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The Cambridge Companion to Monteverdi

Author: John Whenham

Publisher: Cambridge University Press

Published: 2007-12-13

Total Pages: 480

ISBN-13: 1139828223

Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.

The Cambridge Companion to Opera Studies

Author: Nicholas Till

Publisher: Cambridge University Press

Published: 2012-10-18

Total Pages: 365

ISBN-13: 0521855616

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The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.

Opera and Society in Italy and France from Monteverdi to Bourdieu

Author: Victoria Johnson

Publisher: Cambridge University Press

Published: 2007-05-03

Total Pages: 32

ISBN-13: 1139464051

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This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.

The Cambridge Companion to Verdi

Author: Scott L. Balthazar

Publisher: Cambridge University Press

Published: 2004-11-18

Total Pages: 368

ISBN-13: 9780521635356

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This Companion provides a biographical, theatrical, and social-cultural background for Verdi's operas, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Like others in the series this Companion is aimed primarily at students and opera lovers.

Monteverdi's Unruly Women

Author: Bonnie Gordon

Publisher: Cambridge University Press

Published: 2004

Total Pages: 260

ISBN-13: 9780521845298

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The Cambridge History of Seventeenth-Century Music

Author: Tim Carter

Publisher: Cambridge University Press

Published: 2005-12-22

Total Pages: 636

ISBN-13: 9780521792738

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First published in 2005, this title provides extensive knowledge on seventeenth-century music.

Monteverdi

Author: Paolo Fabbri

Publisher: Cambridge University Press

Published: 2007-02-01

Total Pages: 368

ISBN-13: 9780521033350

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Paolo Fabbri's Monteverdi, first published in Italian, is the leading study of the greatest composer of late Renaissance and early Baroque Italy, rightly called the "father of modern music." A large number of contemporary documents, including some 130 of his own letters, offer rich insights into the composer and his times, also illuminating the many and varied contexts for music-making in the most important musical centers in Italy. This newly revised translation brings an indispensable text to a much broader readership.

Claudio Monteverdi: Orfeo

Author: John Whenham

Publisher: Cambridge University Press

Published: 1986-02-27

Total Pages: 236

ISBN-13: 9780521284776

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A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.

The Cambridge Companion to Video Game Music

Author: Melanie Fritsch

Publisher: Cambridge University Press

Published: 2021-04-29

Total Pages: 483

ISBN-13: 1108473024

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A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.

The Cambridge Companion to Seventeenth-Century Opera

Author: Jacqueline Waeber

Publisher: Cambridge University Press

Published: 2022-12-22

Total Pages: 723

ISBN-13: 1108915914

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The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.