The de Brailes Hours

The de Brailes Hours PDF

Author: Claire Donovan

Publisher: University of Toronto Press

Published: 1991-01-01

Total Pages: 244

ISBN-13: 9780802059512

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Claire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century Oxford book trade, with five appendices, notes and bibliography.

Marking the Hours

Marking the Hours PDF

Author: Eamon Duffy

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 228

ISBN-13: 9780300117141

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PT 3: Catholic books in a Protestant world.

The Murthly Hours

The Murthly Hours PDF

Author: John Higgitt

Publisher: University of Toronto Press

Published: 2000-01-01

Total Pages: 400

ISBN-13: 9780802047595

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Accompanying CD-ROM contains digital facsimile of the Murthly Hours with commentary.

Breaching Boundaries

Breaching Boundaries PDF

Author: Paul Maurice Clogan

Publisher: Rowman & Littlefield

Published: 1994

Total Pages: 292

ISBN-13: 9780847678822

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Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself exclusively to Medieval and Renaissance studies.

A Companion to the History of the Book

A Companion to the History of the Book PDF

Author: Simon Eliot

Publisher: John Wiley & Sons

Published: 2011-08-24

Total Pages: 617

ISBN-13: 1444356585

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A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

The Use of Models in Medieval Book Painting

The Use of Models in Medieval Book Painting PDF

Author: Monika E. Müller

Publisher: Cambridge Scholars Publishing

Published: 2014-06-02

Total Pages: 235

ISBN-13: 1443861030

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Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.