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The Figaro Trilogy

Author: Pierre-Augustin Caron de Beaumarchais

Publisher: OUP Oxford

Published: 2003-10-09

Total Pages: 369

ISBN-13: 0191604569

The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Gioachino Rossini's the Barber of Seville

Author: Hilary Poriss

Publisher: Oxford University Press

Published: 2021

Total Pages: 177

ISBN-13: 0190299630

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Introduction. "Bravo Figaro, Bravo Bravissimo!" -- A Whirlwind of Change -- Early Revivals : Almaviva, Bartolo, and Their Many Ways -- The World of Rosina and the Prima Donna's Playground -- A Return to Rossini -- The Untethered Splendor of Il barbiere di Siviglia.

Beaumarchais in Seville

Author: Hugh Thomas

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 199

ISBN-13: 0300134649

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Despite the differences of their subject matter, science and theology have a cousinly relationship, John Polkinghorne contends in his latest thought-provoking book. From his unique perspective as both theoretical physicist and Anglican priest, Polkinghorne considers aspects of quantum physics and theology and demonstrates that the two truth-seeking enterprises are engaged in analogous rational techniques of inquiry. His exploration of the deep connections between science and theology shows with new clarity a common kinship in the search for truth. The author identifies and explores key similarities in quantum physics and Christology. Among the many parallels he identifies are patterns of historical development in quantum physics and in Christology; wrestling with perplexities such as quantum interpretation and the problem of evil; and the drive for an overarching view in the Grand Unified Theories of physics and in Trinitarian theology. Both theology and science are propelled by a desire to understand the world through experienced reality, and Polkinghorne explains that their viewpoints are by no means mutually exclusive.

Rossini's The Barber of Seville

Author: Burton D. Fisher

Publisher: Opera Journeys Publishing

Published: 2005

Total Pages: 140

ISBN-13: 0977132064

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A comprehensive guide to Rossini's THE BARBER OF SEVILLE, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with over 35 Music Highlight Examples, a complete, newly translated LIBRETTO with English/Italian side-by-side, selected Discography and Videography, Dictionary of Opera and Musical Terms, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.

Sounds of Spain, Book 2

Author: Catherine Rollin

Publisher: Alfred Music

Published:

Total Pages: 28

ISBN-13: 9781457412646

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The precision of the tango…the rhythmic excitement of a flamenco guitarist…the clicking of wooden castanets…the whirling of great dancers. Such impressions of Spain are captured effectively by Catherine Rollin in this fantastic sequel to Sounds of Spain Book 1. Seven intermediate solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. All are very manageable technically, yet contain dramatic sections that sound difficult and showy. Great crowd-pleasers!

The Barber of Seville and The Marriage of Figaro

Author: Pierre-Augustin Beaumarchais

Publisher: Penguin UK

Published: 2005-03-31

Total Pages: 217

ISBN-13: 0141960736

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A French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.

Plays by George Bernard Shaw

Author: George Bernard Shaw

Publisher: Penguin

Published: 2004-08-03

Total Pages: 528

ISBN-13: 1101157666

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George Bernard Shaw demanded truth and despised convention. He punctured hollow pretensions and smug prudishness—coating his criticism with ingenious and irreverent wit. In Mrs. Warren’s Profession, Arms and the Man, Candida, and Man and Superman, the great playwright satirizes society, military heroism, marriage, and the pursuit of man by woman. From a social, literary, and theatrical standpoint, these four plays are among the foremost dramas of the age—as intellectually stimulating as they are thoroughly enjoyable. “My way of joking is to tell the truth: It is the funniest joke in the world.”—G. B. Shaw With an Introduction by Eric Bentley and an Afterword by Norman Lloyd