The Renaissance of Etching

The Renaissance of Etching PDF

Author: Catherine Jenkins

Publisher: Metropolitan Museum of Art

Published: 2019-10-21

Total Pages: 311

ISBN-13: 1588396495

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The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

An Indolent and Blundering Art?

An Indolent and Blundering Art? PDF

Author: Emma Chambers

Publisher: Routledge

Published: 2018-08-10

Total Pages: 294

ISBN-13: 0429852827

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First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching

Artists and Amateurs

Artists and Amateurs PDF

Author: Perrin Stein

Publisher: Yale University Press

Published: 2013-10-29

Total Pages: 247

ISBN-13: 0300197004

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Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

Magical Secrets about Thinking Creatively

Magical Secrets about Thinking Creatively PDF

Author: Kathan Brown

Publisher:

Published: 2006

Total Pages: 132

ISBN-13:

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Cultural Writing. Art. Essays. MAGICAL SECRETS ABOUT THINKING CREATIVELY: THE ART OF ETCHING AND THE TRUTH OF LIFE by Kathan Brown is a new volume in the Magical Secrets series published by Crown Point Press in San Francisco. What are Magical Secrets? They are ways of setting yourself up for thinking creatively, for a sudden understanding, something like a miracle. Kathan Brown learned the Magical Secrets in this book by helping artists of extraordinary acclaim make etchings. She founded Crown Point Press, now probably the world's most influential etching publisher, in 1962. In this book, you'll meet sixteen artists who will be remembered by future generations. Kathan Brown knows them well, and with pictures and graceful, inviting prose she shares with you their ways of working, thinking, and being.

Etching, Engraving and Other Intaglio Printmaking Techniques

Etching, Engraving and Other Intaglio Printmaking Techniques PDF

Author: Ruth Leaf

Publisher: Courier Corporation

Published: 2012-07-12

Total Pages: 242

ISBN-13: 0486139247

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Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.

Etching and Engraving

Etching and Engraving PDF

Author: John Buckland Wright

Publisher: Courier Corporation

Published: 1973-01-01

Total Pages: 258

ISBN-13: 0486228886

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This practical course covers line engraving, drypoint, and the tonal variations of mezzotint and stipple; etching and the tonal variations of soft ground, aquatint, and sugar aquatint; relief prints and deep etch; and woodcut, linocut, and wood engraving. Constantly referencing the 156 illustrations reproduced throughout, the author achieves a fine balance between technique and theory.