The Ephemeral Museum

The Ephemeral Museum PDF

Author: Francis Haskell

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 268

ISBN-13: 9780300085341

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In this illustrated book, an eminent art historian examines the intriguing history and significance of the international art exhibition of the Old Master paintings.

Ephemeral Monuments

Ephemeral Monuments PDF

Author: Marina Pugliese

Publisher: Getty Publications

Published: 2013

Total Pages: 294

ISBN-13: 1606061348

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This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.

Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918

Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918 PDF

Author: Dominique Bauer

Publisher:

Published: 2021-05-29

Total Pages:

ISBN-13: 9789463720908

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This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.

The Home, Nations and Empires, and Ephemeral Exhibition Spaces

The Home, Nations and Empires, and Ephemeral Exhibition Spaces PDF

Author: Dominique Bauer

Publisher:

Published: 2021-04-22

Total Pages:

ISBN-13: 9789463720809

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This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.

Compass of the Ephemeral

Compass of the Ephemeral PDF

Author:

Publisher:

Published: 2019

Total Pages: 0

ISBN-13: 9780977880652

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Nevada artist and Burning Man event co-founder Will Roger photographs the ever changing cityscape and transformation of Black Rock City as it changed throughout the years. The book contains a substantial collection of aerial photos as never seen before. A photographic collaboration between Will Roger and Burning Man architect Rod Garrett, Introduction by Burning Man co-founder Harley Dubois. Contributions from Independent scholar William Fox and Archaeologist Alexei Vranich, Available in hardback format, 216 pages.

The Social Museum in the Caribbean

The Social Museum in the Caribbean PDF

Author: Csilla Esther Ariese

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9789088905933

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A collection of 195 museums in the Caribbean showcases the unique practices and processes used to engage with contemporary communities.

Ephemeral vistas

Ephemeral vistas PDF

Author: Paul Greenhalgh

Publisher: Manchester University Press

Published: 2017-03-01

Total Pages: 273

ISBN-13: 1526123657

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The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.

Destination Culture

Destination Culture PDF

Author: Barbara Kirshenblatt-Gimblett

Publisher: Univ of California Press

Published: 1998-09-05

Total Pages: 352

ISBN-13: 9780520209664

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With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.

Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918

Ephemeral Spectacles, Exhibition Spaces and Museums 1750-1918 PDF

Author: Dominique Bauer

Publisher: Amsterdam University Press

Published: 2021-04-27

Total Pages: 302

ISBN-13: 9048542936

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This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the Wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.

Identity and the Museum Visitor Experience

Identity and the Museum Visitor Experience PDF

Author: John H Falk

Publisher: Routledge

Published: 2016-06-16

Total Pages: 302

ISBN-13: 1315427044

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Understanding the visitor experience provides essential insights into how museums can affect people’s lives. Personal drives, group identity, decision-making and meaning-making strategies, memory, and leisure preferences, all enter into the visitor experience, which extends far beyond the walls of the institution both in time and space. Drawing upon a career in studying museum visitors, renowned researcher John Falk attempts to create a predictive model of visitor experience, one that can help museum professionals better meet those visitors’ needs. He identifies five key types of visitors who attend museums and then defines the internal processes that drive them there over and over again. Through an understanding of how museums shape and reflect their personal and group identity, Falk is able to show not only how museums can increase their attendance and revenue, but also their meaningfulness to their constituents.