The Concept of Vakrokti in Sanskrit Poetics

The Concept of Vakrokti in Sanskrit Poetics PDF

Author: Suryanarayana Hegde

Publisher: Readworthy

Published:

Total Pages: 101

ISBN-13: 9350181517

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In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.

The Concept of Vakrokti in Sanskrit Poetics, a Reappraisal

The Concept of Vakrokti in Sanskrit Poetics, a Reappraisal PDF

Author: Suryanarayana Hegde

Publisher: Readworthy

Published: 2009

Total Pages: 0

ISBN-13: 9788189973933

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In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.

Sanskrit Poetics in the Postcolonial Space

Sanskrit Poetics in the Postcolonial Space PDF

Author: Sreenath V.S.

Publisher: Bloomsbury Publishing

Published: 2023-12-30

Total Pages: 177

ISBN-13: 9356402752

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The book positions Sanskrit poetics in a postcolonial context to understand its contemporary relevance and proposes a productive future direction for this system of knowledge. The fundamental argument against Sanskrit poetics in modern literary circles is that it is a system of knowledge that does not have any contemporary relevance, since the idea of literature conceptualised by Sanskrit poetics is incompatible with the modern notion of literature. The general argument is that Sanskrit poetics has only the archaic value of a museum piece. This book which resists such an extremist approach to Sanskrit poetics aims to provide a new direction for Sanskrit poetics to generate new knowledge about this epistemology. The new approach that the author proposes is explicated through three major theoretical positions in Sanskrit poetics, namely dhvani, aucitya and vakrokti.

An Epitome of Indian Aesthetics and Fine Arts: Sanskrit Poetics

An Epitome of Indian Aesthetics and Fine Arts: Sanskrit Poetics PDF

Author: Dr. Thiagarajan Rajagopal

Publisher: Rudra Publications

Published:

Total Pages: 194

ISBN-13: 9393767270

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This book is a primer to Understand the History and Development of Alankara Sastra. It will be an easy reading for Sanskrit and useful for students of other literature too! In Sanskrit there are several synonyms of ‘beauty’,—‘Saundarya’, ‘Caruta’, ‘Ramaniyata’,‘Saubhagya’, ‘Sobha’, ‘Lavanya’, ‘Kanti’, ‘Vicchitti’, and so forth. But the most frequently adopted key-term of aesthetics is Alankara. That is why Alankara-sastra should be translated as the science of beauty. Its widest meaning is adequately stressed by Vamana who aphoristically states — “Saundaryam alankarah.” Since ‘alankara’ can also mean a ‘means of beauty’, it can denote poetic and artistic devices also. In the Rgveda itself we have the use of the word aramkrti which is cognate with the later word alankara and which gives rise to the Indian name of aesthetics, namely, Alankarasastra. The Vedic term has a double connotation — one aesthetic and the other magical.

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