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The Great Acting Teachers and Their Methods

Author: Richard Brestoff

Publisher: Smith & Kraus

Published: 2010

Total Pages: 0

ISBN-13: 9781575257709

The Great Acting Teachers and Their Methods, Volume 2 features the innovative ideas and theories of: ¿ André Antoine ¿ Jacques Copeau ¿ Michel Saint-Denis ¿ Elia Kazan ¿ Uta Hagen ¿ David Mamet ¿ Anne Bogart ¿ Keith Johnstone BOOK SYNOPSIS In this follow-up to his first volume that has become an essential classroom text, Brestoff examines all new teachers and exposes the origin of today¿s ideas and exercises that acting students are practicing. What is the rationale behind the lesson? Why is it useful? Whether they can be called revolutionary or evolutionary, the conflicting theories of these teachers result from outrage and disgust. Andre Antoine, Jacques Copeau and Michel Saint-Denis represent a virtually unacknowledged yet powerful French influence on acting and actor training in the United States and abroad. American Realist teachers known as the passionate questioners, such as Elia Kazan, who is disgusted with Broadway¿s commercialism, Uta Hagen and David Mamet, and two influential ¿outside-the-box¿ teachers, Anne Bogart with her Viewpoints work and Keith Johnstone, creator of Theatre Sports, are also featured. While differences among the various acting theories and practices are noted and analyzed, so too are exciting and unexpected connections among them revealed. RICHARD BRESTOFF is Associate Professor of Drama and Associate Head of Acting University of California, Irvine. He is the author of four best-selling books for Smith and Kraus, including The Great Acting Teachers and Their Methods, The Camera Smart Actor, The Actor's Wheel of Connection and Acting Under the Circumstances. He has acted on Broadway and off, in Regional Theater and on camera, appearing on the 1991 Emmy Ballot for his Guest-Star performance on the CBS television series, thirtysomething. Richard holds an MFA in Acting form NYU where his teachers included Olympia Dukakis, Peter Kass, Joe Chaikin and Kristin Linklater.

The Great Acting Teachers and Their Methods

Author: Richard Brestoff

Publisher: Smith & Kraus

Published: 1995

Total Pages: 230

ISBN-13:

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"Explores the acting theories and teaching methods of the great teachers of acting--among them Stanislavski, Adler, Meyerhold, Strasberg, Meisner, Brecht, Grotowski and Suzuki. Each chapter includes sample class, which gives the reader a feel for how the different teachers acommplished their objectives, and thereby equip the reader to choose among them. And in addition, this book takes a look at some of the premiere actor training institutions in the United States and assesses what is being taught there today."--Back cover.

Black Acting Methods

Author: Sharrell Luckett

Publisher: Taylor & Francis

Published: 2016-10-04

Total Pages: 254

ISBN-13: 1317441222

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Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.

Acting

Author: Terry Schreiber

Publisher: Simon and Schuster

Published: 2012-03-07

Total Pages: 256

ISBN-13: 1581159501

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Honed by the author's 35 years of teaching, this advanced book offers different warm-up exercises concentrating on the actor's sense of smell, sound, sight, and touch; sensory tools for conveying the climate and environment of the text; tips for suggesting a character's physical conditions; and much more. Individual exercises will help actors to free the voice and body, create a character, find the action and condition of scenes, and explore the subconscious for effective emotional recall. Readers will also find meticulous guidelines for best using rehearsal time and preparing for in-class scene work. The foreword is written by two-time Academy Award nominee Edward Norton. Those who act, direct, or teach will not want to miss the acting lessons that have made T. Schreiber Studio a premier actor training program.

Theater as Life

Author: Paul Marcus

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780874620696

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Rather than focus on the well-known truism that great plays and dramatic performances can deeply transform and ennoble us, this explores how actors and actresses learn dramatic performance as an art, profession and way of life. Drawing from the psychological insights of Constantin Stanislavski and other master teachers, as well as performers like Lawrence Olivier, this is the first book that makes the actors magical soul craft into a character accessible and applicable to real-life.

The Technique of Acting

Author: Stella Adler

Publisher: Bantam

Published: 1990

Total Pages: 158

ISBN-13:

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Gives instruction and exercises designed to develop mastery of body, speech, mind, and emotion.

Sanford Meisner on Acting

Author: Sanford Meisner

Publisher: Vintage

Published: 2012-11-07

Total Pages: 272

ISBN-13: 0307830632

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Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. "This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller "If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck

To the Actor

Author: Michael Chekhov

Publisher: Ravenio Books

Published:

Total Pages: 226

ISBN-13:

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In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.

Book on Acting

Author: Stephen Book

Publisher:

Published: 2002

Total Pages: 664

ISBN-13:

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"The Improvisation Technique is then applied to exercises with scripted lines, developing sophisticated improvisation skills for enhancing character, emotions, conflict, and agreement as well as improving the actor's audition process. Also included is a unique process for breaking down scripted scenes into improvisation choices."--BOOK JACKET.

Acting Under the Circumstances

Author: Richard Brestoff

Publisher: Smith & Kraus

Published: 1999

Total Pages: 204

ISBN-13:

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From the author of The Great Acting Teachers and Their Methods, Acting Under the Circumstances details a step-by-step approach to playing a part. Based on the work Constantine Stanislavski was using near the end of his life, we follow two actors as a teacher guides them through their parts in Henrik Ibsen's great play, A Doll House. Then we learn how techniques are used for monologues and cold readings. We learn how analysis stems from instinct, from experiencing the character's circumstances without becoming them or speaking their dialogue. Actors memorize events and not lines. This approach, never before so clearly explained or engagingly taught, gives actors, from novices to professionals, a reliable, creative, and innovative method for playing a part. Under the Circumstances is a book you will put to immediate use.