The Director's Prism

The Director's Prism PDF

Author: Dassia N. Posner

Publisher: Northwestern University Press

Published: 2016-08-15

Total Pages: 296

ISBN-13: 0810133571

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The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.

The Director's Prism

The Director's Prism PDF

Author: Dassia N. Posner

Publisher: Northwestern University Press

Published: 2016-08-15

Total Pages: 0

ISBN-13: 9780810133556

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Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.

The Director's Idea

The Director's Idea PDF

Author: Ken Dancyger

Publisher: Taylor & Francis

Published: 2006

Total Pages: 361

ISBN-13: 0240806816

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Unique book written by well-known and best-selling Focal author!

The Director

The Director PDF

Author: Ana Filomena Amaral

Publisher: AuthorHouse

Published: 2021-10-18

Total Pages: 227

ISBN-13: 1665594012

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“The Director” is a novel focuses on Gilgamesh's Sumerian epic, adapted to the present reality. Contemporary problems are addressed, from the destruction of the oceans to the genocide of Armenians, corruption at the highest level and the predatory greed that threatens the planet, including the situation of Syrian refugees, in the perspective of what humanity wants for the future and how is compromising it. The issue of immortality is nuclear, as in the Gilgamesh epic.

Russian Theatre in Practice

Russian Theatre in Practice PDF

Author: Amy Skinner

Publisher: Bloomsbury Publishing

Published: 2019-04-18

Total Pages: 296

ISBN-13: 1474284442

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Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.