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Author: Michael M. Getz
Publisher: Owl Books
Published: 1998
Total Pages: 598
ISBN-13: 9780805058475
DOWNLOAD EBOOK →"Every entry includes: the date and location of the show; a complete list of all the songs played and the tape length; the source of the tape and a rating of its quality; [and] a comprehensive review of the show, often song-by-song, that captures the special moments of each concert"--Publisher's description.
Author: Michael M. Getz
Publisher: Owl Books
Published: 1998-05
Total Pages: 598
ISBN-13: 9780805058475
DOWNLOAD EBOOK →Author: Michael Getz
Publisher: Holt Paperbacks
Published: 1999-08-02
Total Pages: 768
ISBN-13: 9780805061406
DOWNLOAD EBOOK →Over the past year the community of fans who proudly refer to themselves as Deadheads had many reasons to rejoice as the reconfigured Grateful Dead once again returned to the road, touring the country as The Other Ones. Concurrently, Volume 1 of The Deadhead's Taping Compium, 1959-1974 was published to great acclaim as an invaluable resource and documentation of the music that has had such a deep effect on so many lives. Now, fans can continue their celebration. Volume 2 offers a complete guide to the more than seven hundred shows that the Dead played between 1975 and 1985. These are the exciting years when the band's following grew dramatically. The review of every show includes: the date and location of the show; a complete list of all the songs played; the length, source, and genealogy of the tape; plus a rating of its quality, a comprehensive review of the show, often song by song, that captures the special moments of each concert. More than seventy-five photos of The Grateful Dead-including a sixteen-page color insert-make this a lavish and indispensable book for every Deadhead.
Author: Jesse Jarnow
Publisher: Da Capo Press
Published: 2016-03-29
Total Pages: 514
ISBN-13: 0306822555
DOWNLOAD EBOOK →The sweeping untold history of the American psychedelic underground, the Grateful Dead, and beyond... With 32 pages of photos
Author: John Brackett
Publisher: Duke University Press
Published: 2023-12-08
Total Pages: 145
ISBN-13: 1478027614
DOWNLOAD EBOOK →The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of recorded sound.
Author: Kevin L. Smith
Publisher: Rowman & Littlefield
Published: 2016-10-05
Total Pages: 319
ISBN-13: 1442273038
DOWNLOAD EBOOK →It is impossible to imagine the future of academic libraries without an extensive consideration of open access—the removal of price and permission barriers from scholarly research online. As textbook and journal subscription prices continue to rise, improvements in technology make online dissemination of scholarship less expensive, and faculty recognize the practical and philosophical appeal of making their work available to wider audiences. As a consequences, libraries have begun to consider a wide variety of open access “flavors” and business models. These new possibilities have significant impact on both library services and collection policies, and the call for new skills within library staffing. Volume 9 of the series Creating the 21st-Century Academic Library is the first of two addressing the topic of open access in academic libraries and focuses on policy and infrastructure for libraries that wish to provide leadership on their campus in the transition to more open forms of scholarship. Chapters in the book discuss how to make the case for open access on campus, as well as the political and policy implications of libraries that themselves want to become publishing entities. Infrastructure issues are also addressed including metadata standards and research management services. Also considered here is how interlibrary loan, preservation and the library’s role in providing textbooks, support the concept of open access. It is hoped that this volume, and the series in general, will be a valuable and exciting addition to the discussions and planning surrounding the future directions, services, and careers in the 21st-century academic library.
