The Impact of Technology in Music
Author: Matt Anniss
Publisher: Raintree
Published: 2016
Total Pages: 58
ISBN-13: 1406298697
DOWNLOAD EBOOK →This book looks at historical, current and emerging techniques involved in music creation and performance.
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The Impact of Technology in Music
Author: Matt Anniss
Publisher: Capstone Classroom
Published: 2016
Total Pages: 58
ISBN-13: 1484626435
DOWNLOAD EBOOK →Learn about how technology changes the music world.
Digital Signatures
Author: Ragnhild Brøvig
Publisher: MIT Press
Published: 2016-02-26
Total Pages: 199
ISBN-13: 0262334453
DOWNLOAD EBOOK →How sonically distinctive digital “signatures”—including reverb, glitches, and autotuning—affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others. Is digital production killing the soul of music? Is Auto-Tune the nadir of creative expression? Digital technology has changed not only how music is produced, distributed, and consumed but also—equally important but not often considered—how music sounds. In this book, Ragnhild Brøvig-Hanssen and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive “digital signatures”—musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuning—all of which they analyze in specific works by popular artists. Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Brøvig-Hanssen and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's “Get Out of My House”; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's “Stranger”; and they describe the development of Auto-Tune—at first a tool for pitch correction—into an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga.
Creativity and Innovation in the Music Industry
Author: Peter Tschmuck
Publisher: Springer Science & Business Media
Published: 2006-01-18
Total Pages: 312
ISBN-13: 9781402042744
DOWNLOAD EBOOK →This book charts the effects of new communication technologies and the Internet on the creation of music in the early 21st century. It examines how the music industry will be altered by the Internet, music online services and MP3-technology. This is done through an integrated model based on an international history of the industry since the phonograph’s invention in 1877, and thus, the history of the music industry is described in full detail for the first time.
The Oxford Handbook of Technology and Music Education
Author: Alex Ruthmann
Publisher: Oxford University Press
Published: 2017
Total Pages: 737
ISBN-13: 0199372136
DOWNLOAD EBOOK →"Few aspects of daily existence are untouched by technology. Learning and teaching music are no exceptions and arguably have been impacted as much or more than other areas of life. Digital technologies have come to affect music learning and teaching in profound ways, influencing how we create, listen, share, consume, and interact with music--and conceptualize musical practices and the musical experience. For a discipline as entrenched in tradition as music education, this has brought forth myriad views on what does and should constitute music learning and teaching. To tease out and elucidate some of the salient problems, interests, and issues, The Oxford Handbook of Technology and Music Education critically situates technology in relation to music education from a variety of perspectives--historical, philosophical, socio-cultural, pedagogical, musical, economic, policy--organized around four broad themes: Emergence and Evolution; Locations and Contexts: Social and Cultural Issues; Experiencing, Expressing, Learning and Teaching; and Competence, Credentialing, and Professional Development. Chapters from a highly diverse group of junior and senior scholars provide analyses of technology and music education through intersections of gender, theoretical perspective, geographical distribution, and relationship to the field. The Oxford Handbook of Technology and Music Education's dedication to diversity and forward-facing discussion promotes contrasting perspectives and conversational voices rather than reinforce traditional narratives and prevailing discourses."-- $c Book jacket.
Audio Technology, Music, and Media
Author: Julian Ashbourn
Publisher: Springer Nature
Published: 2020-12-14
Total Pages: 142
ISBN-13: 3030624293
DOWNLOAD EBOOK →This book provides a true A to Z of recorded sound, from its inception to the present day, outlining how technologies, techniques, and social attitudes have changed things, noting what is good and what is less good. The author starts by discussing the physics of sound generation and propagation. He then moves on to outline the history of recorded sound and early techniques and technologies, such as the rise of multi-channel tape recorders and their impact on recorded sound. He goes on to debate live sound versus recorded sound and why there is a difference, particularly with classical music. Other topics covered are the sound of real instruments and how that sound is produced and how to record it; microphone techniques and true stereo sound; digital workstations, sampling, and digital media; and music reproduction in the home and how it has changed. The author wraps up the book by discussing where we should be headed for both popular and classical music recording and reproduction, the role of the Audio Engineer in the 21st century, and a brief look at technology today and where it is headed. This book is ideal for anyone interested in recorded sound. “[Julian Ashbourn] strives for perfection and reaches it through his recordings... His deep knowledge of both technology and music is extensive and it is with great pleasure that I see he is passing this on for the benefit of others. I have no doubt that this book will be highly valued by many in the music industry, as it will be by me.” -- Claudio Di Meo, Composer, Pianist and Principal Conductor of The Kensington Philharmonic Orchestra, The Hemel Symphony Orchestra and The Lumina Choir
The Impact of Technology in Sport
Author: Matthew Anniss
Publisher: Raintree
Published: 2016-10-06
Total Pages: 57
ISBN-13: 1406298727
DOWNLOAD EBOOK →How have science and technology helped today's athletes and sports people perform better for longer? And how could this change in the future? From the development of carbon fibre composites for para-athletes to improvements in sports nutrition, our performance in competitive events has been vastly improved by contemporary science and technology. This book looks at historical, current and emerging examples of sport technology. We look at technology in training, athletic performance, sports nutrition, sports equipment, sports medicine and how sport is shown on TV.
Musical Listening in the Age of Technological Reproduction
Author: Gianmario Borio
Publisher: Routledge
Published: 2016-04-29
Total Pages: 486
ISBN-13: 1317091442
DOWNLOAD EBOOK →It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.
Impact of Technology in Music
Author: Matthew Anniss
Publisher: Raintree
Published: 2015-11-05
Total Pages: 56
ISBN-13: 1406298794
DOWNLOAD EBOOK →How have technology and science helped musicians throughout the years? How does today's technology help us to create new music or music in different ways? Will computer ever be able to make music completely by themselves? From the invention of the electric guitar through to today's high-tech music creation software, technology has always helped us to create music in new and exciting ways. This book looks at historical, current and emerging techniques involved in music creation and performance. We also look at the increasing and changing role of the internet in music creation and distribution - including the history of music piracy.
The Digital Evolution of Live Music
Author: Angela Jones
Publisher: Chandos Publishing
Published: 2015-07-17
Total Pages: 144
ISBN-13: 0081000707
DOWNLOAD EBOOK →The concept of ‘live’ has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. gives perspectives on the function of live music in digital culture and the role of digital in live music focuses on the interaction between live and digital music takes the discussion of live music beyond economics and marketing, to the cultural and philosophical implications of digital culture for the art includes interviews with producers and players in the digital world of music production furthers debate by looking at access to digital music via social media, websites, and applications that recognise the impact of digital culture on the live music experience
