The Haunted Wilderness as the Sublime in Canadian Gothic Fiction in the 19th Century

The Haunted Wilderness as the Sublime in Canadian Gothic Fiction in the 19th Century PDF

Author: Daniela Schröder

Publisher: GRIN Verlag

Published: 2009-09

Total Pages: 33

ISBN-13: 3640419162

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Seminar paper from the year 2009 in the subject American Studies - Literature, grade: 1,3, University of Hamburg (Institut für Anglistik und Amerikanistik), course: American Gothic of the 19th century, language: English, abstract: This work focuses on the question how and why nature can be seen as the Sublime in Canadian Gothic fiction of the 19th century. This will be shown on the poem "Death in the Arctic" by Robert W. Service. A short summary will be given at the beginning and will be followed by a sketchy interpretation. The concept of the Sublime in Gothic fiction in general will be explained briefly. The next paragraph will deal with general Gothic elements that appear in Canadian Gothic fiction and that all together form the basis for the statement that nature is the source for the Sublime. A detailed analysis of the primary source will be given in the then-following section, showing how the Sublime is created in this particular piece, using the elements that were stated in the previous section. At the end, a conclusion will be drawn.

The Supernatural in Gothic Fiction

The Supernatural in Gothic Fiction PDF

Author: Robert F. Geary

Publisher: Edwin Mellen Press

Published: 1992

Total Pages: 168

ISBN-13: 9780773491649

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While the numinous and heavily psychological aspects of the Gothic have received serious attention, studies do not tend to examine the relation of the Gothic supernatural to the very different backgrounds of 18th-century and Victorian belief. This study examines the rise of the form, the artistic difficulties experienced by its early practitioners, and the transformation of the original problem-ridden Gothic works into the successful Victorian tales of unearthly terror. In doing so, this study makes a distinct contribution to our grasp of the Gothic and of the links between literature and religion.

The Sublime in the English Gothic Novel: Horace Walpole ́s The Castle of Otranto

The Sublime in the English Gothic Novel: Horace Walpole ́s The Castle of Otranto PDF

Author: Carolin Kollwitz

Publisher: GRIN Verlag

Published: 2003-04-27

Total Pages: 16

ISBN-13: 3638187810

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Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (Institute for Anglistics/ American Studies), course: HS Novels of the Romatic Period, language: English, abstract: In this paper I will examine the Gothic sublime by using the example of Horace Walpole ́s novel The Castle of Otranto. I want to examine the features of the Gothic sublime: what was new and different about it? how is this reflected in the novel?; in order to prove the importance of Walpole ́s work. It marks, in a certain aspect, a turning point in literature, since it is regarded the first Gothic novel. I will argue that the horror as developed in The Castle of Otranto is not simply based upon the appearance of ghosts and supernatural events, but rather a subtle kind of horror. Firstly, an introduction into the Gothic novel in general, its characteristic features, and the examination of the cultural background of English Gothic fiction shall give a brief overview over the topic. Secondly, I will examine the means by which Walpole evokes fear in the reader, and the effects they had.

Gothic Glimpses in Margaret Atwood's "Cat's Eye" Or Representations of Art and Media and Mysterious Twin Ship

Gothic Glimpses in Margaret Atwood's

Author: Maria Blau

Publisher: GRIN Verlag

Published: 2007-12

Total Pages: 64

ISBN-13: 3638665550

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Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2.0, University of Constance (Institut f r Anglistik und Amerikanistik), course: Seminar: The Nature-Culture Paradigm in Canadian Literature, 17 entries in the bibliography, language: English, abstract: Margaret Atwood's Cat's Eye is a novel that certainly covers plenty of discourses and touches several genres. At the head of all it can well be considered to be a bildungs- or k nstlerroman in the guise of the fictive autobiography. Many critics have pointed out that it is one of Atwood most personal novels, a piece that undoubtedly turns "the tables on their own kind"1, that has many autobiographical features. But that will not be the concern in my following reflections which will rather deal with the gothic elements of the novel. My readers may argue that it is rather Atwood's Robber Bride, The Blind Assassin and Alias Grace that are obliged to the gothic theme.2 But it is actually Cat's Eye that offers the vast range of gothic elements that correspond to each other and to the various levels of representation the novel offers. I regard it as necessary to deliver a short definition of the gothic novel in the first place. However, I want to point out that I do not see Cat's Eye just in the dark illumination of the gothic. I rather pick up and explain different gothic gatherings and "gothic games" Atwood plays with the reader than devote my analysis to the issue completely.

