The Creation and Re-Creation of Cardenio

The Creation and Re-Creation of Cardenio PDF

Author: T. Bourus

Publisher: Springer

Published: 2013-09-18

Total Pages: 576

ISBN-13: 1137344229

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Did Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? With an emphasis on the importance of theatrical experiment, a script and photos from Gary Taylor's recent production, and essays by respected early modern scholars, this book will make a definitive statement about the collaborative nature of Cardenio.

Shakespeare and the Embodied Heroine

Shakespeare and the Embodied Heroine PDF

Author: L. Leigh

Publisher: Springer

Published: 2014-10-10

Total Pages: 210

ISBN-13: 1137465999

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Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.

Young Shakespeare’s Young Hamlet

Young Shakespeare’s Young Hamlet PDF

Author: T. Bourus

Publisher: Springer

Published: 2014-10-15

Total Pages: 289

ISBN-13: 1137465646

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The different versions of Hamlet constitute one of the most vexing puzzles in Shakespeare studies. In this groundbreaking work, Shakespeare scholar Terri Bourus argues that this puzzle can only be solved by drawing on multiple kinds of evidence and analysis, including book and theatre history, biography, performance studies, and close readings.

Spanish Romance in the Battle for Global Supremacy

Spanish Romance in the Battle for Global Supremacy PDF

Author: Victoria Muñoz

Publisher: Anthem Press

Published: 2021-01-19

Total Pages: 368

ISBN-13: 1785273329

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Did Spanish explorers really discover the sunken city of Atlantis or one of the lost tribes of Israel in Aztec México? Did classical writers foretell the discovery of America? Were faeries and Amazons hiding in Guiana, and where was the fabled golden city, El Dorado? Who was more powerful, Apollo or Diana, and which claimant nation, Spain or England, would win the game of empire? These were some of the questions English writers, historians, and polemicists asked through their engagement with Spanish romance. By exploring England’s fanatical consumption of these tales of love and arms as reflected in the works of Edmund Spenser, William Shakespeare, John Dryden, Ben Jonson, and Peter Heylyn, this book shows how the idea of English empire took root in and through literature, and how these circumstances primed the success of Miguel de Cervantes's Don Quixote of la Mancha in England.

Transnational Performance, Identity and Mobility in Asia

Transnational Performance, Identity and Mobility in Asia PDF

Author: Iris H. Tuan

Publisher: Springer

Published: 2018-04-27

Total Pages: 164

ISBN-13: 9811071071

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This pivot considers the history, methodology and practice of Asian theatre and investigates the role of Asian theatre and film in contemporary transnational Asian identities. It critically reviews the topics of transnationalism and intercultural political difference, arguing that the concept of Transnational Asian theatre or 'TransAsia' can promote cultural diversity and social transformation. The book notably offers an understanding of theatre as a cultural laboratory, a repository for diverse histories and a forum for intercultural dialogue, allowing for a better understanding of sociocultural patterns surrounding transnational Asian identity and mobility.

Shakespeare and the Idea of Apocrypha

Shakespeare and the Idea of Apocrypha PDF

Author: Peter Kirwan

Publisher: Cambridge University Press

Published: 2015-04-16

Total Pages: 271

ISBN-13: 1107096170

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This book explores the methodologies and assumptions governing answers to the question 'what did Shakespeare actually write?'

The Oxford Handbook of Cervantes

The Oxford Handbook of Cervantes PDF

Author: Aaron M. Kahn

Publisher: Oxford University Press, USA

Published: 2021-02-16

Total Pages: 731

ISBN-13: 0198742916

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This volume contains seven sections, exploring in depth Cervantes's life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium.

Shakespeare and the Versification of English Drama, 1561-1642

Shakespeare and the Versification of English Drama, 1561-1642 PDF

Author: Marina Tarlinskaja

Publisher: Routledge

Published: 2016-12-05

Total Pages: 362

ISBN-13: 1317056345

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Surveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. The main aim of the book is to analyze the evolution of Renaissance dramatic poetry. Shakespeare is the central figure of the research, but his predecessors, contemporaries and followers are also important: Shakespeare, the author argues, can be fully understood and appreciated only against the background of the whole period. Tarlinskaja surveys English plays by Elizabethan, Jacobean and Caroline playwrights, from Norton and Sackville’s Gorboduc to Sirley’s The Cardinal. Her analysis takes in such topics as what poets treated as a syllable in the 16th-17th century metrical verse, the particulars of stressing in iambic pentameter texts, word boundary and syntactic segmentation of verse lines, their morphological and syntactic composition, syllabic, accentual and syntactic features of line endings, and the way Elizabethan poets learned to use verse form to enhance meaning. She uses statistics to explore the attribution of questionable Elizabethan and Jacobean plays, and to examine several still-enigmatic texts and collaborations. Among these are the poem A Lover's Complaint, the anonymous tragedy Arden of Faversham, the challenging Sir Thomas More, the later Jacobean comedy The Spanish Gypsy, as well as a number of Shakespeare’s co-authored plays. Her analysis of versification offers new ways to think about the dating of plays, attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.

Interruptions in Early Modern English Drama

Interruptions in Early Modern English Drama PDF

Author: Michael M. Wagoner

Publisher: Bloomsbury Publishing

Published: 2022-09-22

Total Pages: 297

ISBN-13: 1350238325

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To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style – emphasizing a playwright's use and control of a text – and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.

The New Oxford Shakespeare: Critical Reference Edition

The New Oxford Shakespeare: Critical Reference Edition PDF

Author: William Shakespeare

Publisher: Oxford University Press

Published: 2017-03-30

Total Pages:

ISBN-13: 0192517570

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The New Oxford Shakespeare is a landmark print and online project, which for the first time provides fully edited and annotated texts of all extant versions of all Shakespeare's works, including collaborations, revisions, and adaptations. Based on a fresh examination of the surviving original documents, it draws upon the latest interdisciplinary scholarship, supplemented by new research undertaken by a diverse international team. Although closely connected and systematically cross-referenced, each part can be used independently of the others. The New Oxford Shakespeare: The Complete Works: Critical Reference Edition collects the same versions of the same works found in the Modern Critical Edition, keyed to the same line-numbering. But the Critical Reference Edition emphasizes book history and the documentary origins of each text. It preserves the spelling, punctuation, capitalization, abbreviations, typographical contrasts, ambiguities, and inconsistencies of the early documents. Introductions focus on early modern manuscript and print culture, setting each text within the material circumstances of its production, transmission, and early reception. The works are arranged in the chronological order of the surviving texts: the first volume covers documents manufactured in Shakespeare's lifetime, and the second covers documents made between 1622 and 1728. The illustrated general introduction presents an overview of the texts available to editors and describes how they define Shakespeare. An essay on error surveys kinds of error characteristic of these early text technologies. It is followed by a general introduction to the music of Shakespeare's plays. Introductions to individual works and an extensive foot-of-the-page textual apparatus record and discuss editorial corrections of scribal and printing errors in the early documents; marginal notes record press variants and key variants in different documents. Original music notation is provided for the songs (where available). Because the plays were written and copied within the framework of theatrical requirements, casting charts identify the length and type of each role, discuss potential doubling possibilities, and note essential props. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.