-PDF Download- The History Of Live Music In Britain Volume Iii 1985 2015 EBOOK

The History of Live Music in Britain, Volume III, 1985-2015

Author: Simon Frith

Publisher: Routledge

Published: 2019

Total Pages: 274

ISBN-13: 9781315557168

To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism--that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985- 2015).

The History of Live Music in Britain, Volume III, 1985-2015

Author: Simon Frith

Publisher: Routledge

Published: 2021-04-07

Total Pages: 374

ISBN-13: 1317028805

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To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985– 2015).

The History of Live Music in Britain, 1985-2009

Author: Simon Frith

Publisher: Routledge

Published: 2013

Total Pages: 176

ISBN-13: 9781409425915

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The History of Live Music in Britain, Volume II, 1968-1984

Author: Simon Frith

Publisher: Routledge

Published: 2019-03-04

Total Pages: 232

ISBN-13: 131702883X

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To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).

The Road Crew

Author: Gabrielle Kielich

Publisher: CRC Press

Published: 2023-12-28

Total Pages: 185

ISBN-13: 1003837069

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The Road Crew: Live Music and Touring is an in-depth study of the road crew – the group of workers who handle the logistical and technical requirements of popular music concert tours – that provides an extensive look at the activities and personnel involved in the daily operation of these events. Using interviews with road crew members, participant observation at concert venues and archival research, this book covers a range of topics, including how they learn their roles and maintain work through networks and informal practices, the experience of being on tour and the workplace culture of road crews, the daily tasks and necessary documents that contribute to the realisation of concert events, and the integral role that tour managers play in the working lives of musicians. The book also provides important insights into the experience of women working in a male-dominated field, the ways in which hierarchy shapes the working lives of “support” workers and the effects of touring on road crew members. The Road Crew will be of interest to scholars and students of popular music, live music and the creative industries, as well as music fans, journalists, and professionals and practitioners in the music industries.

The Music and Noise of the Stooges, 1967-71

Author: Michael S. Begnal

Publisher: Routledge

Published: 2021-09-30

Total Pages: 282

ISBN-13: 100048016X

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The Stooges have come to be considered one of the most important rock bands, especially in regard to the formation of punk. By emphasizing their influence on later developments, however, critics tend to overlook the significance of the band in their own context and era. The Music and Noise of the Stooges, 1967-71 addresses such oversights. Utilizing the lenses of cultural criticism and sound studies (drawing on the thinking of Theodor Adorno, Jacques Attali, and Pierre Bourdieu, among others), as well as contemporary and archival texts, this extensively researched study analyzes the trajectory and musical output of the original Stooges. During the late 1960s and early 70s, a moment when the dissonant energy of rock’n’roll was more than ever being subsumed by the record industry, the Stooges were initially commercial failures, with the band’s "noisy" music and singer Iggy Pop’s "bizarre" onstage performances confusing their label, Elektra Records. As Begnal argues, the Stooges embodied a tension between market forces and an innovative, avant-garde artistic vision, as they sought to liberate audiences from passivity and stimulate an immanent joy in the rock’n’roll moment. This book offers a fresh perspective on the Stooges that will appeal both to rock fans and scholars (especially in the fields of cultural studies, the long Sixties, musicology, punk studies, and performance studies).

Studies in Maltese Popular Music

Author: Philip Ciantar

Publisher: Taylor & Francis

Published: 2021-04-21

Total Pages: 211

ISBN-13: 1000379078

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This book examines the diverse facets of popular music in Malta, paying special attention to għana (Malta’s folk song), the wind band tradition, and modern popular music. Ciantar provides intriguing discussions and examples of how popular music on this small Mediterranean island country interacts with other aspects of the island’s life and culture such as language, religion, history, customs, and politics. Through a series of ethnographic vignettes, the book explores the music as it takes place in bars, at festivals, and during village celebrations, and considers how it is talked about in the local press, at group gatherings, and on social media. The ethnography adopted here is that of a native musician and ethnomusicologist and therefore marries the author’s memories with ongoing observations and their evaluation.

The Genesis and Structure of the Hungarian Jazz Diaspora

Author: Ádám Havas

Publisher: Routledge

Published: 2022-05-18

Total Pages: 179

ISBN-13: 1000590631

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In Hungary, jazz was at the forefront of heated debates sparked by the racialised tensions between national music traditions and newly emerging forms of popular culture that challenged the prevailing status quo within the cultural hierarchies of different historical eras. Drawing on an extensive, four-year field research project, including ethnographic observations and 29 in-depth interviews, this book is the first to explore the hidden diasporic narrative(s) of Hungarian jazz through the system of historically formed distinctions linked to the social practices of assimilated Jews and Romani musicians. The chapters illustrate how different concepts of authenticity and conflicting definitions of jazz as the "sound of Western modernity" have resulted in a unique hierarchical setting. The book's account of the fundamental opposition between US-centric mainstream jazz (bebop) and Bartók-inspired free jazz camps not only reveals the extent to which traditionalism and modernism were linked to class- and race-based cultural distinctions, but offers critical insights about the social logic of Hungary’s geocultural positioning in the ‘twilight zone’ between East and West to use the words of Maria Todorova. Following a historical overview that incorporates comparisons with other Central European jazz cultures, the book offers a rigorous analysis of how the transition from playing ‘caféhouse music’ to bebop became a significant element in the status claims of Hungary’s ‘significant others’, i.e. Romani musicians. By combining the innovative application of Pierre Bourdieu’s cultural sociology with popular music studies and postcolonial scholarship, this work offers a forceful demonstration of the manifold connections of this particular jazz scene to global networks of cultural production, which also continue to shape it.

Researching Live Music

Author: Chris Anderton

Publisher: CRC Press

Published: 2021-11-18

Total Pages: 272

ISBN-13: 100047612X

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Researching Live Music offers an important contribution to the emergent field of live music studies. Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland. Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.

Live Music in America

Author: Elsie Irwin Sweeney Professor of Music Steve Waksman

Publisher: Oxford University Press

Published: 2022-09-13

Total Pages: 705

ISBN-13: 0197570534

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When the Swedish concert singer Jenny Lind toured the U.S. in 1850, she became the prototype for the modern pop star. Meanwhile, her manager, P.T. Barnum, became the prototype for another figure of enduring significance: the pop culture impresario. Starting with Lind's fabled U.S. tour and winding all the way into the twenty-first century, Live Music in America surveys the ongoing impact and changing conditions of live music performance in the U.S. It covers a range of historic performances, from the Fisk Jubilee Singers expanding the sphere of African American music in the 1870s, to Benny Goodman bringing swing to Carnegie Hall in 1938, to 1952's Moondog Coronation Ball in Cleveland - arguably the first rock and roll concert - to Beyoncé's boundary-shattering performance at the 2018 Coachella festival. More than that, the book details the roles played by performers, audiences, media commentators, and a variety of live music producers (promoters, agents, sound and stage technicians) in shaping what live music means and how it has evolved. Live Music in America connects what occurs behind the scenes to what takes place on stage to highlight the ways in which live music is very deliberately produced and does not just spontaneously materialize. Along the way, author Steve Waksman uses previously unstudied archival materials to shed new light on the origins of jazz, the emergence of rock 'n' roll, and the rise of the modern music festival.