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The Cinema of Richard Linklater

Author: Rob Stone

Publisher: Columbia University Press

Published: 2018-04-10

Total Pages: 233

ISBN-13: 0231851243

From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century. Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects.

The Cinema of Richard Linklater

Author: Thomas A. Christie

Publisher:

Published: 2011-03-01

Total Pages: 292

ISBN-13: 9781861712486

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RICHARD LINKLATER A new study of the American filmmaker Richard Linklater (b. 1960) whose movies include Dazed and Confused, School of Rock, Before Sunrise and A Scanner Darkly. This new edition -the only full-length appreciation of Linklater's available anywhere - includes his latest films - Me and Orson Welles and Inning By Inning, and an in-depth, scene-by-scene analysis of Before Sunrise. FROM THE FOREWORD Welcome to the world of Richard Linklater, the extraordinary US movie director from Austin, whose broad range of films - from indie (Slacker) to mainstream (School of Rock) - makes it impossible to pigeonhole him. What is not open to debate is quality of his output - his films are entertaining, intelligent, philosophical, innovative, adventurous, unpredictable, eclectic... to be honest, the adjectives could go on ad infinitum. Welcome also to the world of Thomas A. Christie, whose pioneering attempt to pin down the elusive nature of the maverick auteur makes for a follow-up to his recent volume on Liv Tyler. This new work bears all the hallmarks of the earlier book - wide-ranging and meticulous research, and intelligent commentaries on each film, backed up by well informed and even-handed opinions. In chapter after chapter Christie demonstrates his knowledge of Linklater, his films and movieland in general - you feel safe in his cinematic hands. His opinions are authoritative - you know that Christie's judgements are the result of viewing and analysis of Linklater's oeuvre, seen through a sharp and perceptive mind. Christie shows once again that he is master of fine detail and formulated opinion, expressed in the clearest narrative prose. We couldn't ask for a better guide to the world of Linklater. If you don't know Linklater's films, this book will make you want to see them. If you feel you know them all already, think again - you'll want to re-view them again and again after reading Christie's thought-provoking volume. THOMAS CHRISTIE has a life-long fascination with films and the people who make them. Currently reading for a PhD in Scottish Literature, he lives in Scotland with his family. He is the author of Liv Tyler, Star in Ascendance: Her First Decade in Film (2007) and The Cinema of Richard Linklater (2008), Ferris Bueller's Day Off (2010), John Hughes and Eighties Cinema (2011), which are also published by Crescent Moon. "

Richard Linklater

Author: David T. Johnson

Publisher: University of Illinois Press

Published: 2012-03-30

Total Pages: 202

ISBN-13: 0252078500

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This title provides an incisive analysis of popular American filmmaker, Richard Linklater.

Slacker

Author: Richard Linklater

Publisher: Macmillan

Published: 1992-07-15

Total Pages: 164

ISBN-13: 9780312077976

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The movie Slacker unfolds during a 24-hour period in Austin, Texas, in which hundreds of characters wander about in a timeless entropy, working hard at doing nothing. Now, to coincide with the national video release of this cult classic, a book that is a ricochet of the movie and the phenomenon. Includes a foreword by bestselling author Douglas Coupland. Illustrated.

Alright, Alright, Alright

Author: Melissa Maerz

Publisher: Harper Paperbacks

Published: 2021-11-16

Total Pages: 464

ISBN-13: 9780062908490

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The definitive oral history of the cult classic Dazed and Confused, featuring behind-the-scenes stories from the cast, crew, and Oscar-nominated director Richard Linklater. Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey's famous phrase--alright, alright, alright--ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976. To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn't the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them. Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater's Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come.

Richard Linklater

Author: David T. Johnson

Publisher: University of Illinois Press

Published: 2012-04-15

Total Pages: 203

ISBN-13: 0252094042

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Richard Linklater's filmmaking choices seem to defy basic patterns of authorship. From his debut with the inventive independent narrative Slacker, the Austin-based director's divergent films have included the sci-fi noir A Scanner Darkly, the socially conscious Fast Food Nation, the kid-friendly The School of Rock, the teen ensemble Dazed and Confused, and the twin romances Before Sunrise and Before Sunset. Yet throughout his varied career spanning two decades, Linklater has maintained a sense of integrity while working within a broad range of budgets, genres, and subject matters. Identifying a critical commonality among so much variation, David T. Johnson analyzes Linklater's preoccupation with the concept of time in many of his films, focusing on its many forms and aspects: the subjective experience of time and the often explicit, self-aware ways that characters discuss that experience; time and memory, and the ways that characters negotiate memory in the present; the moments of adolescence and early adulthood as crucial moments in time; the relationship between time and narrative in film; and how cinema, itself, may be becoming antiquated. While Linklater's focus on temporality often involves a celebration of the present that is not divorced from the past and future, Johnson argues that this attendance to the present also includes an ongoing critique of modern American culture. Crucially filling a gap in critical studies of this American director, the volume concludes with an interview with Linklater discussing his career.

ReFocus: the Films of Richard Linklater

Author: Kim Wilkins

Publisher: ReFocus: The American Directors Series

Published: 2022-12-31

Total Pages: 0

ISBN-13: 9781474493826

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The first edited collection of critical essays on American filmmaker Richard Linklater

Chainsaws, Slackers, and Spy Kids

Author: Alison Macor

Publisher: University of Texas Press

Published: 2010-02-22

Total Pages: 393

ISBN-13: 0292778295

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During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's $100-million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater's Dazed and Confused and Judge's Office Space, against the backdrop of Austin's ever-expanding film community.

The Rough Guide to Film

Author: Rough Guides

Publisher: Rough Guides UK

Published: 2008-05-01

Total Pages: 676

ISBN-13: 1848361254

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Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.

Spike, Mike, Slackers & Dykes

Author: John Pierson

Publisher: Univ of TX + ORM

Published: 2014-04-15

Total Pages: 491

ISBN-13: 0292761007

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“A fast-moving account of the era bookended by Stranger Than Paradise and Pulp Fiction . . . [a] Baedeker of off-Hollywood where all roads lead to Park City.” —Interview The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution. At the epicenter of the industry in the 1980s and ’90s, John Pierson reveals what it took to launch such films as Stranger Than Paradise, Clerks, She’s Gotta Have It, and Roger and Me. A chronicle of a remarkable decade for the American independent low-budget film, Spike, Mike, Slackers & Dykes also celebrates the nearly two dozen first-time filmmakers whom Pierson helped make a name for themselves and the hundred others whose success stories he observed at close quarters. “John Pierson has faithfully chronicled the American independent scene. He was there, he knows.” —Spike Lee “Sly, knowledgeable, deeply entertaining . . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A.” —Entertainment Weekly “The most contentiously witty and revealing view of off-Hollywood around.” —Rolling Stone “Mr. Pierson, who has lived, breathed, and hunted film for most of his adult life, covers his territory with urgency and conviction, and his single-mindedness is ravishing.” —The New York Times Book Review “Pierson’s prose is quick-moving and witty and reads like a Who’s Who of the off-Hollywood mavericks who make the movies we’d like to see but can’t always find.” —The Washington Post “A marvelously entertaining, educational, and caustic account of the rise of American independent filmmaking.” —The Globe and Mail