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The Desert is No Lady

Author: Vera Norwood

Publisher:

Published: 1987

Total Pages: 281

ISBN-13: 9780300045888

Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. "The Desert Is No Lady" provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. "The Desert Is No Lady" has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." --Polly Wells Kaufman in "Women's Review of Books" "A powerful masterpiece." --Eve Gruntfest in "The Professional Geographer"

The Desert is No Lady

Author: Vera Norwood

Publisher:

Published: 1987

Total Pages: 360

ISBN-13:

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Re-naming the land : Anglo expatriate women in the Southwest / Lois Rudnick -- Desert, rock, shelter, legend : Willa Cather's novels of the Southwest / Judith Fryer -- Walking on the desert in the sky : Nancy Newhall's words and images / Malin Wilson -- The historical landscape : Laura Gilpin and the tradition of American landscape photography / Martha A. Sandweiss -- Crazy-quilt lives : frontier sources for southwestern women's literature / Vera Norwood -- Tradition and mythology : signatures of landscape in Chicana literature / Tey Diana Rebolledo -- "Peregrinas" with many visions : Hispanic women artists of New Mexico, southern Colorado, and Texas / Marianne L. Stoller -- The mind's road : southwestern Indian women's art / Nancy J. Parezo, Kelley A. Hays, and Barbara F. Slivac -- Earthy relations, carnal knowledge : southwestern American Indian women writers and landscape / Patricia Clark Smith with Paula Gunn Allen -- With stone, star, and earth : the presence of the archaic in the landscape visions of Georgia O'Keeffe, Nancy Holt, and Michelle Stuart / Elizabeth Duvert.

The Desert is No Lady

Author: Vera Norwood

Publisher: University of Arizona Press

Published: 1997

Total Pages: 356

ISBN-13: 9780816516490

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Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. The Desert Is No Lady provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. The Desert Is No Lady has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." ÑPolly Wells Kaufman in Women's Review of Books "A powerful masterpiece." ÑEve Gruntfest in The Professional Geographer

Things I Learned from Falling

Author: Claire Nelson

Publisher: HarperCollins

Published: 2021-05-25

Total Pages: 272

ISBN-13: 0063070197

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The gripping first-person account of one woman's survival in Joshua Tree National Park against the odds. "A vibrantly physical book"—The Guardian • "Uplifting and brave"—Stylist • "A riveting account of loneliness, anxiety and survival"—Cosmopolitan In 2018, writer Claire Nelson made international headlines when she fell over 25 feet after wandering off the trail in a deserted corner of Joshua Tree. The fall shattered her pelvis, rendering her completely immobile. There Claire lay for the next four days, surrounded by boulders that muffled her cries for help, but exposed her to the relentless California sun above. Her rescuers had not expected to find her alive. In THINGS I LEARNED FROM FALLING Claire tells not only her story of surviving, but also her story of falling. What led this successful thirty-something to a desert trail on the other side of the globe from her home where no one knew she would be that day? At once the unbelievable story of an impossible event, and the human journey of a young woman wrestling with the agitation of past and anxiety of future.

Desert Queen

Author: Janet Wallach

Publisher: Anchor

Published: 2010-11-30

Total Pages: 466

ISBN-13: 0307744361

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The definitive biography, mesmerizing and “richly textured ” (Chicago Tribune), that inspired the acclaimed documentary, Letters from Baghdad. With a new Afterword "Desert Queen...plucks Gertrude Bell out of the shadow of Lawrence of Arabia." —The Boston Globe Here is the story of Gertrude Bell, who explored, mapped, and excavated the Arab world throughout the early twentieth century. Recruited by British intelligence during World War I, she played a crucial role in obtaining the loyalty of Arab leaders, and her connections and information provided the brains to match T. E. Lawrence's brawn. After the war, she played a major role in creating the modern Middle East and was, at the time, considered the most powerful woman in the British Empire. In this masterful biography, Janet Wallach shows us the woman behind these achievements—a woman whose passion and defiant independence were at odds with the confined and custom-bound England she left behind. Too long eclipsed by Lawrence, Gertrude Bell emerges at last in her own right as a vital player on the stage of modern history, and as a woman whose life was both a heartbreaking story and a grand adventure.

[Un]framing the "Bad Woman"

Author: Alicia Gaspar de Alba

Publisher: University of Texas Press

Published: 2014-07-15

Total Pages: 401

ISBN-13: 0292757638

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“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses. In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.

A Contested Art

Author: Stephanie Lewthwaite

Publisher: University of Oklahoma Press

Published: 2015-10-01

Total Pages: 363

ISBN-13: 0806152885

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When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University

Writing the Pioneer Woman

Author: Janet Floyd

Publisher: University of Missouri Press

Published: 2002

Total Pages: 240

ISBN-13: 0826262651

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Focusing on a series of autobiographical texts, published and private, well known and obscure, Writing the Pioneer Woman examines the writing of domestic life on the nineteenth-century North American frontier. In an attempt to determine the meanings found in the pioneer woman's everyday writings -- from records of recipes to descriptions of washing floors -- Janet Floyd explores domestic details in the autobiographical writing of British and Anglo-American female emigrants.

Geography in America at the Dawn of the 21st Century

Author: Gary L. Gaile

Publisher:

Published: 2005

Total Pages: 854

ISBN-13: 9780199295869

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Geography in America at the Dawn of the 21st Century surveys American geographers' current research in their specialty areas and tracks trends and innovations in the many subfields of geography. As such, it is both a 'state of the discipline' assessment and a topical reference. It includes an introduction by the editors and 47 chapters, each on a specific specialty. The authors of each chapter were chosen by their specialty group of the American Association of Geographers (AAG). Based on a process of review and revision, the chapters in this volume have become truly representative of the recent scholarship of American geographers. While it focuses on work since 1990, it additionally includes related prior work and work by non-American geographers. The initial Geography in America was published in 1989 and has become a benchmark reference of American geographical research during the 1980s. This latest volume is completely new and features a preface written by the eminent geographer, Gilbert White.