The Cambridge Companion to Medieval Music

The Cambridge Companion to Medieval Music PDF

Author: Mark Everist

Publisher: Cambridge University Press

Published: 2011-03-03

Total Pages: 982

ISBN-13: 1107495121

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From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.

The Cambridge Companion to Medieval Romance

The Cambridge Companion to Medieval Romance PDF

Author: Roberta L. Krueger

Publisher: Cambridge University Press

Published: 2000-06-22

Total Pages: 182

ISBN-13: 9780521556873

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This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.

Paper in Medieval England

Paper in Medieval England PDF

Author: Orietta Da Rold

Publisher: Cambridge University Press

Published: 2020-10

Total Pages: 297

ISBN-13: 1108840574

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Explains the methods and knowledge to understand how and why paper was used in medieval writing and beyond.

The Cambridge Companion to Medievalism

The Cambridge Companion to Medievalism PDF

Author: Louise D'Arcens

Publisher: Cambridge University Press

Published: 2016-03-10

Total Pages: 257

ISBN-13: 110708671X

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An introduction to medievalism offering a balance of accessibility and sophistication, with comprehensive overviews as well as detailed case studies.

The Medieval Manuscript Book

The Medieval Manuscript Book PDF

Author: Michael Johnston

Publisher: Cambridge University Press

Published: 2015-08-10

Total Pages: 319

ISBN-13: 1107066190

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This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.

Perceptions of Medieval Manuscripts

Perceptions of Medieval Manuscripts PDF

Author: Elaine Treharne

Publisher: Oxford University Press

Published: 2022-01-13

Total Pages: 263

ISBN-13: 0192843818

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Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.