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The Final Spectacle

Author: Julia Thoma

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-03-18

Total Pages: 368

ISBN-13: 3110497484

The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war.

The Final Spectacle

Author: Julia Thoma

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-03-18

Total Pages: 735

ISBN-13: 3110495090

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Spectacle in Classical Cinemas

Author: Tom Brown

Publisher: Routledge

Published: 2015-08-11

Total Pages: 292

ISBN-13: 1317527054

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Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.

The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema

Author: J. Sager

Publisher: Springer

Published: 2013-09-20

Total Pages: 313

ISBN-13: 1137332409

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Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects.

The Spectator and the Spectacle

Author: Dennis Kennedy

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 251

ISBN-13: 0521899761

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This book investigates the role and impact of the spectator, covering many different performance types including theatre, sport, television, gambling and ritual.

Intellectuals in the Society of Spectacle

Author: Christopher Britt

Publisher: Springer Nature

Published: 2021-05-24

Total Pages: 168

ISBN-13: 3030731065

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This book reveals the sense in which our postmodern societies are characterized by the obscene absence of the intellectual. The modern intellectual--who had once been associated with humanism and enlightenment—has in our day been replaced by media stars, talking heads, and technical experts. At issue is the ongoing crisis of democracy, under the aegis of the société du spectacle and its vast networks of politically-induced idiocy, industrially-produced biocide, and militarily-provoked genocide. Spectacle fills the resulting moral and intellectual vacuum with electronic technologies of control, punishment, and destruction. This postmodern tyranny reduces intelligence to mechanistic, positivist, and grammatological models of inquiry, while increasing the segmentation, fragmentation, and dissolution of human existence. The apotheosis of the spectacle explains the intellectual void that lies at the heart of our postmodern decadence; it also accounts for the need to recuperate the humanist values of enlightenment promoted by the modern intellectual tradition.

A Companion to Sport and Spectacle in Greek and Roman Antiquity

Author: Paul Christesen

Publisher: John Wiley & Sons

Published: 2014-01-07

Total Pages: 692

ISBN-13: 1444339524

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A Companion to Sport and Spectacle in Greek and Roman Antiquity presents a series of essays that apply a socio-historical perspective to myriad aspects of ancient sport and spectacle. Covers the Bronze Age to the Byzantine Empire Includes contributions from a range of international scholars with various Classical antiquity specialties Goes beyond the usual concentrations on Olympia and Rome to examine sport in cities and territories throughout the Mediterranean basin Features a variety of illustrations, maps, end-of-chapter references, internal cross-referencing, and a detailed index to increase accessibility and assist researchers