The Construction of Race and Nation in Martin Scorsese's "Gangs of New York"

The Construction of Race and Nation in Martin Scorsese's

Author: Boris Kirfel

Publisher: GRIN Verlag

Published: 2004-03-21

Total Pages: 18

ISBN-13: 3638262618

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Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2,3 (B), University of Cologne (Institute for the English Language and its Didactic), course: Seminar: The Cultural Analysis of Contemporary American Films, language: English, abstract: „I believe in America. America has made my fortune.“ These are the very first two sentences in Francis Ford Coppola’s The Godfather from 1972 - exactly the same year when director Martin Scorsese decided to film Herbert Asbury’s non-fiction book The Gangs of New York. “Asbury (1891-1963) was a journalist and a pioneer historian of low life, whose Gangs of New York originally appeared in 1928, subtitled an informal history of the underworld.” (Christie 2003, p. 250) At the beginning of The Godfather: Part II, a film which is about the life of an Italian who immigrates to the United States in the 1920s, the film depicts the arrival of Italian immigrants at the New York harbor. All the passengers of the ship are full of expectation. They are looking at the famous Statue of Liberty, which welcomes America’s new citizens. “Bring us your homeless and your poor”, is written in a poem by Emma Lazarus that is graven on a tablet within the pedestal on which the statue stands. (Cf. Christie 2003, p. 253) This sequence portrays the fulfilment of the American Dream. In 2002, after nearly 30 years of preparation, Martin Scorsese’s epic Gangs of New York which is also set in New York one century before the action of The Godfather takes place, finally was released in the United States. Scorsese’s film covers a period of New York City's history, from the 1840's through to the bloody Draft Riots of 1863, when graft and corruption permeated every level of government including the police department. The Statue of Liberty had not been built at the time in which Gangs of New York is set (Cf. Metzger 2000, p. 23), and there aren’t any Italians in the film. The movie concentrates on the struggle between the so called Native Americans and a huge number of Irish immigrants who arrive with ships every day. The picture describes America’s birth from violence and the development of the country into the state which is presented in Coppola’s The Godfather and former pictures by Martin Scorsese like Goodfellas or Casino. Gangs of New York is in a way the foundation of which all the other movies by Scorsese are based on.

Martin Scorsese and the American Dream

Martin Scorsese and the American Dream PDF

Author: Jim Cullen

Publisher: Rutgers University Press

Published: 2021-06-18

Total Pages: 129

ISBN-13: 1978817436

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More than perhaps any other major filmmaker, Martin Scorsese has grappled with the idea of the American Dream. His movies are full of working-class strivers hoping for a better life, from the titular waitress and aspiring singer of Alice Doesn’t Live Here Anymore to the scrappy Irish immigrants of Gangs of New York. And in films as varied as Casino, The Aviator, and The Wolf of Wall Street, he vividly displays the glamour and power that can come with the fulfillment of that dream, but he also shows how it can turn into a nightmare of violence, corruption, and greed. This book is the first study of Scorsese’s profound ambivalence toward the American Dream, the ways it drives some men and women to aspire to greatness, but leaves others seduced and abandoned. Showing that Scorsese understands the American dream in terms of a tension between provincialism and cosmopolitanism, Jim Cullen offers a new lens through which to view such seemingly atypical Scorsese films as The Age of Innocence, Hugo, and Kundun. Fast-paced, instructive, and resonant, Martin Scorsese and the American Dream illuminates an important dimension of our national life and how a great artist has brought it into focus.

Martin Scorsese, Woody Allen, Spike Lee

Martin Scorsese, Woody Allen, Spike Lee PDF

Author: James F. Scott

Publisher: Rowman & Littlefield

Published: 2019-04-01

Total Pages: 335

ISBN-13: 1498548970

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Directors Martin Scorsese, Woody Allen, and Spike Lee emerged as filmmakers toward the end of the 1960s, when the breakdown of the studio system paved the way for new production partnerships and gave more creative authority to directors, actors, and writers. In what has come to be called the “Indie” movement, these directors were able to explore ethno-racial themes with more frankness than previously allowed. From the perspectives of their own minority communities, Scorsese, Allen, and Lee dramatized and critiqued the challenges this restless, ethno-racial underclass posed to the “White Republic” imagined by the Founding Fathers. The three directors whose work is at the heart of this book explore the question of how identity formation is a process of negotiation, particularly among America’s ethno-racial minorities. They emphasize the stresses related to the double burden in the assimilative process of patterning oneself after the majoritarian culture, while acknowledging in complex ways the culture of the community of origin. Annie Hall tells Alvie Singer, “you’re a real Jew.” Buggin’ Out instructs his homeboy friend, “Stay Black, Mookie!” What implications do these phrases carry? Will Alvie have a chance to modify his identity? Should he? Will Mookie honor his friend’s admonition? Is “black” also susceptible to a cultural makeover? Is identity a personal choice? This book highlights how various films by these three directors explore the ways in which “cultural capital” (musical, artistic, intellectual, athletic, etc.) is used to erase “ethno-racial taint” (skin tones, supposed biological “traits,” offensive cultural habits). The formula ordains that assimilation and interculturation will be asymmetrical, favoring those groups or individuals who bring with them the most cultural capital.

