Composition in Art

Composition in Art PDF

Author: Henry Rankin Poore

Publisher: Courier Corporation

Published: 1976-01-01

Total Pages: 110

ISBN-13: 9780486233581

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A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art. All the paintings that the author analyzes are illustrated in the text ? 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail ? balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest. To see how a painting by C‚zanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors ? the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.

The Discovery of Pictorial Composition

The Discovery of Pictorial Composition PDF

Author: Thomas Puttfarken

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 358

ISBN-13: 9780300081565

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In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and Its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.

Pictorial Composition and the Critical Judgment of Pictures

Pictorial Composition and the Critical Judgment of Pictures PDF

Author: Henry Rankin Poore

Publisher: Good Press

Published: 2020-03-16

Total Pages: 286

ISBN-13:

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Pictorial Composition and the Critical Judgment of Pictures is a work by Henry Rankin Poore. It provides a view into scientific sense in pictures such as light and shade, contrast, distance and many other themes.

Pictorial Composition

Pictorial Composition PDF

Author: Henry Rankin Poore

Publisher: Courier Corporation

Published: 2012-04-26

Total Pages: 104

ISBN-13: 0486135756

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Learn principles of composition, classical and modern, through analysis of works from Middle Ages to present — Goya, Cézanne, Hopper, many others. 148 illustrations, 9 in full color.

Composition of Outdoor Painting

Composition of Outdoor Painting PDF

Author: Edgar Alwin Payne

Publisher:

Published: 2005-11-01

Total Pages: 170

ISBN-13: 9780939370115

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7th Edition, 8th printing of the original 1941 publication, many added color plates and addenda by Evelyn Payne Hatcher, the artist/author's daughter. A must for art collectors, artists, teachers and art dealers.

Mastering Composition

Mastering Composition PDF

Author: Ian Roberts

Publisher: Penguin

Published: 2007-11-29

Total Pages: 145

ISBN-13: 1581809247

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Create Better Compositions by Design The path to better painting begins with Mastering Composition. This effective guide blends clear, visual instruction with 5 step-by-step demonstrations to show you how to plan and paint your best work yet. Composition is the key, and here you'll learn to design paintings with new skill and confidence. It all begins with the armature or structure of the picture plane. Every great painting has one, and you'll see through several famous examples exactly how the Old Masters used armatures to create movement, narrative, harmony and fluidity. Based on these examples, you'll practice what you've learned following a series of hands-on demonstrations. Once you understand the basic principles of design, you'll be amazed at how quickly and effectively your compositions come together. Soon you will be painting more boldly and confidently than ever before with less reworking and overworking. Whether you're a beginner looking for basic instruction or a more advanced painter troubleshooting a specific problem, the proven methods in this book will work for you. Ideal for all mediums, Mastering Composition gives you the knowledge you need to create powerful paintings out of every subject.

Rendering in Pen and Ink

Rendering in Pen and Ink PDF

Author: Arthur L. Guptill

Publisher: Watson-Guptill

Published: 2014-07-01

Total Pages: 257

ISBN-13: 0307831884

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Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.