The Black Guy Dies First

The Black Guy Dies First PDF

Author: Robin R. Means Coleman

Publisher: Simon and Schuster

Published: 2023-02-07

Total Pages: 336

ISBN-13: 1982186550

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A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out, Candyman, and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

The Black Guy Dies First

The Black Guy Dies First PDF

Author: Robin R. Means Coleman

Publisher: Simon and Schuster

Published: 2023-02-07

Total Pages: 336

ISBN-13: 1982186534

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An exploration of the history of Black horror films. Delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines

Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)

Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) PDF

Author: Frederick W. Gooding Jr.

Publisher: Teachers College Press

Published: 2024-05-24

Total Pages: 135

ISBN-13: 0807782246

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Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis—since they are unparalleled in their cultural significance—but the rubrics apply to other forms of media, such as television, print, and social media. “Why does the Black guy die first?” is a well-known rhetorical question that challenges disparate treatment of nonwhite characters onscreen. This subtle statement about the representation of persons of color within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyze these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again! Book Features: Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know. Guidance for honing media literacy skills with middle, high school, and undergraduate college students. A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies. Questions for Questing sections provide critical questions for further exploration. Concrete vocabulary/glossary terms to engage with the subject matter more precisely. Innovative analysis of depictions of race and ethnicity in the top ten grossing films of all time.

Horror Noire

Horror Noire PDF

Author: Robin R. Means Coleman

Publisher: Routledge

Published: 2013-03

Total Pages: 294

ISBN-13: 1136942947

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From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

Black Like Me

Black Like Me PDF

Author: John Howard Griffin

Publisher: Signet Book

Published: 1976

Total Pages: 202

ISBN-13:

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This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.

We Can't Go Home Again

We Can't Go Home Again PDF

Author: Clarence E. Walker

Publisher: Oxford University Press

Published: 2001-06-14

Total Pages: 211

ISBN-13: 0190282584

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Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.

A Lesson Before Dying

A Lesson Before Dying PDF

Author: Ernest J. Gaines

Publisher: Vintage

Published: 2004-01-20

Total Pages: 272

ISBN-13: 1400077702

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NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting. "An instant classic." —Chicago Tribune A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman. "A Lesson Before Dying reconfirms Ernest J. Gaines's position as an important American writer." —Boston Globe "Enormously moving.... Gaines unerringly evokes the place and time about which he writes." —Los Angeles Times “A quietly moving novel [that] takes us back to a place we've been before to impart a lesson for living.” —San Francisco Chronicle

John Dies at the End

John Dies at the End PDF

Author: David Wong

Publisher: Macmillan

Published: 2009-09-29

Total Pages: 479

ISBN-13: 142995678X

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Jon Dies at the End is a genre-bending, humorous account of two college drop-outs inadvertently charged with saving their small town--and the world--from a host of supernatural and paranormal invasions. Now a Major Motion Picture. "[Pargin] is like a mash-up of Douglass Adams and Stephen King... 'page-turner' is an understatement." —Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me. The important thing is this: The sauce is a drug, and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.

The First to Die at the End

The First to Die at the End PDF

Author: Adam Silvera

Publisher: HarperCollins

Published: 2022-10-04

Total Pages: 449

ISBN-13: 0063240823

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In this prequel to the bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls. #1 New York Times bestseller! It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming. Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident. Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking. Told with acclaimed author Adam Silvera’s signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest. * A Publishers Weekly Best Book of the Year *

Human Parts

Human Parts PDF

Author: Orly Castel-Bloom

Publisher: David R. Godine Publisher

Published: 2003

Total Pages: 264

ISBN-13:

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"It was an exceptional winter." With deceptive understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued by a Saudi flu that is decimating the population, and by apocalyptic weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. Orly Castel-Bloom spins a web of filament-fine connections between her characters whose preoccupations, she reminds us, are not so very different from our own. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians.