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The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock"

Author: Nadja Groß

Publisher: GRIN Verlag

Published: 2013-03-18

Total Pages: 13

ISBN-13: 3656393141

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Trier, course: Alexander Pope, language: English, abstract: “Pope is the standout poet of the eighteenth century. A master of form and register, a maestro of metre, and a doyden of wit, Pope will remain among the most read and most imitated writers in the English language” (Budge 2009, 54.) Alexander Pope is often referred to as one of the greatest critics of all times. He is a great author and his poems are commonly known in the world of Literature. His satirical style is brilliant and exemplified in many of his poems. In the following, I am going to analyze the Augustan poem “The Rape of the Lock”, specifically in terms of its satirical elements. Therefore, I want to start with a look at a few definitions of the Satire. Next, I will go into more detail by defining the Augustan Satire as a subgenre of Satire. After validating these two term’s definitions, there will be the actual analysis. Due to limitations of space, however, I cannot consider all of the satirical elements of the poem, and have decided to put my main focus on the role of Belinda.

The Alexander Pope Encyclopedia

Author: Pat Rogers

Publisher: Bloomsbury Publishing USA

Published: 2004-03-30

Total Pages: 400

ISBN-13: 031306153X

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Alexander Pope (1688-1744) was the most important English poet of the 18th century, as well as an essayist, satirist, and critic. Many of his sayings are still quoted today. His Essay on Criticism shaped the aesthetic views of English Neoclassicism, while his Essay on Man reflected the moral views of the Enlightenment. He participated fully in the critical debates of his time and was one of the few poets who supported himself through his writing. This reference conveniently summarizes his life and works. Included are several-hundred alphabetically arranged entries on Pope's works, subjects that interested him, historical events that impacted Pope's life and work, cultural terms and categories, Pope's family members and acquaintances, major scholars and critics, and various other topics related to his writings. The entries reflect current scholarship and cite works for further reading. The encyclopedia also provides a chronology and concludes with a selected, general bibliography. Because of Pope's central importance to the Enlightenment, this book is also a useful companion to 18th-century literary and intellectual culture.

Studying Poetry

Author: Barry Spurr

Publisher: Bloomsbury Publishing

Published: 2006-08-25

Total Pages: 377

ISBN-13: 1350310174

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This engaging introduction to poetry covers the entire tradition of poetry in English, providing close readings of interesting and varied texts. In this updated second edition, coverage has been expanded to cover medieval poetry and to give more weight to literary theory and women poets, while a new chapter focuses on key contemporary poets.

An Essay on Man

Author: Alexander Pope

Publisher: Createspace Independent Publishing Platform

Published: 2018-07-28

Total Pages: 74

ISBN-13: 9781724433985

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An Essay On Man By Alexander Pope Considered the preeminent verse satirist in English, Alexander Pope (1688-1744) brought wide learning, devastating wit and masterly technique to his poems. Models of clarity and control, they exemplified the classical poetics of the Augustan age. This volume contains a rich selection of Pope's work, including such well-known poems as the title selection - a philosophical meditation on the nature of the universe and man's place in it - and "The Rape of the Lock," a mock-epic of rare charm and skill. Also included are "Ode on Solitude," "The Dying Christian to His Soul," "Elegy to the Memory of an Unfortunate Lady," "An Essay on Criticism," "Epigram Engraved on the Collar of a Dog," "Epistle [IV] to Richard Boyle, Earl of Burlington: Of the Use of Riches," "Epistle to Dr. Arbuthnot; or, Prologue to the Satires" and more. Taken together, these poems offer an excellent sampling of Pope's imaginative genius and the felicitous blending of word, idea and image that earned him a place among the leading lights of 18th-century literature. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Princeton Handbook of Poetic Terms

Author: Roland Greene

Publisher: Princeton University Press

Published: 2016-07-26

Total Pages: 454

ISBN-13: 0691170436

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An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index

The Princeton Encyclopedia of Poetry and Poetics

Author: Stephen Cushman

Publisher: Princeton University Press

Published: 2012-08-26

Total Pages: 1678

ISBN-13: 1400841429

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The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time

The Cambridge Introduction to Satire

Author: Jonathan Greenberg

Publisher: Cambridge University Press

Published: 2019

Total Pages: 335

ISBN-13: 1107030188

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Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.

Major British Writers

Author: George Bagshawe Harrison

Publisher:

Published: 1959

Total Pages: 1020

ISBN-13:

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Includes Chaucer; Spenser; Shakespeare; Bacon; Donne; Milton; Dryden; Swift; Pope; Johnson; Boswell.

Geoffrey Chaucer

Author: George Bagshawe Harrison

Publisher:

Published: 1959

Total Pages: 1016

ISBN-13:

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Alexander Pope's "The Rape of the Lock"

Author: Daniela Esser

Publisher: GRIN Verlag

Published: 2002-09-05

Total Pages: 26

ISBN-13: 363814111X

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Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: very good, University of Paderborn (Anglistics), course: 18th-Century English Satires: Swift and Pope, language: English, abstract: The success of his Essay on Criticism (published in 1711) brought Pope a wider circle of friends, notably Richard Steele and Joseph Addison, who were then collaborating on the journal The Spectator. To this journal Pope contributed the most original of his pastorals, “The Messiah” (1712). He was clearly influenced by The Spectator’s policy of correcting public morals by witty admonishment, and in this vein he wrote the first version of his mock-epic, The Rape of the Lock (two canto version, 1712; five canto version, 1714), to reconcile two Catholic families. It was John Caryll who brought the family quarrel to the attention of Pope. Lord Petre had stolen a lock of Miss Arabella Fermor’s hair, which caused an animosity between the Petres and the Fermors, who had lived in great friendship before. Caryll had been staying with Lord Petre at Ingatestone in Essex, which was the assumed setting of the ‘rape’.1 “Caryll suggested that Pope should ‘write a poem to make a jest of it, and laugh them together again’.”2 Pope treated the dispute between the families as though it were comparable to the mighty quarrel between Greeks and Trojans, which had been Homer’s theme. Telling the story with all the pomp and circumstance of epic made not only the participants in the quarrel but also the society they lived in seem ridiculous. “The Rape owes its richness and resonance to its overstructure of powerful, dangerous motifs.”3 With this opinion, Warren rejects the romantic view of the Rape as a ‘filigree artifice’ of the play with the fires of sex and religion, and he substantiates his argument with the notion that religion in Pope’s mock-epic is replaced by the Baron’s and Belinda’s “altars to Pride and Love”. [...] 1 Cf. eg. Cunningham, J. S.: Pope: The Rape of the Lock. London: Edward Arnold Ltd., 1970 (1st ed. 1961), p. 9f. Hereafter cited as: Cunningham, J. S.: Pope: The Rape of the Lock. 2 Notes to The Rape of the Lock in: Pope, Alexander: The Rape of the Lock. In: Alexander Pope. A selection of his finest poems (Oxford Poetry Library). Ed. Pat Rogers. Oxford: Oxford University Press, 1994, p. 185. Hereafter cited as: Pope, Alexander: The Rape of the Lock. 3 Warren, Austin: “The Rape of the Lock as Burlesque.” (Extract) In: Critics on Pope. Readings in Literary Criticism (series). Ed. Judith O’Neill. London: George Allen and Unwin Ltd., 1973, p. 81.