The Art of Thomas Gainsborough

The Art of Thomas Gainsborough PDF

Author: Michael Rosenthal

Publisher: Paul Mellon Ctr for Studies

Published: 1999

Total Pages: 312

ISBN-13: 9780300081374

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"The book begins by charting the geography and professional tactics of a career that took Gainsbourgh from London to Suffolk, Bath and eventually back to London. Rosenthal looks at such wide-ranging topics as how artists manipulated the press, the issue of likeness in portraiture, how rivalries between painters were handled in public and private, and the pressures of the public exhibition. The second part of the book explores the manifestations of Gainsborugh's aesthetic in portraiture, landscape painting and paintings of sensibility. Rosenthal concludes with a discussion of the problem of defining a role and proper form for the fine arts at a time of rapid social change and innovation."--BOOK JACKET.

The Paintings of Thomas Gainsborough

The Paintings of Thomas Gainsborough PDF

Author: Malcolm Cormack

Publisher:

Published: 1991

Total Pages: 182

ISBN-13: 9780521388870

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Examines the works of the English painter, and discusses his contributions to the art world by analyzing his personal style

Thomas Gainsborough

Thomas Gainsborough PDF

Author: Martin Postle

Publisher:

Published: 2002

Total Pages: 86

ISBN-13:

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Thomas Gainsborough is the most perennially popular of British artists, admired for the grandeur of his society portraits and his sumptuous pastoral landscapes. In his life and art he wished to project an image of effortless accomplishment, demonstrated by a dazzling painting techniques and immense personal charm. He was also competitive, opinionated and possessed of a finely tuned business brain.

Thomas Gainsborough and the Modern Woman

Thomas Gainsborough and the Modern Woman PDF

Author: Aileen Ribeiro

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9781904832850

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The "grand" portrait has long been understood to have played a pivotal part in the self-definition of Georgian society: not only was a likeness presented to a curious public, but social station and financial rank were also advertised, if not flaunted. Leca, curator at the Cincinnati Art Museum, claims that in addition portraiture was the vehicle for "modernist" ideas. He uses as an example the museum's portrait by Thomas Gainsborough titled Ann Ford, the subject of this exhibition catalogue. In a wide-ranging essay, Leca shows how Gainsborough, the most maverick of the period's portraitists, deliberately piqued establishment taste by seeking out and painting "modern women"--courtesans, dancers, and musicians--who mirrored his own edgy persona, and by rendering them in a provocative and "unfinished" style, thus challenging viewers both morally and visually. In a second essay, Ribeiro (emer., Courtauld Institute, London) discusses the decorum surrounding female portraiture and how Gainsborough's picture deviated or violated accepted notions through pose, dress, and countenance. As an authority on period costume, Ribeiro offers an essay that is rich in observations regarding the social nuances of female attire. Ludwig (doctoral candidate, Boston Univ.) offers a survey of the portraiture of British "progressive" women. Summing Up: Recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by L. R. Matteson.

Thomas Gainsborough

Thomas Gainsborough PDF

Author: Hugh Belsey

Publisher: Prestel Publishing

Published: 2002

Total Pages: 104

ISBN-13:

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This new study on Thomas Gainsborough concentrates on the early life and works of the great eighteenth-century artist. Gainsborough's talent was evident at a young age, and before he established himself as one of London's leading portrait artists he was able to indulge himself in his true passion, landscapes, as well as providing portraits for a provincial clientele. Graced with the light and gentle shadows of the English countryside, these early works provided the foundation for much of Gainsborough's later work. But many of them, including the renowned Mr. and Mrs. Andrews, and His Daughters Chasing a Butterfly, can be called masterpieces in their own right. It was in Suffolk that the artist developed a naturalistic approach to portraiture by abandoning "conversation pieces" and painting instead a number of straightforward head-and-shoulder portraits. This lively and accessible volume features eighty color and black-and-white reproductions of Gainsborough's paintings, etchings, and drawings. They not only shed light on the development of one of England's most revered painters, but also offer an intimate look at the work of a young painter in the thrall of his subjects, and just beginning to realize his full talents.

Gainsborough in London

Gainsborough in London PDF

Author: Susan Sloman

Publisher: Modern Art Press, Limited

Published: 2021-03-09

Total Pages: 412

ISBN-13: 9780956800787

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Thomas Gainsborough's (1727-88) London years, from 1774 to 1788, were the pinnacle and conclusion of his career. They coincided with the establishment of the Royal Academy, of which Gainsborough was a founding member, and the city's ascendance as a center for the arts. This is a meticulously researched and readable account of how Gainsborough designed his home and studio and maintained a growing schedule of influential patrons, making a place for himself in the art world of late-18th-century London. New material about Gainsborough's technique is based on examinations of his pictures and firsthand accounts by studio visitors. His fractious relationship with the Royal Academy and its exhibition culture is reexamined through the works he sent to its annual shows. The full range of Gainsborough's art, from fashionable portraits to landscapes and fancy pictures, is addressed in this major contribution, not just to the study of a great artist, but to 18th-century studies in general.

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