The Expert Sword-Man's Companion: Or the True Art of SELF-DEFENCE. with an ACCOUNT of the Authors LIFE, and His Transactions During the Wars with France

The Expert Sword-Man's Companion: Or the True Art of SELF-DEFENCE. with an ACCOUNT of the Authors LIFE, and His Transactions During the Wars with France PDF

Author: Donald McBane

Publisher:

Published: 2017-01-20

Total Pages: 214

ISBN-13: 9781542618328

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This new edition is a faithful transcription presented with meticulously restored illustrations. Donald McBane was a Scottish Highlander and one of the most accomplished duelists of the 18th century. During the span of his extraordinary career as a soldier, prize fighter, fencing master, and brothel manager, McBane took part in 16 battles, 15 skirmishes, and nearly 100 duels or personal combats. He published his book, The Expert Sword-Man's Companion, in 1728 where he recounts it all. The first section of McBane's treatise covers the use of a large number of arms, including the backsword, small-sword, spadroon, quarterstaff, sword and targe, sword and buckler, Spanish rapier, Portuguese rapier, sword and dagger, Dutch knife, Lochaber axe, pike, halberd, falchion, sword and pistol, dueling pistol, and broadsword on horseback. No other known extant British fencing treatise published during the eighteenth century includes such an eclectic mix of weapons. McBane also includes a unique section on "dirty tricks" used by other swordsmen of the time, and methods of how to defend against them. The second section of the book is McBane's memoir of his adventurous life, declared by one historian to be "possibly, the most ingenuous autobiography in the English language." In this new edition, many of the incredible details related by McBane have been verified for the first time. McBane claimed to have fought a total of thirty-seven prize fights, but he provides few details about them, mentioning the name of only one of his antagonists. Thanks to the diligent research of Ben Miller, numerous specimens of McBane's original challenges are included in this publication. These contests pitted McBane against some of the most celebrated gladiators of the period, including James Miller (who later authored a treatise on fencing), the infamous (and nearly undefeated) James Figg, and even Figg's fencing master, Timothy Buck. This books provides a fascinating glimpse into the mind, life, times, and combative techniques of one of the eighteenth century's most unusual and formidable real-life characters.

Lessons of the Broadsword Masters

Lessons of the Broadsword Masters PDF

Author: Christopher Scott Thompson

Publisher:

Published: 2018-08-24

Total Pages: 296

ISBN-13: 9780359139637

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The most comprehensive book ever written on the art of fencing with the basket-hilted Highland broadsword, including every major technique and concept from broadsword and backsword masters Donald McBane (1728), Thomas Page (1746), Andrew Lonnergan (1771), Captain G. Sinclair (1790), Archibald MacGregor (1791), Henry Angelo (1799), John Taylor (1804), and Thomas Mathewson (1805). Includes: Fundamental Skills Plain Playing Timing Slipping the Leg Slipping the Body Double Attacks The Feint The Invitation Actions on the Blade Disarms Counter-Disarms Set Play Loose Play The Grounds of the Sword Traversing Footwork Double Weapons (sword and targe, sword and buckler, sword and dagger, etc.) The style of the stage gladiators The style of the Highland Regiments The training curriculum of the Cateran Society The history of broadsword and backsword fencing Nearly 500 separate training exercises

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF

Author: Marina Belozerskaya

Publisher: Getty Publications

Published: 2005-10-01

Total Pages: 292

ISBN-13: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.