Film Nation

Film Nation PDF

Author: Robert Burgoyne

Publisher: U of Minnesota Press

Published: 1997

Total Pages: 154

ISBN-13: 9780816620715

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Explores contemporary American films that challenge official history. Our movies have started talking back to us, and Film Nation takes a close look at what they have to say. In movies like JFK and Forrest Gump, Robert Burgoyne sees a filmic extension of the debates that exercise us as a nation -- debates about race and culture and national identity, about the nature and makeup of American history. In analyses of five films that challenge the traditional myths of the nation-state -- Glory, Thunderheart, JFK, Born on the Fourth of July, and Forrest Gump -- Burgoyne explores the reshaping of our collective imaginary in relation to our history. These movies, exploring the meaning of "nation" from below, highlight issues of power that underlie the narrative construction of nationhood. Film Nation exposes the fault lines between national myths and the historical experience of people typically excluded from those myths. Throughout, Burgoyne demonstrates that these films, in their formal design, also preserve relics of the imaginary past they contest. Here we see how the "genre memory" of the western, the war film, and the melodrama shapes these films, creating a complex exchange between old concepts of history and the alternative narratives of historical experience that contemporary texts propose. The first book to apply theories of nationalism and national identity to contemporary American films, Film Nation reveals the cinematic rewriting of history now taking place as a powerful attempt to rearticulate the cultural narratives that define America as a nation.

Making and Breaking Settler Space

Making and Breaking Settler Space PDF

Author: Adam J. Barker

Publisher: UBC Press

Published: 2021-09-15

Total Pages: 313

ISBN-13: 0774865431

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Five hundred years. A vast geography. Making and Breaking Settler Space explores how settler spaces have developed and diversified from contact to the present. Adam Barker traces the trajectory of settler colonialism, drawing out details of its operation that are embedded not only in imperialism but also in contemporary contexts that include problematic activist practices by would-be settler allies. Unflinchingly engaging with the systemic weaknesses of this process, he proposes an innovative, unified spatial theory of settler colonization in Canada and the United States that offers a framework within which settlers can pursue decolonial actions in solidarity with Indigenous communities.

Five Points

Five Points PDF

Author: Tyler Anbinder

Publisher: Simon and Schuster

Published: 2012-06-05

Total Pages: 686

ISBN-13: 1439137749

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Nineteenth-century NYC’s most dynamic and dangerous neighborhood comes vividly to life in this “careful, intelligent, and sympathetic history” (The New York Times Book Review). Located in today’s Chinatown, Five Points was home to poor immigrants and other marginalized communities. It witnessed more riots, scams, prostitution, and drunkenness than any other neighborhood in America. But at the same time it was a font of creative energy, crammed full of cheap theaters, dance halls, and boxing matches. It was also the home of meeting halls for the political clubs and the machine politicians who would come to dominate not just the city but an entire era in American politics. Drawing from letters, diaries, newspapers, bank records, police reports, and archaeological digs, Anbinder has written the first-ever history of Five Points, the neighborhood that was a microcosm of the American immigrant experience. The story that Anbinder tells is the classic tale of America’s immigrant past, as successive waves of new arrivals fought for survival in a land that was as exciting as it was dangerous, as riotous as it was culturally rich. A New York Times Notable Book

Gangs of New York

Gangs of New York PDF

Author: Martin Scorsese

Publisher:

Published: 2002

Total Pages: 0

ISBN-13:

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In 1846, waves of Irish immigrants poured into the New York neighborhood of Five Points. "Billy the Butcher" bands his fellow "Native Americans" into a gang to take on the Irish gang "The Dead Rabbits," organized by Priest Vallon. After a bloody clash Vallon is dead and his son ends up in a brutal reform school. In 1862, that boy returns to seek vengeance against the man that killed his father.

Film Nation: Hollywood Looks at U. S. History, Revised Edition

Film Nation: Hollywood Looks at U. S. History, Revised Edition PDF

Author: Robert Burgoyne

Publisher:

Published: 2010

Total Pages: 254

ISBN-13: 9781299944794

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Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country's origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups. This book analyses films that give shape to the counternarrative that has emerged since 9/11 - one that challenges the traditional myths of the American nation-state.

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