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The Child, the State and the Victorian Novel

Author: Laura C. Berry

Publisher: University of Virginia Press

Published:

Total Pages: 224

ISBN-13: 9780813934570

The Child, the State, and the Victorian Novel traces the the story of victimized childhood to its origins in nineteenth-century Britain. Almost as soon as "childhood" became a distinct category, Laura C. Berry contends, stories of children in danger were circulated as part of larger debates about child welfare and the role of the family in society. Berry examines the nineteenth-century fascination with victimized children to show how novels and reform writings reorganize ideas of self and society as narratives of childhood distress. Focusing on classic childhood stories such as Oliver Twist and novels that are not conventionally associated with particular social problems, such as Dickens's Dombey and Son, the Brontë sisters' Wuthering Heights and The Tenant of Wildfell Hall, and George Eliot's Adam Bede, Berry shows the ways in which fiction that purports to deal with private life, particularly the domain of the family, nevertheless intervenes in public and social debates. At the same time she examines medical, legal, charitable, and social-relief writings to show how these documents provide crucial sources in the development of social welfare and modern representations of the family.

Parents and Children in the Mid-Victorian Novel

Author: Madeleine Wood

Publisher: Springer Nature

Published: 2020-10-30

Total Pages: 359

ISBN-13: 303045469X

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This book produces an original argument about the emergence of ‘trauma’ in the nineteenth-century through new readings of Dickens, Emily and Charlotte Bronte, Collins, Gaskell and Elliot. Madeleine Wood argues that the mid-Victorian novels present their protagonists in a state of damage, provoked and defined by the conditions of the mid-century family: the cross-generational relationship is presented as formative and traumatising. By presenting family relationships as decisive for our psychological state as well as our social identity, the Victorian authors pushed beyond the contemporary scientific models available to them. Madeleine Wood analyses the literary and historical conditions of the mid-century period that led to this new literary emphasis, and which paved the way for the emergence of psychoanalysis in Vienna at the fin de siècle. Analysing a series of theoretical texts, Madeleine Wood shows that psychoanalysis shares the mid-Victorian concern with the unequal relationship between adult and child, focusing her reading through Freud’s early writings and Jean Laplanche’s ‘general theory of seduction’.

Acting Naturally

Author: Lynn M. Voskuil

Publisher: University of Virginia Press

Published: 2004

Total Pages: 294

ISBN-13: 9780813922690

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Voskuil argues that Victorian Britons saw themselves as "authentically performative," a paradoxical belief that focused their sense of vocation as individuals, as a public, and as a nation.

The Oxford Handbook of the Victorian Novel

Author: Lisa Rodensky

Publisher: Oxford University Press

Published: 2013-07-11

Total Pages: 829

ISBN-13: 0199533148

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The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.

The Victorian Country Child

Author: Pamela Horn

Publisher: Alan Sutton Publishing

Published: 1997

Total Pages: 0

ISBN-13: 9780750914994

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'A totally fascinating account of Victorian country life' -- The Good Book Guide This book describes the varied aspects of country life in the last century from a child's point of view. The author discusses all aspects of their day-to-day experiences, including living conditions, food, school life, work on the land, agricultural policies and how they affected children, local and cottage industries, the Church and its influence, and crime and punishment.

A Companion to the Victorian Novel

Author: Patrick Brantlinger

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 528

ISBN-13: 0470997206

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The Companion to the Victorian Novel provides contextual and critical information about the entire range of British fiction published between 1837 and 1901. Provides contextual and critical information about the entire range of British fiction published during the Victorian period. Explains issues such as Victorian religions, class structure, and Darwinism to those who are unfamiliar with them. Comprises original, accessible chapters written by renowned and emerging scholars in the field of Victorian studies. Ideal for students and researchers seeking up-to-the-minute coverage of contexts and trends, or as a starting point for a survey course.

Narrative Bonds

Author: Alexandra Valint

Publisher:

Published: 2021-01-20

Total Pages: 224

ISBN-13: 9780814214633

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While narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. Narrative Bonds: Multiple Narrators in the Victorian Novel focuses on the centrality of these elements and address the proliferation of multiple narrators in Victorian novels. In Narrative Bonds, Alexandra Valint explores the ways in which the Victorian multi-narrator form moves toward the unity of vision across characters and provides inclusivity in an era of expanding democratic rights and a growing middle class. Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multi-narrator structure in Victorian novels.

The Child's Child

Author: Barbara Vine

Publisher: Penguin UK

Published: 2013-03-07

Total Pages: 294

ISBN-13: 0241963591

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The Child's Child is the new crime novel by bestselling, prize-winning author Barbara Vine, pen-name for the late bestselling author Ruth Rendell What sort of betrayal would drive a brother and sister apart? When Grace and her brother Andrew inherit their grandmother's house, they surprise few people by deciding to move in together. But they've always got on well and the London house is large enough to split down the middle. There's just one thing they've not taken into account though. What if one of them wants to bring a lover to the house? When Andrew's partner James moves in, and immediately picks a fight about the treatment of gay men, the balance is altered - with almost fatal consequences. Barbara Vine's is the pen-name of Ruth Rendell, and The Child's Child is the first book she has published under that name since The Birthday Present in 2008. It's an intriguing examination of betrayal in families, and of those two once-unmentionable subjects, illegitimacy and homosexuality. A taut, thrilling read, it will be enjoyed by readers of P.D. James and Ian Rankin. 'The Rendell/Vine partnership has for years been producing consistently better work than most Booker winners put together' Ian Rankin 'She deploys her peerless skills in blending the mundane, commonplace aspects of life with the murky impulses of desire and greed. Ruth rendall has published fourteen novels under the Vine name, two of which, Fatal Inversion and King Solomon's Carpet, won the prestigious Crime Writers' Association Gold Dagger Award. Also available in Penguin by Barbara Vine: The Minotaur, The Blood Doctor, Grasshopper, The Chimney Sweeper's Boy, The Brimstone Wedding, No Night is Too Long, Asta's Book, King Solomon's Carpet, Gallowglass, The House of Stairs, A Dark-Adapted Eye.

The Material Interests of the Victorian Novel

Author: Daniel Hack

Publisher: University of Virginia Press

Published: 2005

Total Pages: 248

ISBN-13: 9780813923451

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Taking as his point of departure the competing uses of the critical term the materiality of writing, Daniel Hack turns to the past in this provocative new book to recover the ways in which the multiple aspects of writing now conjured by that term were represented and related to one another in the mid-nineteenth century. Diverging from much contemporary criticism, he argues that attention to the writing's material components and contexts does not by itself constitute reading against the grain. On the contrary, the Victorian discourse on authorship and the novels Hack discusses--including works by Thackeray, Dickens, Collins, and Eliot--actively investigate the significance and mutual relevance of the written word or printed word's physicality, the exchange of texts for money, the workings of signification, and the corporeality of writers, readers, and characters. Hack shows how these investigations, which involve positioning the novel in relation to such widely denigrated forms of writing as the advertisement and the begging letter, bring into play such basic novelistic properties as sympathetic identification, narrative authority, and fictionality itself. Combining formalist and historicist critical methods in innovative fashion, Hack changes the way we think about the Victorian novel's simultaneous status as text, book, and commodity.