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Author:
Publisher:
Published: 2005-01-01
Total Pages: 80
ISBN-13: 9780977141906
DOWNLOAD EBOOK →The Graphic Imperative: International Posters for Peace, Social Justice & the Environment, 1965-2005Sandra & David Bakalar GalleryMassachusetts College of ArtSeptember 14-November 11, 2005The Design Center at Philadelphia UniversityApril 3-May 23, 2006AIGA National Design CenterNew York, NYJune 15-August 18, 2006
Author: Joel Black
Publisher: Routledge
Published: 2013-08-21
Total Pages: 300
ISBN-13: 1135354391
DOWNLOAD EBOOK →It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In The Reality Effect, Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from Lolita and the murder of JonBenét Ramsey to Wag the Dog and the Clinton scandal to Crash and Princess Diana's violent death.
Author: Dan Abnett
Publisher: Marvel Entertainment
Published: 2011-09-28
Total Pages: 220
ISBN-13: 0785178910
DOWNLOAD EBOOK →The dangerous cosmic fissure known as The Fault has ripped opened a portal to the Marvel Universe, spilling out the demented forces of a horrific mirror universe where there is no death and life prevails unchecked - the Cancerverse! From this dark realm, the evil Lord Mar-Vell - a twisted version of the legendary Captain Marvel - leads his army to claim our universe for their own! Nova, the Silver Surfer, Quasar, Gladiator and more of the greatest cosmic champions of the Marvel Universal rise to stop them, but when even they cannot stop the forces of the Cancerverse, the fate of the universe lies in the hands of the cosmos' never-say-die underdogs, the Guardians of the Galaxy! Facing a threat like none other, Star-Lord and company cook up an all-or-nothing plan to bring their prisoner, the mad titan Thanos, into the Cancerverse to unleash hell! With everything on the line, the fate of the universe rests in the hands of one of Marvel's greatest villains!
Author: David W. Orr
Publisher: Island Press
Published: 2011
Total Pages: 393
ISBN-13: 1597267007
DOWNLOAD EBOOK →The author has championed the cause of ecological literacy in higher education, helping to establish and shape the field of ecological design, and working to raise awareness of the threats to future generations posed by humanity's current unsustainable trajectory.This volume brings together his most important works.
Author: Robert J. Naiman
Publisher: Island Press
Published: 2013-03-19
Total Pages: 185
ISBN-13: 1610910710
DOWNLOAD EBOOK →This volume summarizes the two-year effort of a working group of leading aquatic scientists sponsored by NSF, EPA, NASA, TVA, and NOAA to identify research opportunities and frontiers in freshwater sciences for this decade and beyond. The research agenda outlined focuses on issues of water availability, aquatic ecosystem integrity, and human health and safety. It is a consensus document that has been endorsed by all of the major professional organizations involved with freshwater issues.
Author: Øyvind Vågnes
Publisher: University of Texas Press
Published: 2012-08-24
Total Pages: 224
ISBN-13: 0292742584
DOWNLOAD EBOOK →Winner, Peter C. Rollins Book Award, 2012 As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians. The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11. Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.
Author: Shilo T. McClean
Publisher: MIT Press
Published: 2008-09-26
Total Pages: 318
ISBN-13: 0262633698
DOWNLOAD EBOOK →How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles—other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects. Effects artists say—contrary to the critics—that effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects—whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres—and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.
Author: Ben Winters
Publisher: Routledge
Published: 2014-02-05
Total Pages: 284
ISBN-13: 1135022550
DOWNLOAD EBOOK →This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating these scenes, wherein the performance of music is foregrounded in the narrative, Winters uncovers how concert performance reflexively articulates music's importance to the ontology of film. The book asserts that narrative film of a variety of aesthetic approaches and traditions is no mere copy of everyday reality, but constitutes its own filmic reality, and that the music heard in a film's underscore plays an important role in distinguishing film reality from the everyday. As a result, concert scenes are examined as sites for provocative interactions between these two realities, in which real-world musicians appear in fictional narratives, and an audience’s suspension of disbelief is problematised. In blurring the musical experiences of onscreen observers and participants, these concert scenes also allegorize music’s role in creating a shared subjectivity between film audience and character, and prompt Winters to propose a radically new vision of music’s role in narrative cinema wherein musical underscore becomes part of a shared audio-visual space that may be just as accessible to the characters as the music they encounter in scenes of concert performance.
