The Cambridge History of Western Music Theory

The Cambridge History of Western Music Theory PDF

Author: Thomas Christensen

Publisher: Cambridge University Press

Published: 2006-04-20

Total Pages: 1033

ISBN-13: 1316025489

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The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

The Development of Western Music

The Development of Western Music PDF

Author: K Marie Stolba

Publisher: Brown & Benchmark

Published: 1995

Total Pages: 624

ISBN-13:

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An abridged version of a text which presents the history of music in the western world. The text emphasizes the most important styles, composers and works. Features include: timelines; maps; anthologies; recordings; and insights which offer sidelights on topics ranging from Europe's National beginnings, to the Theremin and Ondes Martenot. The text is intended for music students, and is written in a clear and accessible style.

Ideas and Styles in the Western Musical Tradition

Ideas and Styles in the Western Musical Tradition PDF

Author: Douglass Seaton

Publisher: Oxford University Press, USA

Published: 2017

Total Pages: 0

ISBN-13: 9780190246778

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Ideas and Styles in the Western Musical Tradition, Fourth Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse students in the historical and intellectual contexts of musical styles. The thoroughly updated and revised fourth edition offers: · New pedagogy including chapter-opening summaries and outlines; marginal cues to identify key ideas in each paragraph; and extended excerpts from key historical texts · Increased and balanced coverage of women's roles in music history, ranging from discussions of key composers and performers like Isabella d'Este and Fanny Hensel to women's important roles as patrons · A custom score anthology drawn from the Oxford History of Western Music offers students full scores and analysis for key works from the text · A more user-friendly design makes it easier for students to quickly locate key information · Updates to the narrative throughout, including the most recent research findings along with updates to the reception of key works

A History of Western Music

A History of Western Music PDF

Author: Donald Jay Grout

Publisher:

Published: 2001-01-01

Total Pages: 843

ISBN-13: 9780393976885

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This is a chronological presentation of the development of Western music within Western culture. This edition has increased coverage of 20th-century music, and timelines covering musical events throughout history.

Roots of the Classical

Roots of the Classical PDF

Author: Peter Van der Merwe

Publisher: OUP Oxford

Published: 2004-12-09

Total Pages: 588

ISBN-13: 9780191513268

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Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.

A History of Emotion in Western Music

A History of Emotion in Western Music PDF

Author: Michael Spitzer

Publisher: Oxford University Press, USA

Published: 2020

Total Pages: 457

ISBN-13: 0190061758

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"This book is the first history of musical emotion in any language. Combining intellectual history, music studies, philosophy and cognitive psychology, it unfolds a history of musical emotion across a thousand years of Western art music, from chant to pop. It affords a new way of analysing music, revealing the relationship between emotion and musical structure. The book also provides an introduction to the latest approaches to emotion research, as well as an original theory of how musical emotion works. The book is disposed in two parts. Part 1 (chapters 1-4) comprises the theoretical foundation of the book. Part 2 (chapters 5-9) provides an historical narrative from medieval to contemporary music. Chapter 1 summarizes contemporary theories of emotion in general, and of musical emotion in particular, bringing together seminal philosophers and psychologists. Chapter 2 contains the core of the book's original thesis: that five basic emotions (happiness, sadness, anger, tenderness, and fear) constitute five categories of musical emotion throughout the common-practice period. Chapter 3 outlines a variety of complex musical emotions, such as wonder, nostalgia, envy, and disgust. Chapter 4 explores the historiography of emotion, including the seminal writings of Elias, Rosenwein, and Reddy. Part 2 of the book (chapters 5-9) explores a millennium of Western music in terms of shifting categories of emotion: from affections and passions through sentiments, emotions proper, to modern affect"--

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