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The Image Debate

Author: Christiane J. Gruber

Publisher: Gingko Library

Published: 2019

Total Pages: 0

ISBN-13: 9781909942349

"The images released by The Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this act of iconoclasm by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. The Image Debate is a collection of thirteen essays that examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book opens with an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. The book is divided into three sections: the first deals with pre-modern Islamic practices and anxieties concerned with image-making; the second addresses similar issues in Judaism, in Christianity during the Byzantine period, in pre-Islamic Iran and Central Asia, and in Hindu and Buddhist contexts in South Asia; and the third brings the reader back to Islamic lands by examining traditions of figural representation in the modern and contemporary periods." -- Publisher's website

Image And Brain

Author: Stephen M. Kosslyn

Publisher: MIT Press

Published: 1996-08-26

Total Pages: 532

ISBN-13: 9780262611244

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This long-awaited work by prominent Harvard psychologist Stephen Kosslyn integrates a twenty-year research program on the nature of high-level vision and mental imagery. Image and Brain marshals insights and empirical results from computer vision, neuroscience, and cognitive science to develop a general theory of visual mental imagery, its relation to visual perception, and its implementation in the human brain. It offers a definitive resolution to the long-standing debate about the nature of the internal representation of visual mental imagery. Kosslyn reviews evidence that perception and representation are inextricably linked, and goes on to show how "quasi-pictorial" events in the brain are generated, interpreted, and used in cognition. The theory is tested with brain-scanning techniques that provide stronger evidence than has been possible in the past. Known for his work in high-level vision, one of the most empirically successful areas of experimental psychology, Kosslyn uses a highly interdisciplinary approach. He reviews and integrates an extensive amount of literature in a coherent presentation, and reports a wide range of new findings using a host of techniques. A Bradford Book

The Imagery Debate

Author: Michael Tye

Publisher: MIT Press

Published: 2000-03-13

Total Pages: 194

ISBN-13: 9780262700733

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Michael Tye untangles the complex web of empirical and conceptual issues of the newly revived imagery debate in psychology between those that liken mental images to pictures and those that liken them to linguistic descriptions. He also takes into account longstanding philosophical issues, to arrive at a comprehensive, up-to-date view and an original theory that provides answers to questions raised in both psychology and philosophy. Drawing on the insights of Stephen Kosslyn and the work on vision of David Mart, Tye develops a new theory of mental imagery that includes an account of imagistic representation and also tackles questions about the phenomenal qualities of mental images, image indeterminacy, the neurophysiolgical basis of imagery, and the causal relevance of image content to behavior. Tye introduces the history of philosophical views on the nature of mental imagery from Aristotle to Kant. He examines the reasons for the decline of picture theories of imagery and the use of alternative theories, the reemergence of the picture theory (with special reference to the work of Stephen Kosslyn), and the contrasting view that mental images are inner linguistic descriptions rather than pictorial representations. He then proposes his own theory of images interpreted as symbol-filled arrays in part like pictures and in part like linguistic descriptions, addresses the issue of vagueness in some features of mental images, and argues that images need not have qualia to account for their phenomenological character. Tye concludes by discussing the questions of how images are physically realized in the brain and how the contents of images can be causally related to behavior.

The Praiseworthy One

Author: Christiane Gruber

Publisher: Indiana University Press

Published: 2019-01-25

Total Pages: 0

ISBN-13: 9780253025265

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In the wake of controversies over printing or displaying images of the Prophet Muhammad, Christiane Gruber's aim is to bring back into scholarly and public discussion the 'lost' history of imagining the Prophet in Islamic cultures. By studying the various verbal and visual constructions of the Prophet's character and persona over the course of more than one thousand years, Gruber seeks to correct public misconceptions and restore to Islam its rich artistic heritage, illuminating the critical role Muhammad has played in Muslim constructions of self and community at different times and in various cultural contexts. The Praiseworthy One is an exploration of the Prophet Muhammad's significance in Muslim life and thought from the beginning of Islam to today. It pays particular attention to procedures of narration, veneration, and sacralization. Gruber stresses that a fruitful approach to extant textual and visual materials is one that emphasizes the harnessing of Muhammad's persona as a larger metaphor to explain both past and present historical events, to build and delineate a sense of community, and to help individuals conceive of and communicate with the realm of the sacred. The Praiseworthy One shows that Muhammad has served as a polyvalent symbol rather than a historical figure with fixed significance.

School Debate Book

Author: R Shankar

Publisher: Prabhat Prakashan

Published: 2019-01-01

Total Pages: 222

ISBN-13: 9350481812

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Success in any walk of life is hard to achieve in this razor-edged highly competitive age. Besides knowledge; one has to be well versed in the art of forceful communication; an essential pre-requisite of a qualified man; lack of which renders him unfit for high posts in any sector. Participation in debating activities makes a man forceful communicator. Debating is an art and it can be mastered and developed by constant practice. Fluency in speech enables a man to express views effectively and convincingly. Debates are nowadays a regular feature in schools and colleges. Pupils are assigned debatable statements to argue either in favour or against the motion on occasions like Independence Day or Republic Day. Often inter-school competitions are organized on such eves and the best debater is conferred with prizes. In competitive as well as school tests; examinees are asked to put forward their pros and cons views against a debatable statement. The dearth of books on debatable topics is being felt seriously which could cater to the needs of participants. Most of the participants exhibit no interest due to lack of guidance and sufficient materials and prefer to remain mute spectators in the debating hall. Here relevant topics of general interests have been compiled and presented both ways—positively and negatively with a view to provide feedback to young debaters.