Author: Lauren Rosewarne
Publisher: Bloomsbury Publishing USA
Published: 2016-01-25
Total Pages: 432
ISBN-13: 1440834415
DOWNLOAD EBOOK →Written by an expert in media, popular culture, gender, and sexuality, this book surveys the common archetypes of Internet users—from geeks, nerds, and gamers to hackers, scammers, and predators—and assesses what these stereotypes reveal about our culture's attitudes regarding gender, technology, intimacy, and identity. The Internet has enabled an exponentially larger number of people—individuals who are members of numerous and vastly different subgroups—to be exposed to one other. As a result, instead of the simple "jocks versus geeks" paradigm of previous eras, our society now has more detailed stereotypes of the undesirable, the under-the-radar, and the ostracized: cyberpervs, neckbeards, goths, tech nerds, and anyone with a non-heterosexual identity. Each chapter of this book explores a different stereotype of the Internet user, with key themes—such as gender, technophobia, and sexuality—explored with regard to that specific characterization of online users. Author Lauren Rosewarne, PhD, supplies a highly interdisciplinary perspective that draws on research and theories from a range of fields—psychology, sociology, and communications studies as well as feminist theory, film theory, political science, and philosophy—to analyze what these stereotypes mean in the context of broader social and cultural issues. From cyberbullies to chronically masturbating porn addicts to desperate online-daters, readers will see the paradox in popular culture's message: that while Internet use is universal, actual Internet users are somehow subpar—less desirable, less cool, less friendly—than everybody else.
Author: Anthony Barker
Publisher: Cambridge Scholars Publishing
Published: 2009-03-26
Total Pages: 301
ISBN-13: 1443807052
DOWNLOAD EBOOK →This new collection of essays seeks to focus on three areas where television has recently been in an intriguing state of flux. Taking as our background the emergence of multimedia conglomerates and cash-rich cable channels, we look at the way old national terrestrial channels and the brash new internationally commercialized ones have innovated in the domain of television programming. In all there are fourteen original essays, an introduction to the book’s theme by the editor and a foreword by Professor Annette Hill. Section one “Realizing the Real” looks at contemporary patterns of television consumption and the presentational styles which package the real in news, current affairs and other ‘live’ television formats. Essays on rhetorical strategies in the news coverage of the war in Iraq, on national and international inflections of Sky News in Europe and coverage of the recent EURO2004 football tournament, as well the multi-channel reporting of a prominent paedophilia scandal, are presented in this section. They all analyse the extent to which the grounded and the local are threatened and distorted by hegemonic forces in media today. The findings of a comprehensive new study of Portuguese social practices and viewing habits are also featured in this section. Section Two “Realizing Performance” addresses the way new trends in reality programming and other documentary practices have impacted on fiction and entertainment television. There are essays on the recent wave of British television comedy heavily influenced by TV newsmagazine and fly-on-the-wall documentary styles and two pieces on new American series, 24 and CSI, which have revolutionized the narrative parameters and evidential base for thrillers and cop shows respectively, coming up with new ways to ‘perform’ space, time and science. Finally there is an essay on Nigel Kneale’s The Year of the Sex Olympics (1968), a survivor from the era of the single play who seems to anticipate the future of television in reality-based gameshow-style entertainment. Each of these essays shows that the success of these programmes is dependent on a fresh restylization of the conventions and formulas which govern mainstream television programming. They therefore see the representation of the real in fiction as primarily an aesthetic reappraisal. Section Three “Performing the Real” looks at the explosion in reality television programming itself. It focuses on the coming to pass of 70s and 80s theorists’ visions of both a passive voyeuristic society and one increasingly at peace with the notion of surveillance. We have been progressively acculturated to watching and being watched. Orwellian anxiety has given way to Baudrillardian acceptance of the message and the medium fused in a new order of mediated reality or hyperreality. Essays refer specifically to the globalization of shows and formats and their local inflections and to coverage of reality shows in print media and on the net. There are essays on The Bachelor and gender stereotyping, Joe Millionaire and the conventions of melodrama, and two on Big Brother, one on the problems of communication within a sealed environment and another on its reception in Portugal. Concerns about the self and its authenticity are consistency raised in all the essays of this section.
