The History of John Bull

The History of John Bull PDF

Author: Arbuthnot John

Publisher: Hardpress Publishing

Published: 2016-06-21

Total Pages: 160

ISBN-13: 9781318745562

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The History of John Bull

The History of John Bull PDF

Author: John Arbuthnot

Publisher: CreateSpace

Published: 2012-04-17

Total Pages: 84

ISBN-13: 9781475216288

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John Bull originated in the creation of Dr John Arbuthnot in 1712, and was popularised first by British print makers. Arbuthnot created Bull in his pamphlet Law is a Bottomless Pit (1712)." Originally derided, William Hogarth and other British writers made Bull "a heroic archetype of the freeborn Englishman." Later, the figure of Bull was disseminated overseas by illustrators and writers such as American cartoonist Thomas Nast and Irish writer George Bernard Shaw, author of John Bull's Other Island.

Defining John Bull

Defining John Bull PDF

Author: Tamara L. Hunt

Publisher: Taylor & Francis

Published: 2017-07-05

Total Pages: 467

ISBN-13: 1351945653

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Late Georgian England was a period of great social and political change, yet whether this was for good or for ill was by no means clear to many Britons. In such an era of innovation and revolution, Britons faced the task of deciding which ideals, goals and attitudes most closely fitted their own conception of the nation for which they struggled and fought; the controversies of the era thus forced ordinary people to define an identity that they believed embodied the ideal of 'Britishness' to which they could adhere in this period of uncertainty. Defining John Bull demonstrates that caricature played a vital role in this redefinition of what it meant to be British. During the reign of George III, the public's increasing interest in political controversies meant that satirists turned their attention to the individuals and issues involved. Since this long reign was marked by political crises, both foreign and domestic, caricaturists responded with an outpouring of work that led the era to be called the 'golden age' of caricature. Thus, many and varied prints, produced in response to public demands and sensitive to public attitudes, provide more than simply a record of what interested Britons during the late Georgian era. In the face of domestic and foreign challenges that threatened to shake the very foundations of existing social and political structures, the public struggled to identify those ideals, qualities and characteristics that seemed to form the basis of British society and culture, and that were the bedrock upon which the British polity rested. During the course of this debate, the iconography used to depict it in graphic satire changed to reflect shifts in or the redefinition of existing ideals. Thus, caricature produced during the reign of George III came to visually express new concepts of Britishness.

Persuading John Bull

Persuading John Bull PDF

Author: Thomas E. Sebrell

Publisher: Lexington Books

Published: 2014-07-30

Total Pages: 255

ISBN-13: 073918511X

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This is the first scholarly analysis of The London American, the pro-Union propaganda journal published in London during the American Civil War, and the motives and troubles of its proprietor, John Adams Knight, a Northern American based in the British capital. The newspaper’s successes and failures in attempts to manipulate British public opinion during the war are compared with that of The Index, its rival Confederate propaganda weekly headquartered two doors down London’s Fleet Street. Persuading John Bull provides scholars and general readers alike a far greater understanding of the largely unknown Northern newspaper’s motivations and campaigns during the war, as well as an in-depth analysis of The Index which builds greatly on present historiographical discussions of the Southern journal. It also offers new insights into Britain’s roles in the conflict, Anglo-American relations, and mid-Victorian British political and social history. The book is not restricted to discussing the two propaganda machines as its focus—they are used to approach a greater analysis of British public opinion during the American Civil War—both journals were strongly associated with numerous key figures, societies (British and American), and events occurring on both sides of the Atlantic pertaining to the conflict. Although propaganda is only one source from which to tap, the effectiveness of the two lobbyist journals either directly or indirectly impacted other factors influencing Britain’s ultimate decision to remain neutral. This book reveals a fresh new cast of Union supporters in London, in addition to more Confederate sympathizers throughout Britain not previously discussed by scholars. The roles of these new figures, how and why they endorsed the Northern or Southern war effort, is analyzed in detail throughout the chapters, adding greatly to existing historiography.