The Bourgeois and the Bibelot

The Bourgeois and the Bibelot PDF

Author: Rémy Gilbert Saisselin

Publisher:

Published: 1984

Total Pages: 216

ISBN-13:

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Examines how art was changed from aesthetic experience to consumer commodity during the nineteenth century, and discusses the changing social role of art

Cecil B. DeMille and American Culture

Cecil B. DeMille and American Culture PDF

Author: Sumiko Higashi

Publisher: Univ of California Press

Published: 1994-12-02

Total Pages: 284

ISBN-13: 9780520914810

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Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition.

Literature and Material Culture from Balzac to Proust

Literature and Material Culture from Balzac to Proust PDF

Author: Janell Watson

Publisher: Cambridge University Press

Published: 2000-01-13

Total Pages: 242

ISBN-13: 113942663X

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This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.

American Impressionism and Realism

American Impressionism and Realism PDF

Author: Helene Barbara Weinberg

Publisher: Metropolitan Museum of Art

Published: 1994

Total Pages: 400

ISBN-13: 0870997009

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An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.

Fiction in the Age of Photography

Fiction in the Age of Photography PDF

Author: Nancy Armstrong

Publisher: Harvard University Press

Published: 2002-05-03

Total Pages: 354

ISBN-13: 0674008014

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In this study of British realism, Armstrong explains how fiction entered into a relationship with the new popular art of Victorian photography that transformed the world into a picture.

The Magic Mirror

The Magic Mirror PDF

Author: Denise Jeanne Youngblood

Publisher: Univ of Wisconsin Press

Published: 1999

Total Pages: 244

ISBN-13: 9780299162344

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Youngblood provides a cultural perspective of an era traditionally viewed through a revolutionary lens, exploring how films and the film industry illuminate and reflect the popular attitudes of a turbulent time.

"Material Women, 1750?950 "

Author: MaureenDaly Goggin

Publisher: Routledge

Published: 2017-07-05

Total Pages: 593

ISBN-13: 1351558900

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With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Australia, Canada, and the US, other essays on Chinese, Senegalese, Indian, and Mexican women's consumption, particularly as it relates to fashion and design, provide a comparative framework that will recalibrate ongoing discussions about consumption and domesticity, dress and identity, and desire and subjectivity. In addition to its focus on gender and consumption, this volume addresses gender and collecting, exploring the tensions between accumulation and systematic collecting. Also examined is the way in which the display of collected objects?in Impressionists' paintings, in mass-produced illustrations, in the glass cases of museums and department stores?participates in the construction of particular identities as well as serving as a kind of value-producing material practice.

Interior decorating in nineteenth-century France

Interior decorating in nineteenth-century France PDF

Author: Anca I. Lasc

Publisher: Manchester University Press

Published: 2018-07-16

Total Pages: 457

ISBN-13: 1526113406

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This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to ‘sell’ the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.