Ideology And Cinematography In Hollywood: 1930-1939

Ideology And Cinematography In Hollywood: 1930-1939 PDF

Author: Michael Cormack

Publisher: Springer

Published: 1993-11-26

Total Pages: 179

ISBN-13: 1349118583

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Hollywood films of the 1930s are frequently treated as if they all conformed to one cinematographic style. This book shows that this was not the case and describes the various stylistic changes in the use of the camera and lighting which took place during the decade. These changes did not, of course, occur in a vacuum and the ideological conditions in which the films were made is shown to be a crucial factor in explaining these changes.

The Great American Playwrights on the Screen

The Great American Playwrights on the Screen PDF

Author: Jerry Roberts

Publisher: Hal Leonard Corporation

Published: 2003

Total Pages: 580

ISBN-13: 9781557835123

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"The profound expansion of television into American homes in the 1950s brought a flood of adapted plays to the small screen and resulted in the rebirth of the careers of many significant playwrights. The Great American Playwrights on the Screen provides fans with a video and DVD guide to the adapted works of the playwrights and shows which versions are available for home viewing and in what media (VHS and DVD). It resurrects the memory of television productions of plays at a critical time, when many of them - including Emmy winners and nominees - are deteriorating in vaults."--BOOK JACKET.

Dana Andrews

Dana Andrews PDF

Author: James McKay

Publisher: McFarland

Published: 2014-01-10

Total Pages: 256

ISBN-13: 0786456760

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Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.

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