"The Hound of the Baskervilles" in the Context of Gothic Fiction and the Detective Story

Author: Daniel Quitz

Publisher: GRIN Verlag

Published: 2014-05-19

Total Pages: 20

ISBN-13: 365665722X

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Seminar paper from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth (Sprach - und Literaturwissenschaftliche Fakultät), language: English, abstract: When enthusiastic readers and fans around the globe think of Sherlock Holmes, they do not necessarily associate the stories of the detective with Gothic fiction. Holmes is rather linked to be the supreme example of the classic detective story. Ever since the first Sherlock Holmes story "A Study in Scarlet" has been published, numerous adaptations such as theatre plays, films and a recent BBC series followed. Adding scholarly texts to the adaptations, one can certainly argue that most of the publications deal with Holmes in his role as a detective. Thus, Nils Clausson claims that “the myth of the scientific detective was born” (61). Certainly, it is more likely to associate Sherlock Holmes with crime fiction than with vampires or zombies. However, Gothic fiction is far to complex to reduce the term only to this associations. Thus, the purpose of this seminar paper is to lay the focus on Gothic elements and detective fiction in one particular Sherlock Holmes story, The Hound of the Baskervilles. Hence, the structure of the paper will be as follows. In the first chapter, the paper will be concerned with the term Gothic. This implies an attempt to both define as well as limit the notion to Gothic fiction. Moreover, the paper deals with common motifs or features of the classic Gothic fiction, which developed in the 18th century. In the next sub-chapter, the paper sets the focus on the so – called Gothic revival, which occurred in the late – Victorian era of the 19th century. As it is of peculiar interest for The Hound of the Baskervilles, some characteristics of the late-Victorian Gothic will be implied. The third and the fourth chapter will illustrate the main aspects of the paper. Subdivided into characters, setting and plot, the third chapter will discuss some Gothic elements in The Hound of the Baskervilles. Could The Hound of the Baskervilles either be considered as Gothic fiction or a detective story? Based on this question, the paper will incorporate several scientific statements to find an answer. Finally, the paper will give a conclusion as well as a bibliography.

EcoGothic

EcoGothic PDF

Author: Andrew Smith

Publisher: Manchester University Press

Published: 2015-11-01

Total Pages: 266

ISBN-13: 1526102927

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This book will provide the first study of how the Gothic engages with ecocritical ideas. Ecocriticism has frequently explored images of environmental catastrophe, the wilderness, the idea of home, constructions of 'nature', and images of the post-apocalypse – images which are also central to a certain type of Gothic literature. By exploring the relationship between the ecocritical aspects of the Gothic and the Gothic elements of the ecocritical, this book provides a new way of looking at both the Gothic and ecocriticism. Writers discussed include Ann Radcliffe, Mary Shelley, Ambrose Bierce, Algernon Blackwood, Margaret Atwood, Cormac McCarthy, Dan Simmons and Rana Dasgupta. The volume thus explores writing and film across various national contexts including Britain, America and Canada, as well as giving due consideration to how such issues might be discussed within a global context.

Constructing Nineteenth-Century Religion

Constructing Nineteenth-Century Religion PDF

Author: Joshua King

Publisher:

Published: 2022-04-02

Total Pages: 334

ISBN-13: 9780814255292

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Examines the ways in which religion was constructed as a category and region of experience in nineteenth-century literature and culture.

Representations of Women and Nature in Canadian Women's Writing

Representations of Women and Nature in Canadian Women's Writing PDF

Author: Corinna Thömen

Publisher: GRIN Verlag

Published: 2009-02

Total Pages: 82

ISBN-13: 3640263693

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Thesis (M.A.) from the year 2008 in the subject American Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald (Institut f r Anglistik/Amerikanistik), 64 entries in the bibliography, language: English, abstract: Canada has always been associated with its landscape, with a vast and inviolate nature, including prairies, forests with innumerable lakes, idyllic mountain ranges and the Arctic barrens in the far north. With an area of almost 10 million square kilometers, Canada is the second largest country in the world, but with only 31 million people living there and a population density of 3,2 inhabitants per square kilometer, it is also the less populated.1 The theme of nature and wilderness has also been reflected throughout Canadian literary tradition. As Canadian author Aritha van Herk notes, " t]he impact of landscape on artist and artist on landscape is unavoidable" (1992, 139). Adopting the northern concepts of early explorers and settlers, most literature about the Canadian wilderness has been written by male authors. For a long time, the Canadian North served as background for historical romances and adventure stories. The response to the landscape was often very negative, the wilderness was described as being hostile and dangerous. Parallel to that image, the landscape was portrayed in female terms, as being innocent, inviolate and beautiful - the Canadian North appeared as a femme fatale. Especially in its beginnings, Canadian literature was strongly influenced by its American and British predecessors and the early writers reinforced the myth of the Canadian North. In the early twentieth century, the North was mainly a place of retreat for the fictive heroes of the South who went from the city to the wilderness to find themselves. One of the most famous texts of this time is Frederick Philip Grove's autobiography In Search of Myself (1946). His journey to the North became a synonym for the search of the own self.

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