The Technical Image

Author: Horst Bredekamp

Publisher:

Published: 2015

Total Pages: 209

ISBN-13: 022625884X

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The use of images has been critical to the pursuit of science for centuries. This book explores, within an art historical framework how to comprehend images not as illustrative representations, but as productive agents and distinctive multi-layered elements of the epistemic process. If scientific images play a constructive role in shaping the findings and insights they illustrate, the representation of an observation in images, however mechanical, however detached from the individual researcher s choices their appearance may be, likewise becomes an instance of the style of a period, a mindset, a research collective, and a device. The Technical Image emerges from an institute in Germany, which has married art and historical analysis of technical images, and serves as a methodological reference and inspiration for visual representation in the sciences. The work opens with a series of methodological chapters that introduce a set of questions about representations in sciences and medicine, and the core of the work consists of historical case studies around specific images that in turn illustrate themes ranging from "objectivity and evidence" to "digital images." Within these case studies are also definitions and elaborations of selected terms that have in recent years become key concepts in the analysis of scientific imagery."

The Great Debate

Author: Yuval Levin

Publisher: Basic Books

Published: 2013-12-03

Total Pages: 298

ISBN-13: 0465040942

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An acclaimed portrait of Edmund Burke, Thomas Paine, and the origins of modern conservatism and liberalism In The Great Debate, Yuval Levin explores the roots of the left/right political divide in America by examining the views of the men who best represented each side at its origin: Edmund Burke and Thomas Paine. Striving to forge a new political path in the tumultuous age of the American and French revolutions, these two ideological titans sparred over moral and philosophical questions about the nature of political life and the best approach to social change: radical and swift, or gradual and incremental. The division they articulated continues to shape our political life today. Essential reading for anyone seeking to understand the basis of our political order and Washington's acrimonious rifts today, The Great Debate offers a profound examination of what conservatism, progressivism, and the debate between them truly amount to.

The Great Quake Debate

Author: Susan Hough

Publisher: University of Washington Press

Published: 2020-07-23

Total Pages: 330

ISBN-13: 0295747374

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In the first half of the twentieth century, when seismology was still in in its infancy, renowned geologist Bailey Willis faced off with fellow high-profile scientist Robert T. Hill in a debate with life-or-death consequences for the millions of people migrating west. Their conflict centered on a consequential question: Is southern California earthquake country? These entwined biographies of Hill and Willis offer a lively, accessible account of the ways that politics and financial interests influenced the development of earthquake science. During this period of debate, severe quakes in Santa Barbara (1925) and Long Beach (1933) caused scores of deaths and a significant amount of damage, offering turning points for scientific knowledge and mainstreaming the idea of earthquake safety. The Great Quake Debate sheds light on enduring questions surrounding the environmental hazards of our dynamic planet. What challenges face scientists bearing bad news in the public arena? How do we balance risk and the need to sustain communities and cities? And how well has California come to grips with its many faults?

The Debate

Author: Wim Crouwel

Publisher: The Monacelli Press, LLC

Published: 2015-02-24

Total Pages: 177

ISBN-13: 1580934129

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A PRINT magazine and Design Observer Best Book of the Year The first English translation of a famous 1972 debate between Dutch graphic designers Wim Crouwel and Jan van Toorn, a public clash of subjectivity versus objectivity at Amsterdam’s Museum Fodor that helped set the stage for bold philosophical showdowns to come in design culture. Held in response to an exhibition of Van Toorn’s work at Stedelijk Museum, including student posters protesting the Vietnam War—in an era of youth culture and increasing resistance to authority, capitalism, and the power of media—the stakes were aesthetic, ethical, and politically charged. Crouwel defended his approach of neutrality and austere rationalism, attention to typography and worksmanship, and professionalism in service of the client’s message. Van Toorn argued for his use of chaos, collage, and photographs of everyday life; that a designer’s ideas, personality, and political commitments are integral to the work. Dialogue on The Debate has reverberated in graphic design circles for the four decades since, and it is often referenced in modern design criticism as a key marker for the philosophical positions that continue to define the profession. The first English transcript of this key event in design history will allow a contemporary audience to discover the ongoing relevance of The Debate in an increasingly complex visual culture. Along with the transcript, this pocket-sized clothbound book contains a foreword by prominent design critic Rick Poynor, and essays from Dutch design historian Frederike Huygen, who discusses the historical context of the debate, and curator Dingenus van de Vrie, who looks more closely at these two giants’ different perspectives on graphic design. A color gallery juxtaposes a representative selection from the oeuvres of Crouwel and Van Toorn, including exhibition designs, calendars, posters, brochures, artist book designs, postal stamps, and fascinating works such as the script of a 1969 stage production based on a story by Jorge Luis Borges, sealed in a tin can, and a many-gatefolded catalog for Ed Ruscha’s “Dutch Details” at Groninger Museum.

Michael Haneke's Cinema

Author: Catherine Wheatley

Publisher: Berghahn Books

Published: 2009-01-30

Total Pages: 234

ISBN-13: 9780857455468

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Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke's films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.