The Form Within

The Form Within PDF

Author: Karl H Pribram

Publisher: Easton Studio Press, LLC

Published: 2013-02-05

Total Pages: 560

ISBN-13: 1935212796

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THE FORM WITHIN is the fascinating story of two hundred years of pioneering brain research, told from the unique perspective of the only brain scientist who has been, and still remains, an active participant in that story throughout the past seventy years: Karl H. Pribram. In THE FORM WITHIN, Dr. Pribram takes us on a compelling journey from the dawn of our collective “recorded perceptions” in cave paintings to our greatest achievements as a species. He explains the important task of mapping the brain; the discovery of our holographic processing of memory and perception; and the detailed research that has created our understanding of self-organizing biological systems. Along the way, Pribram shares the intimate interactions he has had with luminaries of twentieth-century science, including David Bohm, Francis Crick, John Eccles, Dennis Gabor, Hubel and Wiesel, Wolfgang Kohler, Karl Lashley, Aleksandr Romanovitch Luria, Ilya Prigogine, B. F. Skinner, Eugene Sokolov, and many others. But this riveting glimpse into our past is only a part of the story. Pribram also provides us with insightful breakthroughs into a science of the future, and points the way to where our understanding of the brain is headed.

Structure and Form in Design

Structure and Form in Design PDF

Author: Michael Hann

Publisher: Bloomsbury Publishing

Published: 2012-11

Total Pages: 217

ISBN-13: 1847887422

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This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.

Notes on the Synthesis of Form

Notes on the Synthesis of Form PDF

Author: Christopher Alexander

Publisher: Harvard University Press

Published: 1964

Total Pages: 228

ISBN-13: 9780674627512

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"These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function." This book, opening with these words, presents an entirely new theory of the process of design. In the first part of the book, Christopher Alexander discusses the process by which a form is adapted to the context of human needs and demands that has called it into being. He shows that such an adaptive process will be successful only if it proceeds piecemeal instead of all at once. It is for this reason that forms from traditional un-self-conscious cultures, molded not by designers but by the slow pattern of changes within tradition, are so beautifully organized and adapted. When the designer, in our own self-conscious culture, is called on to create a form that is adapted to its context he is unsuccessful, because the preconceived categories out of which he builds his picture of the problem do not correspond to the inherent components of the problem, and therefore lead only to the arbitrariness, willfulness, and lack of understanding which plague the design of modern buildings and modern cities. In the second part, Mr. Alexander presents a method by which the designer may bring his full creative imagination into play, and yet avoid the traps of irrelevant preconception. He shows that, whenever a problem is stated, it is possible to ignore existing concepts and to create new concepts, out of the structure of the problem itself, which do correspond correctly to what he calls the subsystems of the adaptive process. By treating each of these subsystems as a separate subproblem, the designer can translate the new concepts into form. The form, because of the process, will be well-adapted to its context, non-arbitrary, and correct. The mathematics underlying this method, based mainly on set theory, is fully developed in a long appendix. Another appendix demonstrates the application of the method to the design of an Indian village.

Towards the Ethics of Form in Fiction

Towards the Ethics of Form in Fiction PDF

Author: Leona Toker

Publisher:

Published: 2015-09-08

Total Pages: 254

ISBN-13: 9780814252550

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Scholars and critics have long recognized the need for ethical criticism to address not only the idea-content but also the morphological aspects of narrative, yet the search continues for ways to study the ethics of narrative form. In Towards the Ethics of Form in Fiction: Narratives of Cultural Remission, Leona Toker suggests a method of linking formal features of narratives with the types of moral vision that they represent.Toker is especially interested in cultural remissions such as the carnivalesque-that is, the inverting of standard cultural hierarchies or the blurring of boundaries between normally separated social groups, actors and audiences, self and other. She argues that cultural remissions have the potential not simply to provide a break from the determinacies of our quotidian existence but also to return us to that existence with some alteration of our perceptions, beliefs, and values. Toker contends that the ethical consequences of reading fiction result from features of its aesthetics, particularly what she calls, following the semiotician Louis Hjemslev, "the form of the content"-the patterns arising from the artistic deployment of narrative details. In addition to addressing the carnivalesque discourse of Bakhtin as well as the theory of oppositionality developed by de Certeau and Chambers, she puts theory into practice through detailed analyses of canonical texts by Fielding, Sterne, Austen, Hawthorne, Dickens, Conrad, Joyce, and other writers.

Focusing on Form in Language Instruction

Focusing on Form in Language Instruction PDF

Author: Wynne Wong

Publisher: Routledge

Published: 2015-09-16

Total Pages: 45

ISBN-13: 1317394461

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This module on focusing on form in language instruction provides novice and experienced instructors with pedagogical techniques to help second language learners acquire formal elements of an L2. Taking the position that the development of a linguistic representation requires input, the pedagogical interventions presented in this module – textual enhancement, structured input, and dictogloss – all work with meaning-bearing input in some way. These techniques aim to increase the likelihood that learners focus on aspects of language useful or necessary for building mental representation. The module also discusses how explicit information may play a supporting role in helping learners process input. Please visit the series companion website for more information: http://routledgetextbooks.com/textbooks/9781315679594/

Musical Form in the Age of Beethoven

Musical Form in the Age of Beethoven PDF

Author: Adolf Bernhard Marx

Publisher: Cambridge University Press

Published: 1997-12-04

Total Pages: 217

ISBN-13: 0521452740

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A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.

The Politics of Form in Greek Literature

The Politics of Form in Greek Literature PDF

Author: Phiroze Vasunia

Publisher: Bloomsbury Publishing

Published: 2021-12-16

Total Pages: 312

ISBN-13: 1350162647

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The Politics of Form in Greek Literature explores the relationship between form and political life specifically in Greek textual culture. In the last generation or so, classicists (and their counterparts in other disciplines) have begun to pay greater attention to the socio-historical contexts of literary production and sought to historicize aesthetic practice. However, historicism (and in particular New Historicism) is only one mode of approaching the question of form, which is increasingly brought into dialogue with a number of other issues (e.g. gender). Bringing together contributions from a range of experts, this volume examines these and other related approaches, assessing their limitations and discussing possibilities for the future. Individual chapters discuss an array of ancient authors, including Homer, Sophocles, Euripides, Plato, Aristotle, Callimachus, and more, and sketch out the specifically Greek contribution to the debate, as well as the implications for other disciplines. What emerges from this book are new ways of thinking about form, and indeed about politics, that will be of value to scholars and students across the humanities and social sciences.

The Subtext of Form in the English Renaissance

The Subtext of Form in the English Renaissance PDF

Author: S. K. Heninger

Publisher: Penn State Press

Published: 1994

Total Pages: 228

ISBN-13: 9780271010717

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During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.

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