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The Franciad (1572)

Author: Pierre De Ronsard

Publisher:

Published: 2016-02-01

Total Pages: 342

ISBN-13: 9780404670016

Ronsard's "Franciad" appeared at a crucial point in French history. The first four books, after many years of elaboration, finally left the presses of Parisian printer Gabriel Buon on September 13, 1572, less than a month after the St. Bartholomew's Day massacre-an event normally thought to have been ordered by Catherine de Medici, the mother of King Charles IX, Ronsard's patron. France thus sorely lacked national unity; Ronsard's unfinished epic, on the other hand, sought to bolster national (Catholic) pride by providing a shared genealogy that made the French King a descendant of Hector and the Trojan War. The contrast between the historical reality and Ronsard's poetic monument underscores the epic's underlying ideology and its inscription in a slightly earlier, more positive, belief in the destiny of the French nation. "Phillip John Usher's vibrant and highly readable translation, along with its wide-ranging notes and introduction, make the case that the poem as it stands merits a wider audience. . . . A work of scholarship and a labor of love, this volume will deepen the appreciation of new and old readers alike. . . ." -Kathleen Wine, "Renaissance Quarterly" "[T]his work should not be overlooked." -C. E. Campbell, "Choice"

Virgilian Identities in the French Renaissance

Author: Phillip John Usher

Publisher: DS Brewer

Published: 2012

Total Pages: 280

ISBN-13: 184384317X

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"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.

The Author's Hand and the Printer's Mind

Author: Roger Chartier

Publisher: John Wiley & Sons

Published: 2013-12-06

Total Pages: 240

ISBN-13: 074567139X

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In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind. This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.

Polemic and Literature Surrounding the French Wars of Religion

Author: Jeff Kendrick

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-09-23

Total Pages: 217

ISBN-13: 1501513516

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Polemic and Literature Surrounding the French Wars of Religion demonstrates that literature and polemic interacted constantly in sixteenth-century France, constructing ideological frameworks that defined the various groups to which individuals belonged and through which they defined their identities. Contributions explore both literary texts (prose, poetry, and theater) and more intentionally polemical texts that fall outside of the traditional literary genres. Engaging the continuous casting and recasting of opposing worldviews, this collection of essays examines literature's use of polemic and polemic's use of literature as seminal intellectual developments stemming from the religious and social turmoil that characterized this period in France.

Reveries of Community

Author: Katherine Maynard

Publisher: Northwestern University Press

Published: 2017-12-15

Total Pages: 192

ISBN-13: 081013585X

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Reveries of Community reconsiders the role of epic poetry during the French Wars of Religion, the series of wars between Catholics and Protestants that dominated France between 1562 and 1598. Critics have often viewed French epic poetry as a casualty of these wars, arguing that the few epics France produced during this conflict failed in power and influence compared to those of France’s neighbors, such as Italy’s Orlando Furioso, England’s Faerie Queene, and Portugal’s Os Lusíadas. Katherine S. Maynard argues instead that the wars did not hinder epic poetry, but rather French poets responded to the crisis by using epic poetry to reimagine France’s present and future. Traditionally united by une foi, une loi, un roi (one faith, one law, one king), France under Henri IV was cleaved into warring factions of Catholics and Huguenots. The country suffered episodes of bloodshed such as the St. Bartholomew’s Day Massacre, even as attempts were made to attenuate the violence through frequent edicts, including those of St. Germain (1570) and Nantes (1598). Maynard examines the rich and often dismissed body work written during these bloody decades: Pierre de Ronsard’s Franciade, Guillaume Salluste Du Bartas’s La Judit and La Sepmaine, Sébastian Garnier’s La Henriade, Agrippa d’Aubigné’s Les Tragiques, and others. She traces how French poets, taking classics such as Virgil’s Aeneid and Homer’s Iliad as their models, reimagined possibilities for French reconciliation and unity.

The Epic of Juan Latino

Author: Elizabeth Wright

Publisher: University of Toronto Press

Published: 2016-08-04

Total Pages: 288

ISBN-13: 1442625554

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In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe’s first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria). Piecing together the surviving evidence, Wright traces Latino’s life in Granada, Iberia’s last Muslim metropolis, from his early clandestine education as a slave in a noble household to his distinguished career as a schoolmaster at the University of Granada. When intensifying racial discrimination and the chaos of the Morisco Revolt threatened Latino’s hard-won status, he set out to secure his position by publishing an epic poem in Latin verse, the Austrias Carmen, that would demonstrate his mastery of Europe’s international literary language and celebrate his own African heritage. Through Latino’s remarkable, hitherto untold story, Wright illuminates the racial and religious tensions of sixteenth-century Spain and the position of black Africans within Spain’s nascent empire and within the emerging African diaspora.

Forgetting Differences

Author: Andrea Frisch

Publisher: Edinburgh University Press

Published: 2015-06-02

Total Pages: 192

ISBN-13: 0748694404

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Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630

Shipwreck in French Renaissance Writing

Author: Jennifer H. Oliver

Publisher: Oxford Modern Languages & Lite

Published: 2019-06-17

Total Pages: 240

ISBN-13: 0198831706

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In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships--both real and symbolic--are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck--imagined through the Lucretian suave mari magno commonplace--is constantly undermined, not least through a sustained focus on the corporeal. This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story.

Correspondence with Aaron Hill and the Hill Family

Author: Samuel Richardson

Publisher: Cambridge University Press

Published: 2013-12-19

Total Pages: 721

ISBN-13: 1107729009

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Samuel Richardson (1689–1761) was an established master printer when, at the age of 51, he published his first novel, Pamela, and immediately became one of the most influential and admired writers of his time. Not only were all Richardson's novels written in epistolary form: he was also a prolific letter-writer himself. This volume in the first ever full edition of Richardson's correspondence includes his letters to and from Aaron Hill, the poet, dramatist and entrepreneur (1685–1750). Hill was Richardson's earliest literary friend and advisor as he embarked on a new career as a novelist. This correspondence offers fascinating insight into the compositional processes not just of the two Pamela novels, but of Richardson's later novels Clarissa and The History of Sir Charles Grandison. The volume also contains Richardson's correspondence with Hill's three literary daughters, which forms an invaluable chapter in the history of women's writing and literary criticism.

Teaching the Italian Renaissance Romance Epic

Author: Jo Ann Cavallo

Publisher: Modern Language Association

Published: 2018-12-01

Total Pages: 314

ISBN-13: 1603293671

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The Italian romance epic of the fifteenth and sixteenth centuries, with its multitude of characters, complex plots, and roots in medieval Carolingian epic and Arthurian chivalric romance, was a form popular with courtly and urban audiences. In the hands of writers such as Boiardo, Ariosto, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence Cervantes, Milton, Ronsard, Shakespeare, and Spenser. In this volume instructors will find ideas for teaching the Italian Renaissance romance epic along with its adaptations in film, theater, visual art, and music. An extensive resources section locates primary texts online and lists critical studies, anthologies, and reference works.