The Graph Music of Morton Feldman

The Graph Music of Morton Feldman PDF

Author: David Cline

Publisher: Cambridge University Press

Published: 2016-05-26

Total Pages: 405

ISBN-13: 110710923X

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David Cline provides a detailed analysis of Morton Feldman's graph works and how they changed the course of post-war music.

The Music of Morton Feldman

The Music of Morton Feldman PDF

Author: Thomas DeLio

Publisher: Psychology Press

Published: 1995

Total Pages: 270

ISBN-13: 9780935016161

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Morton Feldman was one of the most original and important American composeres of the 20th century. His work has never been analyzed in detail (nor systematically) until this book.

Give My Regards to Eighth Street

Give My Regards to Eighth Street PDF

Author: Morton Feldman

Publisher:

Published: 2000

Total Pages: 268

ISBN-13:

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Afterword by Frank O'Hara Morton Feldman (1926-1987) is among the most influential American composers of the 20th Century. While his music is known for its exteme quiet and delicate beauty, Feldman himself was famously large and loud. His writings are both funny and illuminating, not only about his own music but about the entire New York School of painters, poets and composers that coalesced in the 1950s, including his friends Jackson Pollack, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O Hara, and John Cage.

The New York Schools of Music and the Visual Arts

The New York Schools of Music and the Visual Arts PDF

Author: Steven Johnson

Publisher: Routledge

Published: 2012-11-12

Total Pages: 261

ISBN-13: 1136532676

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Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David Tudor, formed friendships with a group of painters. The latter group, now known collectively as either the New York School or the Abstract Expressionists, included Jackson Pollock, Willem deKooning, Robert Motherwell, Mark Rothko, Barnett Newman, Clyfford Still, Franz Kline, Phillip Guston, and William Baziotes. The group also included a younger generation of artists-particularly Robert Rauschenberg and Jasper Johns-that stood somewhat apart from the Abstract Expressionists. This group of painters created what is arguably the first significant American movement in the visual arts. Inspired by the artists, the New York School composers accomplished a similar feat. By the beginning of the 1960s, the New York Schools of art and music had assumed a position of leadership in the world of art. For anyone interested in the development of 20th century art, music, and culture, The New York Schools of Music and Art will make for illuminating reading.

Composing Ambiguity: The Early Music of Morton Feldman

Composing Ambiguity: The Early Music of Morton Feldman PDF

Author: Alistair Noble

Publisher: Routledge

Published: 2016-05-23

Total Pages: 278

ISBN-13: 1317162668

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American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s.

Morton Feldman Says

Morton Feldman Says PDF

Author: Morton Feldman

Publisher:

Published: 2006

Total Pages: 320

ISBN-13:

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Alongside John Cage and Edgar Varese, Morton Feldman is regarded by many as one of the foremost American composers of the 20th century. Evidence of his lifelong passion for music can be found in the numerous interviews and lectures he gave about his life and work. But despite his reputation and creative output, very little has been published on this charismatic figure. In Morton Feldman Says, editor Chris Villars has collected two decades of interviews, many available here for the first time, illustrating Feldman's creative process and his wide range of cultural interests and references, especially to visual art. Morton Feldman Says contains the first English translation of Sebastian Claren's biographical notes as well as conversations with Gavin Bryars, Kevin Volans and Walter Zimmermann. There are also transcriptions of two of Feldman's lectures, held in Toronto (1982) and Johannesburg (1983).

Morton Feldman

Morton Feldman PDF

Author: Ryan Dohoney

Publisher: Bloomsbury Publishing USA

Published: 2022-02-24

Total Pages: 233

ISBN-13: 1501345478

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Morton Feldman: Friendship and Mourning in the New York Avant-Garde documents the collaborations and conflicts essential to the history of the post-war avant-garde. It offers a study of composer Morton Feldman's associations and friendships with artists like John Cage, Jackson Pollock, Philip Guston, Frank O'Hara, Charlotte Moorman, and others. Arguing that friendship and mourning sustained the collective aesthetics of the New York School, Dohoney has written an emotional and intimate revision of New York modernism from the point of view of Feldman's agonistic community.

Meantone Temperaments on Lutes and Viols

Meantone Temperaments on Lutes and Viols PDF

Author: David Dolata

Publisher: Indiana University Press

Published: 2016-07-04

Total Pages: 314

ISBN-13: 0253021464

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Written for musicians by a musician, Meantone Temperaments on Lutes and Viols demystifies tuning systems by providing the basic information, historical context, and practical advice necessary to easily achieve more satisfying tuning results on fretted instruments. Despite the overwhelming organological evidence that many of the finest lutenists, vihuelists, and viola da gamba players in the Renaissance and Baroque eras tuned their instruments in one of the meantone temperaments, most modern early instrument players today still tune to equal temperament. In this handbook richly supplemented with figures, diagrams, and music examples, historical performers will discover why temperaments are necessary and how they work, descriptions of a variety of temperaments, and their application on fretted instruments. This technical book provides downloadable audio tracks and other tools for fretted instrument players to achieve more stable consonances, colorful dissonances, and harmonic progressions that vividly propel the music forward.

Morton Feldman's Piano and String Quartet

Morton Feldman's Piano and String Quartet PDF

Author: Ray Fields

Publisher: Rowman & Littlefield

Published: 2022-08-16

Total Pages: 137

ISBN-13: 1538172283

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Morton Feldman viewed Piano and String Quartet as his capstone work—the culminating example of the aesthetic that Feldman spent his life seeking. Written in 1985, the year before Feldman’s death, this single movement, roughly eighty-minute composition was heralded by Steve Reich as “the most beautiful work [of Feldman’s] I know.” Ray Fields presents a detailed analysis of the complete piece and examines the elements that contribute to its formal and expressive design. He discusses the sonic experience of the music itself and provides insights into Feldman’s aesthetic influences. The book also includes basic biographical information about Feldman; descriptions of the music of his early, middle, and late periods; and an overview of analyses of other Feldman works. In examining this beloved piece, the book addresses the question: what was everything Feldman wanted in his music? Also included are interviews with Kronos Quartet’s David Harrington about the origins of Piano and String Quartet and crucial information from pianist Aki Takahashi about performing the work.

Musical Portraits

Musical Portraits PDF

Author: Joshua S. Walden

Publisher: Oxford University Press

Published: 2018

Total Pages: 201

ISBN-13: 0190653507

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Joshua S. Walden's Musical Portraits: The Composition of Identity in Contemporary and Experimental Music explores the wide-ranging but under-examined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of identity in music, such as character, biography, and profession. By studying musical portraits of painters, authors, and modern celebrities, in addition to composers' self-portraits, the book considers how representational and interpretive processes overlap and differ between music and other art forms, as well as how music is used in the depiction of human identities. Examining a range of musical portraits by composers including Peter Ablinger, Pierre Boulez, Morton Feldman, Philip Glass, Gy rgy Ligeti, and Virgil Thomson, and director Robert Wilson's on-going series of video portraits of modern-day celebrities and his "portrait opera" Einstein on the Beach, Musical Portraits contributes to the study of music since 1945 through a detailed examination of contemporary understandings of music's capacity to depict identity, and of the intersections between music, literature, theater, film, and the visual arts.