Nine Medieval Romances of Magic

Nine Medieval Romances of Magic PDF

Author: Marijane Osborn

Publisher: Broadview Press

Published: 2010-03-05

Total Pages: 263

ISBN-13: 1551119978

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In this book, Marijane Osborn translates into modern English nine lively medieval verse romances, in a form that both reflects the original and makes the romances inviting to a modern audience. All nine tales contain elements of magic: shapeshifters, powerful fairies, trees that are portals to another world, and enchanted clothing and armor. Many of the tales also feature powerful women characters, while others include representations of “Saracens.” The tales address issues of enduring interest and concern, and also address sexuality, agency, and identity formation in unexpected ways.

Magic and the Supernatural in Medieval English Romance

Magic and the Supernatural in Medieval English Romance PDF

Author: Corinne J. Saunders

Publisher: Boydell & Brewer

Published: 2010

Total Pages: 314

ISBN-13: 1843842211

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"This study looks at a wide range of medieval Englisih romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas." --Book Jacket.

Middle English Romances

Middle English Romances PDF

Author: S. H. A. Shepherd

Publisher: W W Norton & Company Incorporated

Published: 1995

Total Pages: 514

ISBN-13: 9780393966077

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This Norton Critical Edition presents significant examples of one of the most important bodies of English poetry written before the Renaissance.

Savage Economy

Savage Economy PDF

Author: Walter Wadiak

Publisher: University of Notre Dame Pess

Published: 2016-12-15

Total Pages: 200

ISBN-13: 0268101213

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In Savage Economy: The Returns of Middle English Romance, Walter Wadiak traces the evolution of the medieval English romance from its thirteenth-century origins to 1500, and from a genre that affirmed aristocratic identity to one that appealed more broadly to an array of late medieval communities. Essential to this literary evolution is the concept and practice of “noble” gift-giving, which binds together knights and commoners in ways that both echo and displace the notorious violence of many of these stories. Wadiak begins with the assumption that “romance” names a particular kind of chivalric fantasy to which violence is central, just as violence was instrumental to the formation and identity of the medieval warrior aristocracy. A traditional view is that the violence of romance stories is an expression of aristocratic privilege wielded by a military caste in its relations with one another as well as with those lower on the social scale. In this sense, violence is the aristocratic gift that underwrites and reaffirms the feudal power of a privileged group, with the noble gift performing the symbolic violence on which romance depends in order to present itself as both a coded threat and an expression of chivalric values. Well-known examples of romance in Middle English, such as Sir Gawain and the Green Knight and Chaucer’s Knight’s Tale, are considered alongside more “popular” examples of the genre to demonstrate a surprising continuity of function across a range of social contexts. Wadiak charts a trajectory from violence aimed directly at securing feudal domination to the subtler and more diffuse modes of coercion that later English romances explore. Ultimately, this is a book about the ways in which romance lives on as an idea, even as the genre itself begins to lose ground at the close of the Middle Ages.

The Exploitations of Medieval Romance

The Exploitations of Medieval Romance PDF

Author: Laura Ashe

Publisher: Boydell & Brewer Ltd

Published: 2010

Total Pages: 204

ISBN-13: 1843842122

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As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploited available figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext. Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe

Readings in Medieval English Romance

Readings in Medieval English Romance PDF

Author: Carol M. Meale

Publisher: Boydell & Brewer Ltd

Published: 1994

Total Pages: 250

ISBN-13: 9780859914048

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Wide-ranging essays engaging with all aspects of medieval romance, from textual studies to historical sources.

The Middle English Romances of the Thirteenth and Fourteenth Centuries (Routledge Revivals)

The Middle English Romances of the Thirteenth and Fourteenth Centuries (Routledge Revivals) PDF

Author: Dieter Mehl

Publisher: Routledge

Published: 2010-10-18

Total Pages: 320

ISBN-13: 1136832238

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First published in English in 1968, this book provides a critical guide to the wide field of the Middle English Romances and gives a helpful survey of the contemporary state of scholarship. Dr Mehl traces the development of Middle English Romances from thee thirteenth to the end of the fourteenth century, and interprets a number of these romances. The emphasis is literary, on their form and dominant themes rather than source-material or language.

A Companion to Medieval Popular Romance

A Companion to Medieval Popular Romance PDF

Author: Raluca L. Radulescu

Publisher: DS Brewer

Published: 2009

Total Pages: 228

ISBN-13: 184384270X

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Popular romance was one of the most wide-spread forms of literature in the Middle Ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition, its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters that become human. The essays in this collection provide contexts, definitions, and explanations for the genre, particularly in an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception.