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The Culture of History

Author: Billie Melman

Publisher: Oxford University Press, USA

Published: 2006-06-22

Total Pages: 378

ISBN-13: 019929688X

"In this researched book, Billie Melman takes us on a voyage of the 'culture of history' which developed in England after the French Revolution. Exploring the production of English pasts, the multiplicity of their representations, and the myriad ways in which the English looked at history, she reveals how during the nineteenth century the most popular, longest-enduring, and most highly commercialized images of the past represented it as dangerous, disorderly, and violent."--BOOK JACKET.

The Culture of History

Author: Billie Melman

Publisher: OUP Oxford

Published: 2006-06-22

Total Pages: 378

ISBN-13: 0191538027

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In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination. Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture and their venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people and places and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history. Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City not green Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.

Queen Boudica and Historical Culture in Britain

Author: Martha Vandrei

Publisher: Oxford University Press

Published: 2018

Total Pages: 250

ISBN-13: 0198816723

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Taking a long chronological view and a wide-ranging, interdisciplinary approach, this is an innovative and distinctive book. It is the definitive work on the posthumous reputation of the ever-popular warrior queen of the Iceni, Queen Boadicea/Boudica, exploring her presence in British historical discourse, from the early-modern rediscovery of the works of Tacitus to the first historical films of the early twentieth century. In doing so, the book seeks to demonstrate the continuity and persistence of historical ideas across time and throughout a variety of media. This focus on continuity leads into an examination of the nature of history as a cultural phenomenon and the implications this has for our own conceptions of history and its role in culture more generally. While providing contemporary contextual readings of Boudica's representations, Martha Vandrei also explores the unique nature of historical ideas as durable cultural phenomena, articulated by very different individuals over time, all of whom were nevertheless engaged in the creative process of making history. Thus this study presents a challenge to the axioms of cultural history, new historicism, and other mainstays of twentieth- and twenty-first- century historical scholarship. It shows how, long before professional historians sought to monopolise historical practice, audiences encountered visions of past ages created by antiquaries, playwrights, poets, novelists, and artists, all of which engaged with, articulated, and even defined the meaning of historical truth. This book argues that these individual depictions, variable audience reactions, and the abiding notion of history as truth constitute the substance of historical culture.

Historical Memory in Greece, 1821–1930

Author: Christina Koulouri

Publisher: Taylor & Francis

Published: 2022-08-19

Total Pages: 466

ISBN-13: 1000638650

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This book presents a social and cultural history of collective memory in modern Greece during the first century of state independence, contributing to the debate over the relationship between memory and identity. It discusses how modern Greek society commemorated its distant and recent pasts, both real and imagined, namely antiquity, Byzantium, the Greek Revolution and the Asia Minor Catastrophe; how cultural memory was shaped by the various war experiences (victory, defeat, mass death and mourning, refugeedom); and how memory politics became arenas of social and political strife. Historical painting, monuments, historical pageantry, tableaux vivants, national anniversaries, performances of ancient drama and revivals of ancient games are analyzed as instances where the past was visualized, represented, performed and "consumed". An explosion in public history has taken place over the last decades around the world, with a veritable flood of commemorations, anniversaries and "memory wars". As more and more social groups claim the "right to remember", public discourse and polemics have arisen at the same time that traumatic memory has become a field of international academic research. In the arena of public history, historical memory is being constructed through the sentimental, irrational reception of mythological narratives told through images.

Chartism, Commemoration and the Cult of the Radical Hero

Author: Matthew Roberts

Publisher: Routledge

Published: 2019-08-15

Total Pages: 215

ISBN-13: 042958248X

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Chartism, the British mass movement for democratic and social rights in the 1830s and 1840s, was profoundly shaped by the radical tradition from which it emerged. Yet, little attention has been paid to how Chartists saw themselves in relation to this diverse radical tradition or to the ways in which they invented their own tradition. Paine, Cobbett and other ‘founding fathers’, dead and alive, were used and in some cases abused by Chartists in their own attempts to invent a radical tradition. By drawing on new and exciting work in the fields of visual and material culture; cultures of heroism, memory and commemoration; critical heritage studies; and the history of political thought, this book explores the complex cultural work that radical heroes were made to perform.

The Debate on the English Reformation

Author: Rosemary O’Day

Publisher: Manchester University Press

Published: 2015-11-01

Total Pages: 418

ISBN-13: 152610167X

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Extensively revised and updated, this new edition of The debate on the English Reformation combines a discussion of successive historical approaches to the English Reformation with a critical review of recent debates in the area, offering a major contribution to modern historiography as well as to Reformation studies. It explores the way in which successive generations have found the Reformation relevant to their own times and have in the process rediscovered, redefined and rewritten its story. It shows that not only people who called themselves historians but also politicians, ecclesiastics, journalists and campaigners argued about interpretations of the Reformation and the motivations of its principal agents. The author also shows how, in the twentieth century, the debate was influenced by the development of history as a subject and, in the twenty-first century, by state control of the academy. Undergraduates, researchers and lecturers alike will find this an invaluable and essential companion to their studies.

Popularizing National Pasts

Author: Stefan Berger

Publisher: Routledge

Published: 2012-08-21

Total Pages: 378

ISBN-13: 1136592881

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Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their uses, which expands outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term. One of its fortes is the inclusion of Eastern Europe. The cross-national angle of Popularizing National Pasts is apparent in the scope of its comparative project, as well as that of the longue durée it covers. Apart from essays on Britain, France, and Germany, the collection includes studies of popular histories in Scandinavia, Eastern and Southern Europe, notably Romania, Bulgaria, Croatia, Armenia, Russia and the Ukraine, as well as considering the US and Argentina. Cross-national comparison is also a central concern of the thirteen case studies in the volume, which are, each, devoted to comparing between two, or more, national historical cultures. Thus temporality –both continuities and breaks- in popular notions of the past, its interpretations and consumption, is examined in the long continuum. The volume makes available to English readers, probably for the first time, the cutting edge of Eastern European scholarship on popular histories, nationalism and culture.

London's West End

Author: Rohan McWilliam

Publisher: Oxford University Press

Published: 2020-09-25

Total Pages: 368

ISBN-13: 0192556401

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How did the West End of London become the world's leading pleasure district? What is the source of its magnetic appeal? How did the centre of London become Theatreland? London's West End, 1800-1914 is the first ever history of the area which has enthralled millions. The reader will discover the growth of theatres, opera houses, galleries, restaurants, department stores, casinos, exhibition centres, night clubs, street life, and the sex industry. The area from the Strand to Oxford Street came to stand for sensation and vulgarity but also the promotion of high culture. The West End produced shows and fashions whose impact rippled outwards around the globe. During the nineteenth century, an area that serviced the needs of the aristocracy was opened up to a wider public whilst retaining the imprint of luxury and prestige. Rohan McWilliam tells the story of the great artists, actors and entrepreneurs who made the West End: figures such as Gilbert and Sullivan, the playwright Dion Boucicault, the music hall artiste Jenny Hill, and the American Harry Gordon Selfridge who wanted to create the best shop in the world. At the same time, McWilliam explores the distinctive spaces created in the West End, from the glamour of Drury Lane and Covent Garden, through to low life bars and taverns. We encounter the origins of the modern star system and celebrity culture. London's West End, 1800-1914 moves from the creation of Regent Street to the glory days of the Edwardian period when the West End was the heart of empire and the entertainment industry. Much of modern culture and consumer society was shaped by a relatively small area in the middle of London. This pioneering study establishes why that was.

Storied Ground

Author: Paul Readman

Publisher: Cambridge University Press

Published: 2018-02-22

Total Pages: 355

ISBN-13: 1108575811

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People have always attached meaning to the landscape that surrounds them. In Storied Ground Paul Readman uncovers why landscape matters so much to the English people, exploring its particular importance in shaping English national identity amid the transformations of modernity. The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning. Between the late eighteenth and early twentieth centuries, Englishness extended far beyond the pastoral idyll of chocolate-box thatched cottages, waving fields of corn and quaint country churches. It was found in diverse locations - urban as well as rural, north as well as south - and it took strikingly diverse forms.