The Art of Medieval French Romance

The Art of Medieval French Romance PDF

Author: Douglas Kelly

Publisher: Univ of Wisconsin Press

Published: 1992-04-15

Total Pages: 504

ISBN-13: 9780299131906

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Douglas Kelly provides a comprehensive and historically valid analysis of the art of medieval French romance as the romancers themselves describe it. He focuses on well-known writers, such as Chrétien de Troyes and Marie de France, and also draws on a wide range of other sources—prose romances, non-Arthurian romances, thirteenth-century verse romances, and variant versions from the later Middle Ages. Kelly is the first scholar to present the “art” of medieval romance to a modern audience through the interventions and comments of medieval writers themselves. The book begins by examining the difficulties scholars perceive in medieval literature: problems such as source and intertextuality, structure in its manifold modern meanings, and character psychology and individuality. These issues frame Kelly’s identification and discussion of all the known authorial interventions on the art and craft of romance. Kelly’s careful reconstruction of the “art” of romance, based on the records left by the romancers themselves, will be an invaluable resource and guide for all medievalists.

Literary Objets D'art

Literary Objets D'art PDF

Author: Linda M. Clemente

Publisher: Peter Lang Incorporated, International Academic Publishers

Published: 1992

Total Pages: 176

ISBN-13:

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The genesis of this book was the coincidence of two readings: Virgil's Aeneid and Dante's Purgatorio. Each work includes descriptions of art objects, Daedalus' and God's artwork respectively. These descriptions, or ekphraseis, also occur frequently in Old French romances. Too long considered as embellishment or artistic virtuosity, they have received little rigorous critical attention. This book offers a step in that direction by analyzing the narrative significance of art objects in three very different works: the anonymous Eneas, Chrétien de Troyes' Erec et Enide, and Jean Renart's Escoufle. Along with intertextuality and mise en abyme, ekphrasis opens new avenues for interpreting this literature.

Medieval French Romance

Medieval French Romance PDF

Author: Douglas Kelly

Publisher: New York : Twayne Publishers

Published: 1993

Total Pages: 262

ISBN-13:

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Provides a clear and comprehensive survey of the many branches and subgenres of romance. It traces the evolution and adaptation of lays, chronicles, epic, "chansons de geste", allegory, and other prose and verse forms, describes the elements that characterize each, and explains their relationship to and influence on romance.

Courtly Love Undressed

Courtly Love Undressed PDF

Author: E. Jane Burns

Publisher: University of Pennsylvania Press

Published: 2002

Total Pages: 342

ISBN-13: 9780812236712

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Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man.

French Romance of the Later Middle Ages

French Romance of the Later Middle Ages PDF

Author: Rosalind Brown-Grant

Publisher: OUP Oxford

Published: 2008-11-13

Total Pages: 268

ISBN-13: 0191564958

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Whilst French romances of the twelfth and thirteenth centuries have long enjoyed a privileged place in the literary history of France, romances from the later middle ages have been largely neglected by modern scholars, despite their central role in the chivalric culture of the day. In particular, although this genre has been seen as providing a forum within which ideas about masculine and feminine roles were debated and prescribed, little work has been done on the gender ideology of texts from the fourteenth and fifteenth centuries. This study seeks to fill this gap in the scholarship by analysing how the views of gender found in earlier romances were reassessed and reshaped in the texts produced in the moralising intellectual environment of the later medieval period. In order to explore these topics, this book discusses fifteen historico-realist prose romances written in the century from 1390, many of which were commissioned at the court of Burgundy. It addresses key issues in recent studies of gender in medieval culture including the construction of chivalric masculinity, the representation of adolescent desire, and the social and sexual roles of husbands and wives. In addition to offering close readings of these texts, it shows how the romances of the period were informed by ideas about gender which circulated in contemporary works such as manuals of chivalry, moral treatises, and marriage sermons. It thus aims not only to provide the first in-depth study of this little-known area of French literary history, but also to question the critical consensus on the role of gender in medieval romance that has arisen from an exclusive focus on earlier works in the genre.

Shaping Identity in Medieval French Literature

Shaping Identity in Medieval French Literature PDF

Author: Adrian P. Tudor

Publisher: University Press of Florida

Published: 2019-08-05

Total Pages: 205

ISBN-13: 0813057191

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This collection considers the multiplicity and instability of medieval French literary identity, arguing that it is fluid and represented in numerous ways. The works analyzed span genres—epic, romance, lyric poetry, hagiography, fabliaux—and historical periods from the twelfth century to the late Middle Ages. Contributors examine the complexity of the notion of self through a wide range of lenses, from marginal characters to gender to questions of voice and naming. Studying a variety of texts—including Conte du Graal, Roman de la Rose, Huon de Bordeaux, and the Oxford Roland—they conceptualize the Other Within as an individual who simultaneously exists within a group while remaining foreign to it. They explore the complex interactions between and among individuals and groups, and demonstrate how identity can be imposed and self-imposed not only by characters but by authors and audiences. Taken together, these essays highlight the fluidity and complexity of identity in medieval French texts, and underscore both the richness of the literature and its engagement with questions that are at once more and less modern than they initially appear. Contributors: Adrian P. Tudor | Kristin L. Burr | William Burgwinkle | Jane Gilbert | Francis Gingras | Sara I. James | Douglas Kelly | Mary Jane Schenck | James R. Simpson | Jane H.M. Taylor

Courtly and Queer

Courtly and Queer PDF

Author: Charlie Samuelson

Publisher:

Published: 2022-03-24

Total Pages: 240

ISBN-13: 9780814214985

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Recasts queerness in medieval French romances by juxtaposing key genres for the first time, revealing how their literary sophistication overlaps with modern conceptions of queerness.

French Romance, Medieval Sweden and the Europeanisation of Culture

French Romance, Medieval Sweden and the Europeanisation of Culture PDF

Author: Sofia Lodén

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 229

ISBN-13: 1843845822

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Translations of French romances into other vernaculars in the Middle Ages have sometimes been viewed as "less important" versions of prestigious sources, rather than in their place as part of a broader range of complex and wider European text traditions. This consideration of how French romance was translated, rewritten and interpreted in medieval Sweden focuses on the wider context. It examines four major texts which appear in both languages: Le Chevalier au lion and its Swedish translation Herr Ivan; Le Conte de Floire et Blancheflor and Flores och Blanzeflor; Valentin et Sansnom (the original French text has been lost, but the tale has survivedin the prose version Valentin et Orson) and the Swedish text Namnlös och Valentin; and Paris et Vienne and the fragmentary Swedish version Riddar Paris och jungfru Vienna. Each is analysed through the lens of different themes: female characters, children, animals and masculinity. The author argues that French romance made a major contribution to the Europeanisation of medieval culture, whilst also playing a key role in the formation of a national literature in Sweden.

Outsiders

Outsiders PDF

Author: Sylvia Huot

Publisher: University of Notre Dame Pess

Published: 2016-07-15

Total Pages: 368

ISBN-13: 0268081832

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Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective.