Author: Dominic Shellard
Publisher:
Published: 2004
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOK →The authors contextualize this material within the political and moral issues of the time, and reveal the fascinating processes and debates that occurred in and around the Lord Chamberlain's Office." "Among the playwrights whose work provokes fierce arguments and reactions are Pirandello, Strindberg, Coward, Shaw, Osborne, Beckett, Tennessee Williams, Pinter and Bond. Featured plays include Mrs Warren's Profession, Miss Julie, The Lesson, Waiting for Godot, Look Back in Anger, The Birthday Party, Cat on a Hot Tin Roof, A Patriot for Me and Saved."--Jacket.
Author: David Thomas
Publisher: Oxford University Press, USA
Published: 2007-11
Total Pages: 297
ISBN-13: 0199260281
DOWNLOAD EBOOK →Using previously unpublished material from the National Archives, this book provides a thoroughgoing account of the introduction and abolition of theatre censorship in England, from Sir Robert Walpole's Licensing Act of 1737 to the successful campaign to abolish theatre censorship in 1968. It concludes with an exploration of possible new forms of covert censorship.
Author: John Russell Stephens
Publisher: Cambridge University Press
Published: 2010-06-10
Total Pages: 232
ISBN-13: 9780521136556
DOWNLOAD EBOOK →Originally published in 1980, this was the first study to make use of the Lord Chamberlain's files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
Author: Richard Findlater
Publisher: London, MacGibbon
Published: 1967
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOK →Author: Great Britain. Parliament. Joint Select Committee on Stage Plays (Censorship)
Publisher:
Published: 1909
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOK →Author: Steve Nicholson
Publisher: Exeter Performance Studies
Published: 2020
Total Pages: 0
ISBN-13: 9781905816422
DOWNLOAD EBOOK →This is the third volume in a new paperback edition of Steve Nicholson's comprehensive four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. Focusing on plays we know, plays we have forgotten, and plays which were silenced for ever, Censorship of British Drama demonstrates the extent to which censorship shaped the theatre voices of this decade. The book charts the early struggles with Royal Court writers such as John Osborne and with Joan Littlewood and Theatre Workshop; the stand-offs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain's determination to keep homosexuality off the stage, which turned him into a laughing stock when he was unable to prevent a private theatre club in London's West End from staging a series of American plays he had banned, including Arthur Miller's A View from the Bridge and Tennessee Williams's Cat on a Hot Tin Roof; and the Lord Chamberlain's attempts to persuade the government to give him new powers and to rewrite the law. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface. DOI: https://doi.org/10.47788/SEEA6021
Author: Steve Nicholson
Publisher: Exeter Performance Studies
Published: 2003
Total Pages: 0
ISBN-13: 9781905816439
DOWNLOAD EBOOK →Winner of the Society for Theatre Research Book Prize - 2016 This is the final volume in a new paperback edition of Steve Nicholson's definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday's conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface. DOI: https://doi.org/10.47788/TGOJ9339
Author: Nicholas De Jongh
Publisher: Methuen Publishing
Published: 2000
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOK →From 1737 until 1968 any play scheduled for performance in England was subject to censorship by the Lord Chamberlain's office.