written in poetry and prose. Locklear and Labadie¿s collaboration is meant to create new spaces for Native Americans and Non-Native Americans to see each other in new ways. They hope the book, Women of the Red Earth, will resonate with readers to spark dialogues and talking circles with and about Indigenous peoples. This book can be used for informal talking circles to encourage discussions. Open its pages and become part of these histories and experiences. Talking Circles are based on the sacred Native American tradition of sharing circles. Informal talking circles or group discussions, allow a person to freely share and express themselves in a comfortable and safe space. A Talking Circle is for sharing, telling and teaching from the heart where wisdom speaks; of hope, joy, struggles, triumph. To encourage, growth and healing.This book is a companion to the traveling exhibition Women of the Red Earth and contains imagery from the fifteen framed works. It is the goal of Tonya Holy Elk Locklear and Margie Beth Labadie, partners in Earth Women Arts, Inc. that these images and words spark and expand dialogs on Indigenous peoples in as many venues as possible.

An Indigenous Peoples' History of the United States for Young People

Author: Roxanne Dunbar-Ortiz

Publisher: Beacon Press

Published: 2019-07-23

Total Pages: 311

ISBN-13: 0807049409

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2020 American Indian Youth Literature Young Adult Honor Book 2020 Notable Social Studies Trade Books for Young People,selected by National Council for the Social Studies (NCSS) and the Children’s Book Council 2019 Best-Of Lists: Best YA Nonfiction of 2019 (Kirkus Reviews) · Best Nonfiction of 2019 (School Library Journal) · Best Books for Teens (New York Public Library) · Best Informational Books for Older Readers (Chicago Public Library) Spanning more than 400 years, this classic bottom-up history examines the legacy of Indigenous peoples’ resistance, resilience, and steadfast fight against imperialism. Going beyond the story of America as a country “discovered” by a few brave men in the “New World,” Indigenous human rights advocate Roxanne Dunbar-Ortiz reveals the roles that settler colonialism and policies of American Indian genocide played in forming our national identity. The original academic text is fully adapted by renowned curriculum experts Debbie Reese and Jean Mendoza, for middle-grade and young adult readers to include discussion topics, archival images, original maps, recommendations for further reading, and other materials to encourage students, teachers, and general readers to think critically about their own place in history.

The Indigenous Lens?

Author: Markus Ritter

Publisher:

Published: 2017

Total Pages: 374

ISBN-13: 9783110590883

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Global Indigenous Media

Author: Pamela Wilson

Publisher: Duke University Press

Published: 2008-08-27

Total Pages: 375

ISBN-13: 0822388693

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In this exciting interdisciplinary collection, scholars, activists, and media producers explore the emergence of Indigenous media: forms of media expression conceptualized, produced, and created by Indigenous peoples around the globe. Whether discussing Maori cinema in New Zealand or activist community radio in Colombia, the contributors describe how native peoples use both traditional and new media to combat discrimination, advocate for resources and rights, and preserve their cultures, languages, and aesthetic traditions. By representing themselves in a variety of media, Indigenous peoples are also challenging misleading mainstream and official state narratives, forging international solidarity movements, and bringing human rights violations to international attention. Global Indigenous Media addresses Indigenous self-representation across many media forms, including feature film, documentary, animation, video art, television and radio, the Internet, digital archiving, and journalism. The volume’s sixteen essays reflect the dynamism of Indigenous media-making around the world. One contributor examines animated films for children produced by Indigenous-owned companies in the United States and Canada. Another explains how Indigenous media producers in Burma (Myanmar) work with NGOs and outsiders against the country’s brutal regime. Still another considers how the Ticuna Indians of Brazil are positioning themselves in relation to the international community as they collaborate in creating a CD-ROM about Ticuna knowledge and rituals. In the volume’s closing essay, Faye Ginsburg points out some of the problematic assumptions about globalization, media, and culture underlying the term “digital age” and claims that the age has arrived. Together the essays reveal the crucial role of Indigenous media in contemporary media at every level: local, regional, national, and international. Contributors: Lisa Brooten, Kathleen Buddle, Cache Collective, Michael Christie, Amalia Córdova, Galina Diatchkova, Priscila Faulhaber, Louis Forline, Jennifer Gauthier, Faye Ginsburg, Alexandra Halkin, Joanna Hearne, Ruth McElroy, Mario A. Murillo, Sari Pietikäinen, Juan Francisco Salazar, Laurel Smith, Michelle Stewart, Pamela Wilson