Musical Knowledge

Musical Knowledge PDF

Author: Prof Keith Swanwick

Publisher: Routledge

Published: 2002-11

Total Pages: 207

ISBN-13: 1134854889

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Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience.

Handbook Of Musical Knowledge

Handbook Of Musical Knowledge PDF

Author: James Murray Brown

Publisher: Trinity Guildhall Theory of Music

Published: 2001-05-21

Total Pages: 176

ISBN-13: 9780857360151

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"When this book was first published ni 1967, the material contained in its eight chapters related specifically to the content of the Grade One to Eighty Theory of Music written examinations of Trinity College. This revised edition takes into account most of the changes which have been introduced more recently in those examinations, but may not match their content in every aspect. It is now offered as a general text book on the subject, in the hope that sudents preparing for any theory of music examinations will find it helpful..."--From introduction.

Musicologia

Musicologia PDF

Author: Robin Maconie

Publisher: Scarecrow Press

Published: 2010

Total Pages: 542

ISBN-13: 0810876965

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In Musicologia--meaning "musical reasoning" as distinct from a mere love of music--author and composer Robin Maconie takes aim against the fashionable misconception that music is empty of meaning, or "auditory cheesecake." Fresh and penetrating insights draw attention to the influence of musical analogy in the history of science and philosophy from ancient Greece to modern times. Since music has always existed, it is an expression of human consciousness. The discoveries of Pythagoras, Zeno, Kepler, Newton, and Einstein would not have been possible without a tradition of musical acoustics. The story of Musicologia unfolds in thirty-one chapters from primordial considerations of silence, communication, selfhood, balance, and motion to focus on more recent and specific issues of chaos, order, relativity, and artificial intelligence, showing that even the most controversial aspects of modern art music form part of a wider endeavor to engage with universal propositions of science and philosophy.

The Book of Musical Knowledge

The Book of Musical Knowledge PDF

Author: Arthur Elson

Publisher: Forgotten Books

Published: 2016-09-09

Total Pages: 670

ISBN-13: 9781333531812

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Excerpt from The Book of Musical Knowledge: The History, Technique, and Appreciation of Music, Together With Lives of the Great Composers; For Music-Lovers, Students, and Teachers This book has been planned with a view to placing before the gen eral reader the main facts that will enable him to appreciate music intelligently. One often hears the remark, I'm fond of music, but I don't understand it. The present work has been written with the idea of enabling the non-musician to comprehend the real meaning of the tonal art, and to familiarize himself with the value of the great composers' works, the use of the instruments, the various mu sical forms, and a number of subjects of similar importance. At the same time, certain other technical topics have been in cluded. While these have been presented in such a way as to be un derstood by the non-musician, they have been given with sufficient thoroughness to make the work useful also as a textbook. It is there fore fitted to the needs of students and teachers, as well as amateurs. An effort has been made to condense the chief points of a general musical education into a single volume. While this book should prove of interest to the average reader, a course of study has been added, which will make it suitable for use in high schools or colleges also, or in any institution that aims to give a course in the under standing of music. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Book of Musical Knowledge; The History, Technique, and Appreciation of Music, Together with Lives of the Great Composers, for Music-Lovers, Studen

The Book of Musical Knowledge; The History, Technique, and Appreciation of Music, Together with Lives of the Great Composers, for Music-Lovers, Studen PDF

Author: Arthur Elson

Publisher: Sagwan Press

Published: 2018-02-04

Total Pages: 656

ISBN-13: 9781376666892

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sound Authorities

Sound Authorities PDF

Author: Edward J. Gillin

Publisher: University of Chicago Press

Published: 2022-02-11

Total Pages: 319

ISBN-13: 022678777X

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"In Sound Authorities, Edward J. Gillin shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. Where other studies have focused on vision in Victorian England, Gillin focuses on hearing and aurality, making the claim that the development of the natural sciences in Britain in this era cannot be understood without attending to how the study of sound and music contributed to the fashioning of new scientific knowledge. Gillin's book is about how scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to not only musical sound but also the phenomenon of sound in non-musical contexts, specifically, the cacophony of British industrialization, and he analyzes the debates between figures from disparate fields over the proper account of musical experience. Gillin's story begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, and spectacles, as well as workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious order, as well as the convergence of aesthetic and scientific approaches to pitch standardization. In closing, Gillin delves into the era's religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tension between religious/spiritualist understandings of sound and scientific/materialist ones"--