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Author: Giacomo Meyerbeer
Publisher: Associated University Presse
Published: 1999
Total Pages: 454
ISBN-13: 9780838638439
DOWNLOAD EBOOK →Volume 2 covers the 1840s, a period designated as the Prussian Years. From 1846 Meyerbeer's journal becomes a consistent daily record, resulting in one of the most sustained depictions of a contemporary artistic, theatrical, and musical milieu ever kept by a famous composer. Illustrated.
Author: Giacomo Meyerbeer
Publisher:
Published: 2001
Total Pages: 0
ISBN-13: 9780838638439
DOWNLOAD EBOOK →Author: Giacomo Meyerbeer
Publisher: Fairleigh Dickinson Univ Press
Published: 1999
Total Pages: 500
ISBN-13: 9780838638446
DOWNLOAD EBOOK →Volume 3 covers a time span that preeminently represents the period in the composer's life known as The Years of International Fame (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.
Author: Giacomo Meyerbeer
Publisher: Fairleigh Dickinson Univ Press
Published: 1999
Total Pages: 580
ISBN-13:
DOWNLOAD EBOOK →Volume 1 of the diaries, which in toto present a sustained record of Meyerbeer's personal recollections from 1812-1864, covers the Early Years and Italy (1812-26) and the Parisian Triumphs (1827-39). A register of names, maps, illustrations, musical examples, and annotations complete the critical apparatus, Illustrated.
Author: Robert Ignatius Letellier
Publisher: Fairleigh Dickinson Univ Press
Published: 2005
Total Pages: 252
ISBN-13: 9780838640630
DOWNLOAD EBOOK →"In 1936 Meyerbeer's opera Les Huguenots achieved its 1,120[superscript th] performance at the Paris Opera. This extraordinary record is an indication of the vast fame and influence of its composer who was once a household name, like Verdi or Puccini. Now he is unknown to the ordinary opera lover. These essays represent something of an odyssey to seek out and know the shadowy figure behind so much divided opinion and long neglect. They represent attempts, at various stages over thirty years, to find Meyerbeer and enter the world of his remarkable operatic creations that once so characterized the musical life of European civilization."--Jacket.
Author: Giacomo Meyerbeer
Publisher: Fairleigh Dickinson Univ Press
Published: 1999
Total Pages: 732
ISBN-13: 9780838638453
DOWNLOAD EBOOK →Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
Published: 2023-01-26
Total Pages: 734
ISBN-13: 1527590801
DOWNLOAD EBOOK →The composer Adolphe-Charles Adam (1803-1856) is known all over the world for the famous Christmas anthem ‘Minuit chrétiens’ (‘O Holy Night’). However, he wrote much more than just this. His ballet Giselle (1841) is the quintessence of mystical Romanticism and one of the most enduring works of the dance repertoire. Adam composed a series of ballets, principally for the Paris Opéra, establishing this genre as a serious and integral musical form. His last work was Le Corsaire (1856) which reaches sublime heights. However, Adam was just as famous as a composer for the lyric stage. With Boieldieu, Hérold and Auber, he forms one of the quartet of masters that represent the second school of that profoundly French genre of the opera-comique. The charming and elegant Le Chalet (1834) received over 1500 performances in Paris, and the exuberant and adorable Le Postillon de Lonjumeau (1836) is still played on stages throughout the world. This study considers this gentle, unassuming composer’s life and work, examining his 42 operas and 14 ballets in the context of the vibrant musical scene in Paris during the decades 1820-1860.
Author: Gabriela Cruz
Publisher: Oxford University Press
Published: 2020-08-19
Total Pages: 272
ISBN-13: 0190915064
DOWNLOAD EBOOK →A new and groundbreaking approach to the history of grand opera, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores the illusion and illumination behind the form's rise to cultural eminence. Renowned opera scholar Gabriela Cruz argues that grand opera worked to awaken memory and feeling in a way never before experienced in the opera house, asserting that the concept of "spectacle" was the defining cultural apparatus of the art form after the 1820s. Parisian audiences at the Académie Royale de Musique were struck by the novelty and power of grand opera upon the introduction of gaslight illumination, a technological innovation that quickly influenced productions across the Western operatic world. With this innovation, grand opera transformed into an audio-visual spectacle, delivering dream-like images and evoking the ghosts of its audiences' past. Through case studies of operas by Giacomo Meyerbeer, Richard Wagner, and Giuseppe Verdi, Cruz demonstrates how these works became an increasingly sophisticated medium by which audiences could conjure up the past and be transported away from the breakdown of modern life. A historically informed narrative that traverses far and wide, from dingy popular theatres in post-revolutionary Paris, to nautical shows in London, and finally to Egyptian mummies, Grand Illusion provides a fresh departure from previous scholarship, highlighting the often-neglected visual side of grand opera.