Author: David Malvinni
Publisher: Scarecrow Press
Published: 2013-02-28
Total Pages: 297
ISBN-13: 0810883481
DOWNLOAD EBOOK →Over 15 years since the death of lead guitarist and singer Jerry Garcia, the Grateful Dead stands as a cultural symbol of the unresolved cultural clashes of 1960s. The band’s 30-year odyssey is a testament to the American imagination, with thousands of live concert recordings by fans and the band itself, preserved alongside a cultural iconography of images, artwork, and paraphernalia. Most recently, the Grateful Dead has stepped up release of its live archive of recordings, culminating in one of the largest boxed sets of live music—73 compact discs—ever released. This publicly available archive of recorded music lays the groundwork for David Malvinni’s exploration in Grateful Dead and the Art of Rock Improvisation on the band’s musical signature as the ultimate jam band. Malvinni considers a a select group of songs from the Dead’s early repertoire, from its unique covers of “Viola Lee Blues,” “Midnight Hour,” and “Love Light” to original masterpieces like “Dark Star.” Marrying basic music analysis to philosophical frames offered by improvisatory musings of Heidegger, Derrida, and Deleuze, Malvinni outlines the core aesthetic underlying the Dead’s musical styling. In tracing the evolution of the band’s unique jam style, Malvinni outlines The Dead’s gift as gatherers and collectors of old and new soundscapes in their improvisations. Like no other band, The Dead brought together a variety of styles from roots and folk to country and free jazz to postmodern European art music. Devoted Deadheads reveled in the band’s polyglot approach to playing live, its free-wheeling and often risky efforts to reach a type of cosmic ecstasy, commonly described as the “X factor.” Although fans and scholars alike recognize the Grateful Dead as icons of the psychedelic music, the band’s improvisatory approach still remains an enigma to the uninitiated. In Grateful Dead and the Art of Rock Improvisation, Malvinni unravels this mystery, walking readers through the band’s musical decision-making process. Written for rock music fans with little to no background in music theory, and scholars and students of popular music culture, the book reveal the method behind the seeming madness of America’s greatest jam band.
Author: Nicholas G. Meriwether
Publisher: Scarecrow Press
Published: 2012-06-20
Total Pages: 348
ISBN-13: 0810883724
DOWNLOAD EBOOK →Since the 1960s, the Grateful Dead have welcomed and participated in academic work on the band, encouraging scrutiny from a wide variety of disciplinary and theoretical perspectives, from anthropology to sociology. Interest in Dead studies is growing across the country and around the world, and UC–Santa Cruz’s Grateful Dead Archive continues to attract a high level of attention. In Reading the Grateful Dead: A Critical Survey, Nicholas G. Meriwether has assembled essays that examine the development of Grateful Dead studies. This volume features work from three generations of scholars, including a wide variety of perspectives on the band and its cultural significance. From insiders like lyricist John Perry Barlow and longtime band publicist and historian Dennis McNally to well-known Deadhead scholars such as Barry Barnes and Rebecca Adams, the contributors to this volume offer valuable insights into the Grateful Dead phenomenon. No other Dead book focuses on the growth and development of the discourse, contains such a range of critical approaches, nor features work by luminaries Stan Krippner and Barnes, among others. The four sections of the book describe aspects and approaches to Dead studies, along with overviews of how the discipline evolved and what it comprises today. This collection will appeal to scholars, students, and teachers interested in Dead studies and fans of the band.
Author: Robert G. Weiner
Publisher: Bloomsbury Publishing USA
Published: 1999-09-30
Total Pages: 270
ISBN-13: 0313003424
DOWNLOAD EBOOK →The Grateful Dead, one of the most meticulously documented rock bands, significantly influenced American music and popular culture. Its popularity has endured for three decades despite mixed critical reception. Jerry Garcia, thought of among many as a musical icon and spokesperson for more than one generation of fans, was often equally scorned by various critics. This collection of scholarly essays attests to the varied fields of interest the band and its followers, known as Deadheads, have affected, including psychology, law, and ethnomusicology. The contributions explore the diversity of the culture of fans, empirically analyze the music, apply literary criticism to the lyrics, and explore Dead-related philosophical and theological concepts — in other words, they are as eclectic as the myriad Grateful Dead fans themselves. Appealing to Grateful Dead scholars, fans, and collectors alike, these twenty-two essays are grouped by subject, and each essay includes a bibliography of resources for further research.
Author: Nicholas Meriwether
Publisher: Cambridge Scholars Publishing
Published: 2021-04-16
Total Pages: 299
ISBN-13: 1527568520
DOWNLOAD EBOOK →All Graceful Instruments: The Contexts of the Grateful Dead Phenomenon gathers thirteen representative essays from a wide array of fields into an interdisciplinary anthology that reveals the depth and extent of this fascinating, variegated cultural phenomenon. Contributors use the techniques of literary criticism, musicology, sociology, philosophy, business theory, and more to explore the meaning and significance of the music of the Grateful Dead, the implications of their artistic and commercial success, and the social dimensions of their following, the Deadheads. For scholars and students of American history and culture, this book makes a convincing case for why the Grateful Dead phenomenon is worthy of academic attention and what that study can offer. By focusing a wide array of critical approaches on a single, discrete subject, All Graceful Instruments provides a refreshing approach to interdisciplinary studies that should appeal to a wide audience.
