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The Western Films of Robert Mitchum

Author: Gene Freese

Publisher: McFarland

Published: 2019-11-05

Total Pages: 245

ISBN-13: 1476678499

Robert Mitchum was--and still is--one of Hollywood's defining stars of Western film. For more than 30 years, the actor played the weary and cynical cowboy, and his rough-and-tough presence on-screen was no different than his one off-screen. With a personality fit for western-noir, Robert Mitchum dominated the genre during the mid-20th century, and returned as the anti-hero again during the 1990s before his death. This book lays down the life of Mitchum and the films that established him as one of Hollywood's strongest and smartest horsemen. Going through early classics like Pursued (1947) and Blood on the Moon (1948) to more recent cult favorites like Tombstone (1993) and Dead Man (1995), Freese shows how Mitchum's nuanced portrayals of the iconic anti-hero of the West earned him his spot in the Cowboy Hall of Fame.

Legendary Locals of Pacifica

Author: Chris Hunter

Publisher: Arcadia Publishing

Published: 2014-01-06

Total Pages: 128

ISBN-13: 1467100986

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Pacifica has the nickname "Scenic Pacifica" because of its beautiful ocean vistas and lovely hillside views. Twelve miles south of San Francisco, the city of Pacifica grew rapidly, although not to the size that some had predicted. A haven for young families, Pacifica fostered strong leaders among housewives, environmental activists, and businesspeople. The strength of Pacifica, other than its natural beauty, has always been its people. The schools, service clubs, and athletic fields produced local celebrities, but the proximity to San Francisco helped forge more widely known legends. This combination of personalities helped make it possible to identify a broad spectrum of legendary locals, from a woman who was the first mayor of Pacifica to a successful comedian who earned national attention on Saturday Night Live and in the movies.

The Career That Dripped With Horror

Author: John Stanley

Publisher: Page Publishing Inc

Published: 2023-10-23

Total Pages: 546

ISBN-13:

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Encounter the John Stanley who hosted Creature Features in the Bay Area (1979-84) and meet the John Stanley who covered movie and TV celebrities for the San Francisco Chronicle (1960-1993). Together, they take you into the incredible worlds of sci-fi/fantasy/horror!

11:59 and Counting: Horror Hosting in the 21st Century

Author: Paul Counelis

Publisher: Lulu.com

Published: 2014-06-09

Total Pages: 126

ISBN-13: 1312262575

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In 11:59 AND COUNTING, Paul Counelis (Rue Morgue) talks to a host of horror hosts, delving into what makes them tick, insights into what its like to do what they do and how they stay relevant in today's media overloaded world. A fun and engrossing look at a rich, intriguing and spooky tradition and a must read for fans of horror movies and the men and women who introduce them.

The Gang that Shot Up Hollywood

Author: John Stanley

Publisher: Creatures at Large

Published: 2011

Total Pages: 0

ISBN-13: 9780940064133

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John Stanley, thirty-three-year veteran entertainment writer for the San Francisco Chronicle, stalks the environs of Hollywood and San Francisco to profile male and female stars of yesteryear who blasted their way through movies and TV series with high-powered handguns, curvaceous, slinky bodies, and other weapons of excessive destruction, all for decent box office. Savor four classic Clint Eastwood encounters: Two "Dirty Harry" moments with actor Clint and two Iwo Jima moments with director Clint. Can hard-hitting martial arts star Chuck Norris survive three showdowns with Stanley? James Stewart survived two Stanley encounters: one about his hard-boiled Westerns, the other about his Hitchcock classics. Meet Robert and John Mitchum, ornery fighting brothers whom Stanley knew intimately, and learn the full truth behind Robert's 1948 arrest for marijuana use, never before revealed. Karl Malden faces Stanley in five showdowns on the streets of San Francisco. The book also includes text and imagery material that will shake up any motion picture lover.

A Certain Tendency of the Hollywood Cinema, 1930-1980

Author: Robert B. Ray

Publisher: Princeton University Press

Published: 2020-07-21

Total Pages: 422

ISBN-13: 0691216169

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Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot and technique. Instead of choosing left or right, avant-garde or tradition, American cinema tries to have it both ways. Although Hollywood's commercial success has led the world audience to equate the American cinema with film itself, Hollywood filmmaking is a particular strategy designed to respond to specific historical situations. As an art restricted in theoretical scope but rich in individual variations, the American cinema poses the most interesting question of popular culture: Do dissident forms have any chance of remaining free of a mass medium seeking to co-opt them?

Hollywood's Miracles of Entertainment

Author: John Howard Reid

Publisher: Lulu.com

Published: 2005-05

Total Pages: 250

ISBN-13: 1411635221

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120 movies are detailed in this 8th book in the "Hollywood Classics" series. The movies range from marvels of special effects like "King Kong" to the first sound-on-disc feature, "Don Juan". Charismatic film stars like Humphrey Bogart, Jeanette MacDonald, Bing Crosby, Deanna Durbin, John Wayne, Errol Flynn, Eddie Cantor, Lana Turner, Alan Ladd, Elizabeth Taylor, Barbara Stanwyck, Kay Francis, John Garfield, Jane Powell and Roy Rogers enlivened many of these classic films.

The Dark Hours

Author: Michael Connelly

Publisher: Little, Brown

Published: 2021-11-09

Total Pages: 406

ISBN-13: 0316256560

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A Wall Street Journal and South Florida Sun-Sentinel Best Book of the Year “A masterpiece”—LAPD detective Renée Ballard must join forces with Harry Bosch to find justice in a city scarred by fear and social unrest after a methodical killer strikes on New Year’s Eve (Publishers Weekly). There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop owner has been fatally hit by a bullet in the middle of a crowded street party. Ballard quickly concludes that the deadly bullet could not have fallen from the sky and that it is linked to another unsolved murder—a case at one time worked by Detective Harry Bosch. At the same time, Ballard hunts a fiendish pair of serial rapists, the Midnight Men, who have been terrorizing women and leaving no trace. Determined to solve both cases, Ballard feels like she is constantly running uphill in a police department indelibly changed by the pandemic and recent social unrest. It is a department so hampered by inertia and low morale that Ballard must go outside to the one detective she can count on: Harry Bosch. But as the two inexorable detectives work together to find out where old and new cases intersect, they must constantly look over their shoulders. The brutal predators they are tracking are ready to kill to keep their secrets hidden. Unfolding with unstoppable drive and nail-biting intrigue, The Dark Hours shows that “relentless on their own, Ballard’s and Bosch’s combined skills…could be combustible” (Los Angeles Times).

Runaway Hollywood

Author: Daniel Steinhart

Publisher: University of California Press

Published: 2019-01-22

Total Pages: 298

ISBN-13: 0520298640

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After World War II, as cultural and industry changes were reshaping Hollywood, movie studios shifted some production activities overseas, capitalizing on frozen foreign earnings, cheap labor, and appealing locations. Hollywood unions called the phenomenon “runaway” production to underscore the outsourcing of employment opportunities. Examining this period of transition from the late 1940s to the early 1960s, Runaway Hollywood shows how film companies exported production around the world and the effect this conversion had on industry practices and visual style. In this fascinating account, Daniel Steinhart uses an array of historical materials to trace the industry’s creation of a more international production operation that merged filmmaking practices from Hollywood and abroad to produce movies with a greater global scope.

Hollywood's Last Golden Age

Author: Jonathan Kirshner

Publisher: Cornell University Press

Published: 2012-10-05

Total Pages: 280

ISBN-13: 0801465842

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Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives.