The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780)

The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780) PDF

Author: Theophilus Cibber

Publisher: Good Press

Published: 2019-11-29

Total Pages: 52

ISBN-13:

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"The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780)" by Theophilus Cibber. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Harlot's Progress (1733), The Rake's Progress (Ms., Ca. 1778-1780)

The Harlot's Progress (1733), The Rake's Progress (Ms., Ca. 1778-1780) PDF

Author: Theophilus Cibber

Publisher:

Published: 2022-07-31

Total Pages: 51

ISBN-13:

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In the twin works 'The Harlot's Progress (1733)' and 'The Rake's Progress (Ms., ca. 1778-1780),' Theophilus Cibber portrays the divergent life trajectories of a woman and a man ensnared by the lures of vice in the 18th century. Cibber weaves a narrative rich in moral and social commentary, chronicling the journey from innocence to corruption with a keen eye on the societal constructs that facilitate such a descent. These tales are reflective of the Augustan age's literary style, intertwining satire and realism within a broader context of English literature preoccupied with the themes of morality and social order. The original engravings by William Hogarth served as inspiration for Cibber's prose, adding a multidimensional element to the storytelling with vividly depicted scenes that encapsulate the period's aesthetics and values. In delving into the works of Theophilus Cibber, one uncovers the complex interplay of personal history and literary pursuit. Cibber, an actor and playwright infamous for his own moral indiscretions, brings an autobiographical sincerity to his examination of the sinner's path. This personal connection with the material indeed infuses Cibber's prose with an authenticity that is simultaneously self-reflective and critical of the world he inhabited. His own tragic descent mirrors that of his protagonists, allowing him to capture the essence of the human folly with poignant accuracy. For the readership drawn to the didactic interplay between literature and morality, 'The Harlot's Progress' and 'The Rake's Progress' offer a compelling window into the heart of 18th-century societal challenges and individual human weaknesses. Engaging both as historical artifacts and as morally instructive tales, Cibber's works are poignant reminders of the timeless battle between virtue and vice, and the perils that await those who wander from the path of righteousness. As products of the meticulous care of DigiCat Publishing, they stand warranted to receive the scrutiny and appreciation appropriate to classic works of enduring relevance and literary craftsmanship.

The Lives of the Poets of Great Britain and Ireland (1753) Volume III

The Lives of the Poets of Great Britain and Ireland (1753) Volume III PDF

Author: Theophilus Cibber

Publisher: Good Press

Published: 2023-08-12

Total Pages: 275

ISBN-13:

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"The Lives of the Poets of Great Britain and Ireland (1753) Volume III" by Theophilus Cibber. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Faces of Perfect Ebony

Faces of Perfect Ebony PDF

Author: Catherine Molineux

Publisher: Harvard University Press

Published: 2012-01-02

Total Pages: 375

ISBN-13: 0674050088

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Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean. The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage. Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.